Contrasting Mending Wall with Other Poems in Frost's North of Boston
"Mending Wall"' is the opening poem of Frost's North of Boston. One of the dominating moods of this volume, forcefully established in such important poems as "The Death of the Hired Man," "Home Burial, " "The Black Cottage," and "A Servant to Servants," and carried through some of the minor pieces, flows from the tension of having to maintain balance at the precipitous edge of hysteria. With "The Mountain" and with "A Hundred Collars," "Mending Wall" stands opposed to such visions of human existence; more precisely put, to existences that are fashioned by the neurotic visions of central characters like the wife in "Home Burial," the servant in "A Servant to Servants." "Mending Wall" dramatizes the redemptive imagination in its playful phase, guided surely and confidently by a man who has his world under full control, who in his serenity is riding his realities, not being shocked by them into traumatic response. The place of "Mending Wall" in the structure of North of Boston suggests, in its sharp contrasts to the dark tones of some of the major poems in the volume, the psychological necessities of sustaining supreme fictions.
The opening lines evoke the coy posture of the shrewd imaginative man who understands the words of the farmer in 'The Mountain": "All the fun's in how you say a thing,"
Something there is that doesn't love a wall,
That sends a frozen-ground-swell under it
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast.
It does not take more than one reading of the poem to understand that the speaker is not a country primitive who is easily spooked by the normal processes of nature. He knows very well what it is "that doesn't love a wall" (frost, of course). His fun lies in not naming it. And in not naming the scientific truth he is able to manipulate intransigent fact into the world of the mind where all things are pliable. The artful vagueness of the phrase "Something there is" is enchanting and magical, suggesting even the bushed tones of reverence before mystery in nature. And the speaker (who is not at all reverent toward nature) consciously works at deepening that sense of mystery:
The work of hunters is another thing:
I have come after them and made repair
Both authors explore the progressive attitudes and how these were received during the time period of both Fitzgerald and Robert. Frost presents this idea in the poem, ‘Mending Wall’. The poem is about two neighbours who every year go to the end of the garden to meet and build a wall together. However, one neighbour is confused as why there needs to be a wall as there is nothing that needs to be divided or prevented from escaping or entering. This neighbour begins to challenge the other neighbour, ‘why do they make good neighbours?’
“What?!” shouted Little Red. Her mother, who was in shock at her tone, replied, “ Little
"Mending Wall" is a poem written by the poet Robert Frost. The poem describes two neighbors who repair a fence between their estates. It is, however, obvious that this situation is a metaphor for the relationship between two people. The wall is the manifestation of the emotional barricade that separates them. In this situation the "I" voice wants to tear down this barricade while his "neighbor" wants to keep it.
It describes how the conservative farmer follows traditions blindly and the isolated life followed by him. It reflects how people make physical barriers and that later in life come to their social life too. Where neighbor with pine tree, believes that this separation is needed as it is essential for their privacy and personal life. The poem explores a paradox in human nature. The first few lines reflect demolition of the wall, ?Something there is that doesn?t reflect love a wall? this reflects that nature itself does not like separation. The "something" referring to the intangible sense of social interaction. Furthermore "that sends the frozen-ground-swell under it" refers to Frost or to the author. Although the narrator does not want the wall, ironically, the mending of the wall brings the neighbors together and literally builds their friendship. An additional irony of the poem is that the only time these two neighbors sees each other is when they both mend the wall. The narrator sees the stubbornness in his neighbor, and uses the simile 'like an old-stone savage' to compare him to a stone-age man who 'moves in darkness', that is, set in his ways, and who is unlikely to change his views.
The poem itself is a technique Robert Frost uses to convey his ideas. Behind the literal representation of building walls, there is a deeper metaphoric meaning, which reflects people's attitudes towards others. It reflects the social barriers people build, to provide a sense of personal security and comfort, in the belief that barriers are a source of protection, which will make people ...
The Nature of Communication Approach applies to my NCA code because it defines communication as shared meaning, and apply the...
In his narrative poem, Frost starts a tense conversation between the man and the wife whose first child had died recently. Not only is there dissonance between the couple,but also a major communication conflict between the husband and the wife. As the poem opens, the wife is standing at the top of a staircase looking at her child’s grave through the window. Her husband is at the bottom of the stairs (“He saw her from the bottom of the stairs” l.1), and he does not understand what she is looking at or why she has suddenly become so distressed. The wife resents her husband’s obliviousness and attempts to leave the house. The husband begs her to stay and talk to him about what she feels. Husband does not understand why the wife is angry with him for manifesting his grief in a different way. Inconsolable, the wife lashes out at him, convinced of his indifference toward their dead child. The husband accepts her anger, but the separation between them remains. The wife leaves the house as husband angrily threatens to drag her back by force.
Emily Dickinson grew up in Amherst, Massachusetts in the nineteenth century. As a child she was brought up into the Puritan way of life. She was born on December 10, 1830 and died fifty-six years later. Emily lived isolated in the house she was born in; except for the short time she attended Amherst Academy and Holyoke Female Seminary. Emily Dickinson never married and lived on the reliance of her father. Dickinson was close to her sister Lavinia and her brother Austin her whole life. Most of her family were members of the church, but Emily never wished to become one. Her closest friend was her sister-in-law Susan. Susan was Emily's personal critic; as long as Emily was writing she asked Susan to look her poems over.
The poem itself is a technique Robert Frost uses to convey his ideas. Behind the literal representation of building walls, there is a deeper metaphoric meaning, which reflects people's attitudes towards others. It reflects the social barriers people build, to provide a sense of personal security and comfort, in the belief that barriers are a source of protection which will make people less vulnerable to their fears. Robert Frost's ideas are communicated strongly through the perspective of the narrator in the poem, the 'I' voice, who questions the need for barriers. The use of conversation and the thoughts of the narrator reflect the poet's own thoughts. In line thirty to line thirty-five, the narrator questions the purpose of a wall. He has an open disposition and does not understand the need to 'wall in' or 'wall out' anything or anyone.
Frost begins the poem by relating the damage that has been inflicted upon the wall. The stunning image of the force "that sends the frozen-ground-swell under it and spills the upper boulders in the sun, and makes gaps even two can pass abreast" shows us that something natural, beautiful, and perhaps divine is taking place (2-4). From the very beginning he suggests that living without the wall is something positive. As the poem continues, we are introduced to two farmers engaged in the annual task of making repairs to the stone wall which separates their properties. In lines 14-17, Frost gives us the description of the neighbors meeting to walk the line, each picking up and r...
The poem “Mending Wall” begins by the narrator telling is that there is a wall that is constantly being taken down by nature, and the narrator and his neighbor have to keep re-building it. But as the poem progresses, the narrator becomes unsure with himself, and begins to say that there is a wall “There where it is we do not need the wall” (23). He starts to question why a wall is there, knowing that he can never get across it to his neighbor. As the poem keeps progressing, he learns that the wall is there because of his neighbors tradition from his father, and he ends up saying “Something there is that doesn’t love a wall that wants it down (35), and he is talking about himself. In the progression of this poem, we see the narrator’s character change from someone who is persistent to someone who has hatred for what he is doing. He becomes more aware, having an epiphany, learning that there is truly no need for a wall, and it is only there because his neighbor is following his father’s tradition that requires him to keep the wall up. Through this characterization, we see that by only one side having hatred for the other, it can cause a division between them, because one person disagrees with the other. Through this poem, we see many character changes amongst the narrator, but one character that stays the same
India had contributed notably to the British Industrial Revolution by supplying raw material and capital; which was collected as revenue from the colonies. It also portrayed as an unwilling, forced market where finished goods could be purchased at much higher cost. It may be noted that the primary aim of the industrial revolution in India, set by the British was to fuel the industrial revolution in Britain. The Indian economy was devastated in the process; effects of which may be seen in the so called Indian Industrial Revolution.
Emily Dickinson is arguably America’s most well-known female poet. She lived from December 10, 1830 until May 15, 1886. She was born in Amherst, Massachusetts to Edward and Emily Dickinson. Her father was a lawyer as well as treasurer for the Amherst Academy which Emily attended and graduated from in 1847. Since her family was very passionate about education, her father sent her to primary school as well Mount Holyoke Female Seminary for a year once she’d graduated from Amherst Academy (Wolff 3, 77). Dickinson was the middle child and eldest daughter in an established Puritan family. Her great love was poetry, and her letters home while she was away at school. She had always intended for her work to be just for her eyes. Dickinson
Robert Frost is known for his poems about nature, he writes about trees, flowers, and animals. This is a common misconception, Robert Frost is more than someone who writes a happy poem about nature. The elements of nature he uses are symbolic of something more, something darker, and something that needs close attention to be discovered. Flowers might not always represent beauty in Robert Frost’s poetry. Symbolism is present in every line of the nature’s poet’s poems. The everyday objects present in his poems provide the reader an alternative perspective of the world. Robert Frost uses all the elements of poetry to describe the darker side of nature. After analyzing the Poem Mending Wall and After Apple Picking it is clear that nature plays a dark and destructive role for Robert Frost. This dark side of Frost’s poetry could have been inspired from the hard life he lived.
Dickinson, Emily Elizabeth (1830-1886), America’s best-known female poet and one of the foremost authors in American literature. Born in Amherst, Massachusetts, Dickinson was the middle child of a lawyer and one-term United States congressional representative, Edward Dickinson, and his wife, Emily Norcross Dickinson. From 1840 to 1847 she attended the Amherst Academy, and from 1847 to 1848 she studied at the Mount Holyoke Female Seminary in South Hadley, a few miles from Amherst. Dickinson remained in Amherst, living in the same house on Main Street from 1855 until her death. During her lifetime, she published only about 10 of her nearly 2,000 poems, in newspapers, Civil War journals, and a poetry anthology. The notion that Dickinson was extremely reclusive is a popular one, but it is at best a partial truth. Although she never married and certainly became more selective over the years about the company she kept, Dickinson was far more sociable than most descriptions would have us believe. Biographers are increasingly recognizing the vital role of Dickinson’s sister-in-law, Susan Dickinson, in her writing. For more than 35 years the two women lived next door to each other, sharing mutual passions for literature, music, cooking, and gardening. Emily sent Susan more than 400 poems and letter-poems, twice as many as she sent to any other correspondent. In 1998 Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson was published, documenting the two women’s friendship.