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Animal farm literary analysis on symbolism
What was to life of a serf in medieval time
Use of Symbolism
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The novel Crispin: The Cross of Lead, written by Avi, is a medieval tale that intertwines drama and action with an underlying theme of the intersection of fate and social status. The book is set in England in 1377, during Europe’s dark ages, and its protagonist is a peasant boy on a feudal manor. Social structure during this time was very rigid, and Avi uses it as both context and a theme. Crispin, as a serf bound to his lord’s land, is at the bottom of the hierarchy. But as he grows and becomes more independent, Crispin discovers that he can transcend the social boundaries that precluded his freedom for so long. The story of Crispin begins with two main characters: the young Crispin and the burly jester known as Bear. Though they both had similar beginnings, Crispin and Bear led very different lives before they met. Crispin, on one hand, was born an impoverished peasant boy in the tiny village of Stromford as the son of the wealthy Lord Furnival and his out-of-wedlock partner, a woman known as Asta. Because of his illegitimacy, Crispin “existed in a shadow” (pg. 12 ch. 3), seemingly fated to lead a servile existence as a serf. Only the passing of his …show more content…
mother and the news of Lord Furnival’s death gave him a reason to flee. Bear, meanwhile, was raised to be a priest, but he ran off to join a traveling circus. Adept in the arts of music and performance, he is opposed to the government and church, and has adopted the motto “Let it be as it may be!” (pg. 75 ch. 16). While Crispin is confined to the social structure, Bear seems to transcend it. The differences between the two are highlighted when the two first meet in an abandoned town. The terrified Crispin says Bear’s ideas “sound like… treason,” (pg. 75 ch. 16), and becomes “convinced that Bear was mad.” (pg. 100 ch. 21). As the pair begin their life together, however, Crispin starts to embrace his master’s ideas. These changes do not come easily, and Crispin still finds himself sinful and destined to go to hell. He tells himself “I am only bad” (pg. 111 ch. 24) and that Father Quinel’s death was God punishing him. Crispin is also shocked by Bear’s ideas that “every man should be a master of himself” (pg. 112 ch. 24), and responds that “all men belonged to someone,” and “God himself put us in all our places” (pg 116 ch. 24). Nevertheless, the numerous people he spies on the way to and in Great Wexly shows him that servitude and aristocracy are not the only available ways of life. Crispin even states that he “saw more people in one moment than I had seen in all my life together,” (pg. 166 ch. 34). It is only in the final section of the book that Crispin fully understands the possibility of taking control over his own destiny.
One of the most prominent reasons for this change is his pursuit by John Aycliffe's men and the subsequent revelation that he is Lord Furnival’s son. Widow Daventry tells Crispin that his noble blood “is only… poison” (pg. 247 ch. 49), and Crispin realizes that “to be a Furnival would be part of a bondage,” (pg. 253 ch. 50). He learns the details of Bear and John Ball’s brotherhood, and how they believed that the social structure “was wrong and could be made right” (pg. 229 ch. 45). When Crispin finally rescues Bear from the dungeons and leaves the city, he truly becomes an unfettered master of his own destiny, no longer content with being disconsolate and condemned to a life of
poverty. Over the course of Crispin: The Cross of Lead, innumerable changes occur in all aspects of the story. One of the most intriguing themes of this book, however, is Crispin’s transition from a life confined to the feudal system to one where he doesn’t let fate and status control him. Avi uses this theme to not only add to the story, but also provide a setting that is beginning to see signs of change. After all, it was during this time that political and economic changes began to erode the foundations of life during Europe’s Dark Ages. The author also adds to the atmosphere by using a slew of medieval terms and details. The story does, however, progress quite slowly until the end, and parts of the book do seem somewhat unrealistic. And yet in spite of its flaws, Avi’s novel Crispin: The Cross of Lead is a truly wonderful read that is recommended to anyone interested in historical fiction.
In the book, Crispin: The Cross of Lead, the protagonist Crispin faces many conflicts throughout the book in which he must conquer in order to find who he really is. These conflicts change Crispin as a character over the course of the book, as he overcomes them to find out his true self. One conflict for Crispin is person vs society where he becomes known as a wolf’s head and does not have any friends, or family. This is until he meets Bear who helps Crispin overcome this conflict. For example, John Aycliffe tries to find Crispin, but helps him get away. As the story develops Crispin saves Bear from John Aycliffe, showing their friendship.
Sartwell, Crispin. "The Genocidal Killer in the Mirror." Writing and Reading for ACP Composition. Upper Saddle River: Pearson Custom, 2009. 252-54. Print.
The novel’s use of contrast between East Egg, West Egg, and the Valley of Ashes begins to explore the differences between social classes. East Egg houses the most wealthy and aristocratic members of the nearby area. It contains many “white palaces” (Fitzgerald 10) that are quite “fashionable” (Fitzgerald 10). This description paints an image of purity and untouched standards of wealth that are translated into the book’s time period. Due to the pristineness of the village, the homes “[glitter] along the water,” (10) further supporting the idyllic qualities East Egg appears to have. West Egg, on the contrary, is home to people of near equal affluence, but of less social establishment. It is described by the narrator as “less fashionable,” (Fitzgerald
“I kept asking myself if I felt different, if I was different. The answer was always yes. I was no longer nothing…” (Avi 221) This is a famous quote from the historical fiction book Crispin The Cross of Lead, written by Avi. This book is about a boy named Crispin, who goes through many trials and meets many people who help him find his true identity. Through the story Crispin has three “fathers” in his life, Lord Furnival, Bear, and God the Father and he learns several important things from them.
Life with an abusive out of control parent often leads the offspring to grow up quicker than their years. In William Faulkner’s Barn Burning, one is taken on the journey of Colonel Sartoris Snopes (Sarty) growing up and maturing quicker than need be. Young Sarty is faced with the difficult decision of being loyal to his bloodline or to be loyal to himself. Ultimately Sarty had the strength and courage to break free from the verbal chains of fear that his father placed upon him and do the right thing, by telling on his father. This paper will highlight the two main events that were responsible for providing Sarty with the confidence and courage to do the right thing.
His main points of discussion include, but are not limited to, the importance of effort, the irrelevance of skill, and the tactic of targeting a Goliath’s weakness. Phrases such as “maniacal” and “socially-horrifying” describe the characteristics a David must possess (Gladwell 7, 13). With a tone of inspiration, Gladwell is able to instill in readers the idea that hard work pays off far more than adeptness. The social issue of an underdog’s success in identified in Gladwell’s
In “Barn Burning,” the author, William Faulkner, composes a wonderful story about a poor boy who lives in anxiety, despair, and fear. He introduces us to Colonel Satoris Snopes, or Sarty, a boy who is mature beyond his years. Due to the harsh circumstances of life, Sarty must choose between justice and his family. At a tender age of ten, Sarty starts to believe his integrity will help him make the right choices. His loyalty to family doesn’t allow for him to understand why he warns the De Spain family at such a young age. Faulkner describes how the Snopes family is emotionally conflicted due to Abner’s insecurities, how consequences of a father’s actions can change their lives, and how those choices make Sarty begin his coming of age into adulthood.
In the novel Crispin, The Cross of Lead, this quote stood out the most, as it visualized Crispin’s point of religion. “Morality is of the highest importance - but for us, not for God.” BY Albert Einstein. Crispin is a thirteen year old boy, who is the poorest in the village Stamford. His mother died, and as well as the second person he trusted which was his priest; Father Quinel. As in Crispin, It’s important for him about what people think of him, and what he thinks of himself. But this isn’t the biggest thing that Crispin cares about, he mostly cares about his religion more than anything, as in praying all the time, and not being a menace to others. This novel take place in England, year 1377. Peoples’ main belief that time was that they had to survive, rather than to live; there lives were tough and hard, while a lot of corruptions happened. In Crispin people were sorted in levels, the higher class were free to do what they want, while the lower classes were unable to leave the village. Like today, teenage children in the medieval world had to find their identity based on the information and circumstances around them. In the novel Crispin The Cross of Lead by AVI, the main character Crispin finds his identity in at least three places: his social status, his faith in God, and what others (especially Bear) think of him. But, Crispin most powerfully found his identity in Faith in God, as in religion.
Sarty’s dilemma arises from his father’s destructive envy of his wealthy employers. Abner Snopes frustration with being a poor sharecropper owned “body and soul”(280) by the South’s rich and elite leads him to exact his revenge on the undeserving blue bloods in the only way he knows how-by burning down their barns. While Sarty’s loyalty to Abner is proven after a court hearing held by “his father’s enemy . . . our enemy . . .ourn! mine and hisn both,”(277) after which he challenges and is beaten by a boy “half again his size”(278) because the boy called his father a “barn burner”(278) he is left to make a critical decision between saving his family or his own morality.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Southern society promoted a more sinister version of this hierarchy which deems the older, whiter, and more pious worthy of the most power. Richard, an impudent young boy in need of religious convincing, has the least amount of power according to a combination of the two ideals. Richard reflects on this in the midst of his most intense qualms with religion: “Wherever I found religion in my life, I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn” (136). Numerous times throughout the story, his family tries to mollify Richard’s impudence towards obedience and make him thoroughly Christian by either using their own power to enforce their argument or by putting him into a position of powerlessness. His mother forces him to be baptized to maintain public pride; Granny tries to use Richard’s peers to persuade him to commit to the church; Addie tries to reassert her dominance over Richard and therefore his irreligiousness in the schoolhouse; and Tom beats him in an effort to break his spirit. Richard’s powerlessness emerges most lucidly when he is in a religious predicament or being punished, and these two events often occur simultaneously. When Addie beats him for lying during the walnut incident, he said, “I felt the equal of an adult [because] I knew that I had been beaten for a reason that was not right” (107). In this instance, he stands up for himself and realizes, for the first time, that there is no correlation between age and wisdom. In seeing himself as an adult, he recognizes that he sees his ethical opinion matters as much, if not more so, than his Aunt’s. Richard sees beyond the absolutes of childhood innocence and age-equivalent power, both evident the Christian church, as they render him increasingly silent and
Huddie William Ledbetter also known as "Leadbelly" was an American folk singer and blues musical, most famous for his strong prominent vocals and his ability to play thetwelve-string guitar. Leadbellys astounding ability to play the guitar combined with his personal life experiences provided the foundation for his musical career. He also wrote about mainstream culture and black culture in general to express feelings of anger, sadness, and expose the wrongdoings of American society against blacks.
The rise of industrialism in modern England following World War II brought with it a dramatic restructuring of the social and economic order. The transition marked the decline of status from traditional family ties and the increased focus on money as a means to attain a position of influence. This meant that the growing industrial class of the time would stop at nothing to make a profit, often exploiting the vulnerable in the process. This social restructuring would also require old rules of propriety and order to be disregarded. Additionally, technology would play an increasingly important role in society as a means to gain power quickly. The novel Atonement explores these changes in a historical context, though the issues it raises remain relevant in today’s world. The character of Paul Marshall portrays the transition in socioeconomic power from the old ruling families to a new class of industrialists that would come to dominate England from the 20th century onward.
Laura Saetviet Miles, a Medieval literature teacher at the University of Bergen, points out the historical inaccuracy of Greenblatt’s The Swerve. Miles argues that Greenblatt represents the past as what he wanted it to be, not what evidence proves it to be. Though Miles admits that she fell in love with the writing style and easy-to-follow prose when she first sat down in a Norway library, after thinking about the book from her professional perspective she realized that the book was dangerous. Greenblatt was creating an image that was not only inaccurate but shows a model of history that persists to move toward modernity which diminishes the crimes and injustices it carries with it.
The setting for this novel was a constantly shifting one. Taking place during what seems to be the Late Industrial Revolution and the high of the British Empire, the era is portrayed amongst influential Englishmen, the value of the pound, the presence of steamers, railroads, ferries, and a European globe.