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Western influence on japan art
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Chapters 4/5 Homework: The influence of Japanese prints
For my response, I chose the group of images by Hiroshige and Vincent van Gogh entitled “Plum Park in Kameido” and “Orchard in Blossom”. When looking at both images there is a series of lines ranging from the tree trunks, to the limbs and twigs of the tree. I would say that the only implied line in the images is the way the trees are stretched up to the sky. In Vincent’s image there could also be an implied line when looking at the way the rakes are pointed upwards. On the other hand, I did not find any specific shape in the pictures other than the way the trees are formed and the blank space between the trees. When critiquing both images, I noticed that both artists created very thin/ normal size trees which took up the majority of the space available. The color scheme of Hiroshige’s image was mainly dull due to the dark red merging into the dark shades of green, gray, and black. However, Van Gogh’s image was slightly lighter due to the introduction of yellows, greens, and blues. I feel that both of the images showcase some hit of pattern in the way
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Vincent Van Gogh used asymmetrical balance in his artwork. To create this balance, he created a larger tree on the right side of the image, while he introduced smaller trees and other nature related things on the left side (or in the background). He also creates balance by using full size trees compared to the open ground area around the tree. The main thing that unifies both compositions would be the use of nature when dealing with the trees, leaves, and ground. Once again I feel that the rhythmic elements would be the leaves, branches, and the trees they are attached to. Vincent does a pretty good job at showcasing scale in his painting, He paints the rake so that it does not exceed the length of the tree itself. He also paints his leaves at a normal size in relation to the image as a
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
This work uses diagonal and zigzag lines on the limbs and branches of the trees. These are good line types to use since they resemble nature. Curved lines are
Throughout centuries, art has been one of the best ways that people use their imaginations. Paintings like many other ways have been used to represent those imaginations. Due to the evolutions in materials and painting skills of the artists, artworks have become almost lifelike scenarios that force the mind to create the illusion of the actions. These paintings were painted with the same technique and they both have a lot of movement all around them. it is very catchy how they move the attention from one side to the other especially when looking carefully, it gives the idea that that the artists almost had the same feeling when they were painting these compositions. Though artists may have used similar styles and techniques, these works can
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
The piece of art work that I have selected is called Starry Night by Vincent Van Gogh. The lines observed in this picture are implied lines. The colors used in this picture are blue, yellow, grey, a pinch of hazel ,and a brownish black.There was also may water colors used in this picture. The picture shows a variation of swirls and circles. In the background , you can see that there are many wave-like mountains. This makes the picture more eye catching. Overlapping is used in this picture to bring out the different shapes . Such as , the triangles, circles and the crescent like shapes. This picture has many meanings to it. I hope to learn more about it in the future.
Throughout many centuries, art has portrayed an exceedingly dominant role in Japanese culture. These forms of artwork varied from everything from pottery to clay figurines. Overall, the majority of Japanese art was and still is considered to be of high importance in Japanese history. However, the most intriguing and unique form of art was the Isho-ningyo and Iki-ningyo dolls, otherwise known as the "fashion doll" and the “living doll”. Both the Isho-ningyo and the Iki-ningyo were merely two of the plentiful assortment of dolls created by the famous Japanese artisan, Goyo Hirata, as items of “luxurious indulgence.” The Kintaro doll of Isho-ningyo type or Iko-ningyo type illustrates the significant advancements in Japanese doll art throughout history with the newfound technologies and composition attributed in each period.
The invention of the printing press helped the people understand more about their religion and God. Most people do not know that renaissance means rebirth. The renaissance was the one thing that started everything that people know and believe in today’s society. During 14th and 16th centuries most of the people did not know about religion, church, or God. There was so many pastors telling the people false information on the Bible. The advance technology of the Renaissance led the way for the Protestant reformation. The Renaissances took on many forms, such as a movement called humanism. Humanism was the belief that stressed potential value and human beings, emphasis on human needs. And ways of solving human problems. So there was
At first glance your eyes are immediately pulled to the beautiful orange-red leaves at the top of the painting. Small pieces of blue poke through, making the leaves appear less dense. Five grey, thin trunks run up the painting forming a triangle shape. Behind the trunks is a beautiful mosaic of green, blue and yellow. If you look at the painting closely, it appears
The technique he used was oil paints on a 79.7 by 92.1 centimeter canvas. The style is of a Post-Impressionism, in other words means rather than using the natural interpretation of color, line and form he used more of his emotion to express what he was feeling towards the painting. The first thing you notice about Vincent van Gogh’s painting is probably the background which takes up most of the artwork. You notice the night sky having whirling clouds and filled with natural luminescent light from the stars and the bright crescent moon. The beautiful depicted night sky has the viewer’s eyes following the different movements from the clouds to each of the stars, keeping the onlookers involved with the painting. Another thing about this piece of art is what is below the sky was the rolling hills and an intimate town. The most dominate feature of the town is the tall steeple of the church, above the smaller buildings, Van Gogh is perhaps emphasized it to exhibit that it was placed there to give a sense of stability in a place that seems to be dark and secluded. An additional eye-catcher item is the enormous dark cypress tree giving the painting a feel of shady isolation. The gigantic structure makes interpreters of the creation feel depressed; however, there is the factor of hope even though the town is in a dark valley they have hope because they have protection of God from the darkness and He is shown through the brightness in the
The painting Olive Trees, now at the Minneapolis Institute of Arts, is one of a series of ten or twelve paintings of olive orchards, which Van Gogh painted in 1889 while living at the asylum of Saint-Remy. This painting is a landscape accomplished in bright, complementary colors, with Van Gogh’s characteristically brisk brushwork. The image is divided roughly into thirds, with the middle zone, the trees, being highly capricious. The brushstrokes describe the lay of the land, the movement of the wind in the trees, and the rays of the sun. The sun itself is hugely misrepresented in size, and highlighted also by an outline of orange. It dominates the picture and takes on perhaps a “supernatural” aspect, possibly representing deity or faith. The curved trees all lean, even quiver, away from the center of the painting. They cast violet shadows which shouldn’t be possible, given the placement of the sun: Realism is sacrificed for the content. The most prominent of these shadows is at the center of the foreground, and is not associated with any one tree. One could see this central shadow as the thing from which the trees are bending. The base of each tree is painted with red lines that ambiguously outline where the shadows would fall if the sun were directly overhead. Both the ground and the trees have a singularly wave appearance, while the sun is more stable, and the distant mountains are still.
Although his knowledge of the color theory and use of complements to convey great contrasts are similar to that of Seurat, his methods were different. Van Gogh is well known for using color to convey emotion. In Van Gogh’s Starry Night it is apparent that he is depicting a dark scene but the use of purple/blue and yellow are complementary colors create a brightness that could send a different tone. Most of the composition is taken up by the night sky; it is the main attraction of the painting. The sky is painted with very expressive brush strokes in the form of swirls. They almost resemble waves in the ocean, creating a swirling movement throughout. In the sky we also see a number of very bright stars along with a bright crescent moon. The stars and moon a centered around a series of coordinated circles that represent the rays of light that make them appear so bright. The blues aren't very dark or muted; they are bright and rich blues with hints of purple in them. Being that yellow is purple’s complement, the stars stand out greatly against the night sky. The stars have hints of orange towards their centers, complementing the heavy amounts of blues as well. Van Gogh's choice of warm and cool contrast in the sky couple with the swirling and circular motions of the brush strokes creates a scene that has the tone of a
Imparting elements from other fields of study, especially in the art world, can lead to several newfound characteristics that the artist had never thought of previously. Taking cues from other cultures serves to be highly influential in the art community, the outcomes would not be the same otherwise. For instance, the Impressionists looked toward Japanese art to enhance their own. The “appreciation of all things Japanese was stimulated by the Paris Exposition Universelle (1867) which brought many Japanese visitors to the city; it increased during the 1870’s as Western artists in printmaking, decorative arts, and painting were affected by the vogue,” (Weisberg, Cate and Needham xi). A plethora of Japanese goods such as bronzes and porcelains were being imported to the West over the course of the period with woodcut prints following suit shortly after (Ives 11).
Another artist who focused less on the depiction of actual forms and more on the movement within the canvas was Jackson Pollock, who’s work, No. 2, shares aspects with both the two previously mentioned artists. His experimental drip painting technique encompasses both the linear aspects of Stella’s artwork as well as the organic shapes of Rothko’s. Yet, in contrast there is much more unpredictability expressed in his canvas and no recognizable forms, instead the technique and composition focus on the expression of emptions. The lines are not based in architectural structures like Stella’s work but instead are organic and curvaceous. This is also the case with his organic splatters, they are much more energetic and animated than Rothko’s loosely defined shapes.
History is filled with individuals and situations that influenced, or perhaps completely changed, the way the world views art. The meaning of art and the variety of styles has shifted so much that people of past centuries and cultures would be confused and possibly disgusted at the sight of the more recent art styles. Even so, the art world continues to change as the years pass by, and many parties contribute to that. Artists, of course, have largest role in creating new styles of art and changing old ones, but critics, color theorists, the purchasers, and the audience all influence the art world in a various ways. And even artists will exert their influence in a variety of ways. Some do it solely through their own artwork, others through
Art is the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power. In the world today there are many artists and many styles of art, but there is something about art that has been done in the yester years that catches one eyes and puts them in wonder. Many years ago or even centuries ago art that was created changed the era, it was like the artist were rebelling against the norm through their art and putting forward their own thoughts and ideas for people to see and talk about. One type of art that changes many views, whose artists did something very different, changed the way we see art, is Western art. Western art largely describes the art of Western Europe. Painters like Édouard Manet, Gustav Klimt, Henri Matisse, and Joan Miro have beautifully captured their art work, their thoughts on paper so that we can get to know what was happening during that era and how Europe was changing.