Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Nora's character traits in a Doll's House
Nora's character traits in a Doll's House
Character Development Of Nora In Dolls House
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Nora's character traits in a Doll's House
so eager to help me! It’s doubly kind of you, since you know so little of the burdens and troubles of life... My dear! Small household cares and that sort of thing! You’re a child, Nora.” (Ibsen 1606) When facing with her husband’s illness, she chooses to step out of the boundaries drawn for her as a woman by society. Due to a sickness Torvald had, Nora takes a loan from Krogstad, imitates her father’s signature in order to save her husband’s life. She does not think much about her act; she states out her understanding of her act when confronting with Krogstad, “Isn’t a daughter allowed to spare her dying father anxiety and concern? Isn’t a wife allowed to save her husband’s life?” (Yuehua 83) In fact, Nora is not conscious of this reality. She does what she thinks it right without consideration. When Mrs. Linde discusses her decision, Nora says, “How painful and humiliating it would be for Torvald, with his masculine pride, to know that he owed me anything! It would completely upset the balance of our relationship. Our …show more content…
He portrays women as unequal to men and shows that their role is to sacrifice themselves. All of the female characters, including Nora, Mrs. Linde and Anne Marie, have to sacrifice themselves but would not never get the benefit. Nora has given up her identity to fit into Torvald’s life. Nora loves her husband that she borrows money from Krogstad for saving Torvald’s life. After all, she has to leave her children and her family. Mrs. Linde leaves her true love to marry a rich man for support. Anne Marie sacrifices her child up for adoption in order to survive in the society. During the nineteenth century, a woman only holds the sacrificial role in the society. It seems that she is expected to sacrifice everything and anything no matter what class she is from. She was taught to please everyone else throughout the society no matter how hard it could
Societal pressures urge Nora and Willy to mold themselves into the people they think they should be, ignoring their true selves. Nora grew up the plaything of her father and became the same to her husband, adopting their tastes and opinions as her own because society expected women to support the dominant males in their lives whole-heartedly (Ibsen 3.593-603). According to society, Nora’s duties lay within the home caring for her children and husband, not bothering herself with the matters of the world and its workings. This naïveté though, directly caused her to take out an illegal loan in her father’s name. Under the impression that her actions would be understood because they aimed only to save her husband’s life, Nora deludes herself into thinking that she still fits into the role society created for her. The moment Torvald discovers her lies, thoug...
Throughout her life Nora had spent her time pleasing the men around her, first her father and then Torvald. As the reality erupted that her marriage to Torvald was loveless and not salvageable, she ignored Torvald's demand that she not leave him. He even made attempts to sway her decision by insinuating they could go on in the house as brother and sister. Her need to be a valued human in society had prevailed over the dependent, frail, creature that once belonged to Torvald. She set out to find her independence in spite of the limitations that society had placed on women. Her displeasure had burned a path beyond her little, secure world and the burden of being a plaything was lifted.
First of all, Ibsen shows women’s struggle in Nora. In Act I, there’s part where Nora and Krogstad talks and he says,” When your husband was sick, you came to me for a loan of four thousand, eight hundred crowns.” (Page 1037) This was Nora’s and Krogstad’s secret. Nora didn’t tell anyone, even her husband Torvald. Because of this, she lies more to her husband and gets attack by Krogstand. She bares all the pains by herself and carries all the burdens alone.
We see his a very controlling and almost derivative man. Nora is seen by him as an object, a possession like being that is just another piece of the puzzle that makes up his life. We realise that Nora is only in Torvalds’s life, not because he loves her, but because it was strict tradition to do so in this time. He rejects Nora and pushes her away from him with his sarcastic and derogatory comments such as pet
This becomes one of the main driving forces of Ibsen’s play. (Quote from Torvald and the money). It immediately distinguishes the differences in gender roles and morals in Norway during the late 1800’s. While Nora is willing to give the porter twice what is owed, we assume she is full of holiday spirit; Torvald has a much more sensible outlook on financial concerns. While he jokingly calls her his little spendthrift, he asserts that her lack of understanding is a result of her gender “Nora, my Nora, that is just like a woman” (Ibsen). Torvald believes that her place in the home is simply ornamental, a trophy that serves as decoration for his home. Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a
It was to me that the doctors came and said that his life was in danger,” (Ibsen 679). By taking actions into her own hands showed she wasn’t afraid to sacrifice some rules in order to take out a loan, even if that meant she’d go against her husband’s wishes, even if that meant she would be putting herself on the line by foraging her fathers name. Another big step was at the end Torvald found out about Nora’s debt, so enraged he told her “ I shall not allow you to bring up the children,” (Ibsen 717) stripping his wife of her most feminine role, motherhood. So as the truth unfolds Nora’s awareness sharpens, escalating the independence, the need for rebellion, that has finally surfaced, pushing her over the edge to stand up to Torvald and leave him. Nora walked away from, not only her husband but also her children, her house, her life; that
The inferior role of Nora is extremely important to her character. Nora is oppressed by a variety of "tyrannical social conventions." Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize their role in society. Nora is oppressed by the manipulation from Torvald. Torvald has a very typical relationship with society. He is a smug bank manager. With his job arrive many responsibilities. He often treats his wife as if she is one of these responsibilities. Torvald is very authoritative and puts his appearance, both social and physical, ahead of his wife that he supposedly loves. Torvald is a man that is worried about his reputation, and cares little about his wife's feelings.
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
For the first time Nora expresses her own opinions and thoughts to Torvald after she realized he never loved her. She cannot even fathom that she has gone all these years trying to please everyone but herself, and doing whatever she is told. She has finally noticed that she has let herself stay childish and dependent for too long, so Nora starts to use her brain and show her personality more. Torvald reads the letter from Krogstad and they get into a big fight, although this is what Nora feared it turns out it was a blessing in disguise. In the midst of the fight Torvald tells Nora that she has duties and before all else she is a mother and wife and gets angry because the social norms at this time were very clear.
In the time this play was written, women had very few rights in public society. Ibsen reflects this by portraying Nora as having very few rights in the household. Torvald runs everything, and Nora has no say in how the house is run.
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
To start, in this play the main character Nora is portrayed to be the perfect nineteenth-century wife to her husband Torvald. Not only that, but Nora is also painted in a way that characterizes her as a bubbly air-head that is not able to take care of herself or have a mind of her own. Ibsen wirtes “HELMER: Nora, Nora, how like a woman! No, but seriously, Nora, you know what I think about that. No debts! Never borrow! Something of freedom’s lost—and something of beauty, too—from a home that’s founded on borrowing and debt. We’ve made a brave stand up to now, the two of us; and we’ll go right on like that the little while we have to. NORA [going toward the stove ]: Yes, whatever you say, Torvald.” (944)Since Realists go against individuals having freedom of action over a state control, Torvald Helmer can be seen as representing a government while Nora represents a citizen with no say in any matter. Torvald uses the term “like a woman” to denounce Nora's inability to handle money, thus belittling her. Nora still complies to Torvalds wishes, giving up her voice rather easily while she only does what is best for her greater power. Furthermore, Nora obtains money from her father before he dies to support the trip to Italy because Torvald was ill and needed to go in order to get help. This shows that Nora did was only thinking about her husband, the higher power she obeys, and put herself last. This also exemplifies a Realist concern with community benefit, not
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
In an overview, Ibsen draws out a rather bleak entry of the role of women in all economic classes whom sacrifice their integrity, love, or rather any mortally being in relation to blood. For instance, Nora’s nurse Anne-Marie, had to abandon her daughter to support herself since the father was nonexistent. By being “a poor girl who had been led astray” she found homage in finding a job that was becoming Nora’s caretaker. (Henrik 906) In addition, in act three, at such a loss for principles can be displayed in the heated argument between Torvald and Nora.
While for him, Nora is “my little wastrel” or “my little lark” who dances for him at his every whim, for Nora, he is the Lord and the master from whom she cadges money. Nora, uses her womanly ways to make him do whatever she desires from him. She acquiesced to her role too wholeheartedly as is evident when she exclaims, "How painful and humiliating it would be for Torvald […] to know that he owed me anything! It would upset our mutual relations altogether." (1.197) . Their mutual position in marriage is brought out when Nora asks: "But don't you think it is nice of me, too, to do as you wish?"HELMER: "Nice?—because you do as your husband wishes? Well, well, you little rogue, I am sure you did not mean it in that way."