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Music and art culture of puerto rico
Music and art culture of puerto rico
Music and art culture of puerto rico
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Jose Campeche is the first known Puerto Rican visual artist and considered one of the best rococo and religious artist in the Americas and gained international fame, he has left behind a legacy that even people today are astonished by his glorious artwork. Jose real name is Jose de Ribafrecha and was born on December 23, 1751, in San Juan, Puerto Rico and died on November 7, 1809, in San Juan, he was 57 years old. His parents are Thomas Campeche and Maria Jordan y Marques, His father was a feed slave who lived in Puerto Rico. He was a decorator and a restorer on old art work he was also a painter, he was a big influence on Jose and his passion for art. His mother was a native in the Canary Islands, he was referred to as a “mulatto” for his diverse nationalities. Some of his most famous …show more content…
He built the altar of Saint Anne’s church in San Juan. He painted mainly portraits and things related to religion, he also loved to use vibrant colors to reflect Puerto Rico landscape. Jose studied Latin and philosophy and received a good music education at the Royal Convent of the Dominican Order in San Juan. Campeche didn’t have a teacher to show him technique of painting until he was 25 years old. He was trained by Luis Paret y Alcazar who was a court painter, in 1755 Luis was sent to exile. He 18th century European techniques, Campeche gained and perfected his natural talent. It helped him create and achieve his own sense of style on his realistic paintings and his art work with intricate detail. After Paret was sent away Campeche had to train on his own during that time he showed more originality to his work. Jose had two major themes for his artwork. One was portraits, these types of paintings gained more attention from the wealthy, and influence a lot of French because of the European technique in his
Guillermo González Camarena was a Mexican electrical engineer who was the inventor of a color-wheel type of color television, and who also introduced color television to Mexico,
Marcario Garcia was not born in Texas; rather his parents carried him across the border from Mexico to Texas as an infant. The family settled in Sugar Land, Texas, where they worked as lowpaid farm workers and raised ten children. The land was originally owned by the Mexican government and was part of the land grant to Stephen F. Austin. Very early, sugarcane stalks from Cuba were brought to the area and a
José Antonio Villarreal’s Pocho does a superb job of dealing with both the common coming of age narrative and the tensions faced by Latino Americans. Richard Rubio attempts to remain individualistic throughout his life but struggles with what that means within the confines that his heritage and society structure him into. Characters ebb and flow through his life, each having certain standards, expectations or ideals predetermined about him. Richard attempts to cast off and ignore the pressures they place on him, and instead forage his own path for what his future is to look like. I believe that the conflict between his family’s Mexican heritage and his American home is what forces Richard to actively pursue, and even fight, for his individuality.
In Miguel de Unamuno’s novella San Manuel Bueno, Martyr, readers learn about the life of Don Manuel, a Catholic priest secretly holding atheist beliefs and doubts in the afterlife. Despite these disbeliefs, Don Manuel works tirelessly to help his community and is regarded as a saint by all who meet him, hence the handle “San Manuel,” which literally translates to “Saint Manuel.” Don Manuel’s struggle and affiliation with sainthood receives further analysis and context from Francisco LaRubia-Prado, who parallels Unamuno’s novella to elements of Greek Tragedy and heroism. Drawing from Unamuno’s background with Ancient Greek playwriting and Sigmund Freud’s Totem and Taboo, LaRubia-Prado argues that Don Manuel should be seen as a representation of Christ and must suffer in silence in order to play the role of the dying, tragic hero that saves the
Such controversy that followed him is one of the aspects of his art that made him stand out as a muralist during his lifetime (1). As with most artist his paintings became famous after his death (2) in 1957 due to heart failure in Mexico City, Mexico (1). His radical approach to art and his unique style have created a lasting impression on art and continue to do so (2). Widely regarded as the most influential Mexican artist of the twentieth century (3), Diego Rivera created a legacy in paint that continue to inspire the imagination and mind (2).
The traditions my parents instilled in me at a young age are important to me. They are part of my Latin culture and identity. One of the most important traditions that I value the most is our devotion to “La Virgen de Guadalupe” (The Virgin of Guadalupe), and although I don't go to church or share a specific a religion, I believe in La Virgen as a protector and a guardian figure and maintain her presence in my daily life.
Jose de San Martin was an Argentine liberator in South America. San Martin was considered one of the principal fighters against royalist forces in South America. He was considered a master in military strategy. This skill alone would lead him to success against the royalist forces. Jose de San Martin was born on February 28, 1778 in the viceroyalty of Rio de la Plata’. He started his career in the military as an infantryman in the Murcia regiment in southeast Spain. Although a Spaniard, between 1808 and 1811 he fought against the forces of Napoleon because of his dislike of the monarchy and the colonial system. In 1811 he resigned from the Spanish Army he sailed to Buenos Aires where he became a member of the revolutionary regime. In this new
The story of Inês de Castro may not compare to that of the Petrichor potion or the Cure for Dragon Pox at a glance, but is none the less important in illustrating how potions can affect a large population in a short period of time.
Being the descendant of Haitian and Puerto Rican ancestry, Basquiat’s diverse culture is a main factor behind his creative tactics and his artwork. Basquiat was born in Brooklyn, New York on December 22, 1960. His father was Haitian-American, Gerard Basquiat with an occupation of an accountant and his mother Matilde Basquiat was Puerto Rican
Había muchos pintors famosos y artistas que vinieron de España y otros países de habla hispana. En mi opinión, Diego Rivera fue el artista mejor. Él era famoso por sus murales, pinturas temáticas cubismo, y mucho más. Muchas cosas influyeron Rivera en su época de dibujo, como los acontecimientos actuales y su vida social. Él pasó por muchas cosas difíciles como un niño que influyeron en sus decisiones de vida mayores. Rivera viajó mucho y su vida fue muy interesante.
Thesis: Chicano Movement goals was to increase chicano pride, improve social and economic standing and gain civil rights.
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
...le artists include Mariscal, Guillermo Perez-Villalta, and the artist duo La Costus. An unconventional but wildly popular artist of La Movida was the graffiti artist Juan Carlos Argüello, usually known by his tag, “Muelle”. He painted his tag all over Madrid and became extremely well-known. Once as he was driving away after painting his tag a police officer pulled him over. After asking him if he had painted the tag, the officer just asked for Muelle’s autograph! Another personality was Francisco Umbral, a writer for the periodical El País.
Las Meninas is considered one of the greatest paintings of all time by critics and casual admirers of art alike. It was painted during a time when Spain’s glory was declining, and Velázquez was surrounded by the remnants of a once-great court, which was now in shambles and debt. King Philip had entered depression, due to the fact that he did not have a suitable male heir to the throne and was bankrupted by the Thirty Years’ War, and paid little effort to governing his country. He had lost power, and his portrait in the mirror of Las Meninas illustrates the shadow of what Philip had once been. The center and main focus of the painting is La Infanta Margarita, Philip’s five-year-old daughter. Light streams through a window onto her face, illuminating her with a golden light. Two of her meninas, or ladies-in-waiting, are located on either side of the princess, one kneeling and offering her a glass of water with another rising from a curtsy. On the right side, the dwarf Mari-Bárbola and the midget Nicolas Pertusato stand, along with a brown dog. Behind them, a man and woman are in conversation. On the left side, a massive canvas looms over the group as Velázquez, the artist, stands behind it with his brush and palette. On the dark back wall, two paintings hang along with a mirror which reflects the countenances of the king and queen. A man stands in the doorway of a door in the back of the room, with his hand on a curtain as if he has just pulled it open. The room appears almost empty, save for the figures in it, and this emptiness is amplified by the room’s high ceiling. Diego Rodríguez de Silva y Velázquez’s masterpiece, Las Meninas, conveys a message telling of the crumbling political situation and uncertain future of Spain at the ...
Luis de Morales a Spanish painter born in Badajoz, Extremadura in the year of 1509, whose works were primarily religious subjects including his own representations of Madonna and Child and Passion. Morales was influenced by Raphael Sanzio and also the Lombard school of Leonardo da Vinci.