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The effect of viola disguise on the society of "twelfth night
William Shakespeare's portrayal of women
How does shakespeare subvert his characters perception of gender roles
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In every society there are prescribed gender roles and corresponding expectations for both men and women. Men are expected to be aggressive, physically robust and forward while women are expected to be passive, physically weaker than men and reserved. If and when this happens, it can result in confusion and possible negative consequences. This notion is often explored in literature, and one such writer who does so is William Shakespeare. In Shakespeare’s Twelfth Night, Viola, Duke Orsino and Maria seem to demonstrate gender role reversal for the majority of the play, but they eventually revert back to their prescribed roles, which is in keeping with the Carnival theme.
The first character who highlights the theme of gender role reversal is
She says this to the captain: "Conceal me what I am, and be my aid/ as haply shall become/The form of my intent. I 'll serve this duke/ Thou shalt present me as an eunuch to him" (1.2.55-58) Viola behaves in a more masculine manner since she is aggressive and assertive as opposed to passive and indecisive; she thinks of the plan to disguise herself and boldly decides to carry it out without having any doubts or reservations. A Renaissance woman would typically be less bold and assertive in a situation like this; she would most likely play the role of a damsel in distress. Throughout the majority of the play, Viola behaves in this manner, demonstrating her tendency toward a more masculine role. However, toward the end of the play, Viola 's masculine tendencies begin to wear off, and her feminine attributes resurface. When Duke Orsino confronts Olivia about her rejection of his love, he
She represents this theme because she acts in more of a masculine manner when dealing with Sir Toby and Sir Andrew. She even comes up with a plan to make a fool of Malvolio: "I will drop in his way some obscure epistles of love" (2.3.137). Sir Toby and Sir Andrew think that she has thought of a brilliant plan and agree to go along with it which means that Maria put herself in charge and is the mastermind of the plan. Since Sir Toby and Sir Andrew let her be in charge and take control of the situation, this demonstrates how Maria is behaving in a more masculine way. It was common for the males to be in charge in the Shakespearean time but Maria has disregarded this stereotypical roles and took charge. However, when the plan of making Malvolio look like a fool is complete and over with, Maria reverts back to her prescribed feminine gender role. In the play it says: "Maria writ/ The letter at Sir Toby 's great importance/ In recompense where of he hath married her." (5.1.350-352). Maria ends up getting married to Sir Toby in reward of her master plan which shows how feminine she really is because she wants to get married. Sir Toby feels the need to give Maria the reward of his marriage because of how brilliant the plan was and it is assumed that Maria accepts his reward with no question. Although Maria 's gender role was reversed in the beginning of the play, she reverts back to her prescribed gender
The play Twelfth Night, or What You Will by William Shakespeare is a 1601 comedy that has proven to be the source of experimentation in gender casting in the early twenty-first century due to its portrayal of gender in love and identity. The play centrally revolves around the love triangle between Orsino, Olivia, and Viola. However, Olivia and Orsino both believe Viola is a boy named Cesario. Ironically, only male actors were on the stage in Shakespeare’s time. This means that Olivia, Viola, and other female characters were played by young boys who still had voices at higher pitches than older males.
Throughout Romeo and Juliet, by William Shakespeare, there is an overlaying presence of the typical roles that men and women were supposed to play. During Elizabethan times there was a major difference between the way men and women were supposed to act. Men typically were supposed to be masculine and powerful, and defend the honor. Women, on the other hand, were supposed to be subservient to their men in their lives and do as ever they wished. In Romeo and Juliet the typical gender roles that men and women were supposed to play had an influence on the fate of their lives.
The Tragedy of Mariam focuses on Elizabeth's Cary's desire to develop a platform from which women can speak, thereby offering a fuller understanding of women as individuals. By examining issues of public and private language, Cary shows her interest in female voices. As an early-17th-century female playwright, Cary was described by the Earl of Clarendon as `a lady of a most masculine understanding, allayed with the passions and infirmities of her own sex'. This description could be interpreted as a complement to Cary, although the Earl adheres to the patriarchal boundaries placed upon both men and women. The connection that he makes between Cary and masculinity reinforces the stereotype of male authority. This essay will examine Cary's exploration of gender, language and silence in The Tragedy of Mariam. The play's expression of these themes is sometimes open, and at other times covert. By concentrating on the issues of public and private speech, this essay will determine the effects that crossing patriarchal boundaries had on women in early modern England.
William Shakespeare is known to be the greatest writer in the English language, and till this day Shakespeare upholds the title of being the start of English literature. Something every reader has possibly observed is how Shakespeare portrays women. The majority of William Shakespeare’s plays objectifies women and in some ways shows his underline feelings towards women, and their roles in society. This is clearly shown through out Shakespeare’s play ‘Othello’. The society of Othello is completely controlled by men who are the military and political leaders of their homeland. Furthermore women are seen as powerless second-class citizens, who are in place for nothing more than to serve their men. But the horrendous actions and intense downfall of the men in Othello show how men are not nearly as authoritative and powerful as they seem. The boldness of the female characters proves that they are much more capable of just serving. Furthermore, by the end of the play, I admit the men of Othello are not the ones who perform courage and power instead; this title is given to the women in the play.
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
In conclusion, through the lens of Gender theory and examination, this play not only portrays women in a degrading manner, but definitely makes the male characters overshadow the female characters. As shown through two female characters whose parts are both subordinate and very compliant. Both women act like they are suppose to and do not even the slightest but challenge the male characters. Both women by the end of the play have completely lost their identities and have conformed to what society made them into, nothing but a puppet controlled by men. Hamlet is a play that has a clear distinction between male and female roles. The male roles are powerful, dominating, and controlling while the female characters are obedient, fractured and frail. "
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
...rfectly able to do anything a man can. In addition to that, the serving-woman Maria proves herself perfectly capable of tricking Malvolio, enough so to make everyone in town to think he has gone completely mad. Both of these women are headstrong and sure of themselves and just itching to prove to the men in the play that none of them are better than the women.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
In Shakespeare’s Hamlet, the role of hierarchy is supported but also challenged. The writing in his play reflects the stereotypes of the roles of both men and women, especially because the play is written by a man. Shakespeare brings into action the undermining roles men play towards women, while giving nothing but judgement to the women characters. The play is written in a culture dominated by men, allowing the lack of women representation to be even more apparent. The dialogue and actions of the play, too, are written through the point of view of a male and not that of a female. Through the feminist theory, Shakespeare brings into question the way men treat women in dramatic English playwriting.The feminist theory, according to theorist Helene
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
The Impact of Gender on Shakespeare’s Othello. In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello.
The Shakespearean classic work Othello enchants the readers mind through the tragic love story of the witty and cunning soldier Othello and the charming and powerful Desdemona. The continuous reinforcement of their tragedy is molded by the gender roles present in the play, particularly those of Bianca, Desdemona, and Emilia. Although the men are important within the outcome of the play, mainly Iago and Othello, the women take a more subtle, yet effective approach in manipulating the work through their personalities. Bianca is a woman of self-esteem and sexual power while Desdemona is the keeper of Othello’s heart and handkerchief, never once denouncing him, even her death. Emilia subtly represents that women are just as powerful, if not more,
Shakespeare’s views of these expectations are contrary to the standard view of women’s roles during his play, for he demonstrates his malaise over the way gender relationships were so often represented, as his female characters demonstrate their capacities to rise to power and how women can be courageous in a male dominated society.... ... middle of paper ... ... Shakespeare uses both Desdemona and Emilia as symbols of defiance against the Elizabethan era, as he develops their characters to function with adjusted roles in culture.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...