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Whats the theme of inherit the wind
Outcome of the scopes trial
Inherit the wind essay introductions
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The setting of the Scopes Trial and Inherit the Wind have both similarities and differences. The Scopes Trial took place in Dayton, Tennessee (“Tennessee vs. John Scopes,” 1925). Dayton is a town that normally wouldn’t have been found on a typical map. It is small, quiet, and would be considered insignificant if not for the historical event that took place there in the summer of 1925: the Monkey Trial. Likewise, the setting of Inherit the Wind features a sleepy town in the middle of summer that had never been the center of attention in all its years of existence (Lawrence & Lee, 1955). However, the name of the town is not Dayton. It is called Hillsboro (Lawrence & Lee, 1955). Additionally, while the Scopes Trial took place in 1925, Inherit the Wind does not have a specific date attached to its setting. This gives the story a feeling of timelessness; appropriate since the theme of Inherit the Wind is still applicable today. While the setting in many ways stays the same, it is easy to see the changes that the authors of Inherit the Wind made while writing the story
Another aspect of the Scopes Trial that the authors transformed was the genre.
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Both the Scopes Trial and Inherit the Wind document an epic legal battle between some of the greatest lawyers of the age, but the Scopes Trial, being a real occurrence, falls under the category of nonfiction.
However, “Inherit the Wind is not history,” (Lawrence & Lee, 1955, p. 1); therefore, it should be classified as fiction. Historical fiction, perhaps, but fiction all the same. The writers of Inherit the Wind freely admit from the first page of the play that the following story, while it is rooted in the true events of the Scopes Trial, should not be read as an actual occurrence (Lawrence & Lee, 1955). Even though the focus of both are similar, the genres they are classified in are in fact opposites, showing once again the transformations that the authors
made. An additional example of the authors drawing on and transforming the Scopes Trial into a fictional work is language usage. Bryan, Darrow, and Judge Raulston, among others, all use a plethora of terms that only people in their profession would employ. This is called technical language, and there are many examples of it sprinkled throughout the trial transcript, such as, “Both the state and federal governments maintain courts, that those who cannot agree may have their difference properly adjudicated.” (“Tennessee vs. John Scopes,” 1925). A limited amount of this technical language is also used in Inherit the Wind, but the characters in the play also use figurative language that the participants in the Scopes Trial would not have occasion to use. In Inherit the Wind, one can find similes, metaphors, and verbal irony. An example would be in Act I, when a character sarcastically remarks, “How flattering to know I’m being clipped,” (Lawrence & Lee, 1955, p. 25). The Scopes Trial, being an actual court case and therefore very business-like, simply does not contain any figurative language. This alteration of language use is yet another instance of transformation that the authors of Inherit the Wind are responsible for.
The play takes place in Hillsboro. It is a small fictional town that is meant to resemble Dayton, Tennessee, where the Scopes trial was held in 1925.
Stanley Kramer's film, Inherit the Wind, examines a trial based on the 1925 Scopes trial in Dayton, Tennessee. Often referred to as "The Trial of the Century" (Scopes Trial Web Page), the Scopes trial illuminated the controversy between the Christian theory of creation and the more scientific theory of evolution. John Scopes, a high school biology teacher, was arrested for illegally teaching evolutionism to his class. "The meaning of the trial emerged because it was seen as a conflict of social and intellectual values" (Scopes Trial Web Page). Kramer's film dramatizes this conflict between the Christian believers and the evolutionists in "Hillsboro, heavenly Hillsboro, the buckle on the Bible belt" (Inherit the Wind). Prosecutor Matthew Brady represents the values of fundamental Christianity while defense attorney Henry Drummond is the voice of reason and science. Although the two men have been good friends and partners in the past, the case in Hillsboro illuminates the difference in their values. Through the scene on the porch with Matthew Brady and Henry Drummond, director Stanley Kramer illustrates the incessant tug-of-war between religion and science. More specifically, camera angle and Drummond's metaphor of the "Golden Dancer" help deliver Kramer's belief in evolutionism.
When one evokes The Salem Witch Trials of 1692, the image that comes to most peoples minds are that of witches with pointed hats riding broomsticks. This is not helped by the current town of Salem, Massachusetts, which profits from the hundreds of thousands of tourists a year by mythologizing the trials and those who were participants. While there have been countless books, papers, essays, and dissertations done on this subject, there never seems to be a shortage in curiosity from historians on these events. Thus, we have Bernard Rosenthal's book, Salem Story: Reading the Witch Trials of 1692, another entry in the historiographical landscape of the Salem Witch Trials. This book, however, is different from most that precede it in that it does not focus on one single aspect, character, or event; rather Rosenthal tells the story of Salem in 1692 as a narrative, piecing together information principally from primary documents, while commenting on others ideas and assessments. By doing so, the audience sees that there is much more to the individual stories within the trials, and chips away at the mythology that has pervaded the subject since its happening. Instead of a typical thesis, Rosenthal writes the book as he sees the events fold out through the primary documents, so the book becomes more of an account of what happened according to primary sources in 1692 rather than a retelling under a new light.
In Inherit The Wind, by Jerome Lawrence and Robert E. Lee, is about a big trial in a small town, and a controversial Creation versus Evolution debate. There are many characters with flamboyant and powerful personalities. Among them are: Matthew Harrison Brady, and Henry Drummond. Although all of these influential people are powerful, not all of them have the same amount of power, not only over other people, but over themselves as well.
More than two hundred years have gone by since the discovery of the new world. People of with all types of backgrounds and problems came flocking over the ocean to start anew. Jamestown, Virginia and Salem, Massachusetts, were very early settlements, and perhaps two of the most known names of colonies. Jamestown was known for many things, including Bacon’s Rebellion. And Salem was known for one reason, the Salem Witch Trials. These two pieces of history reflect the tensions of the unstable society and of their beliefs.
William Faulkner wrote two short stories, which are alike in many aspects. 'Spotted Horses'; and 'Mule in the Yard'; are short stories that both involve comic animal chases and financial transactions. Even though the stories are written by the same author, have similar characteristics, and share similar plot features, they are entirely different stories. The stories are both examples of interpretive literature, however 'Spotted Horses'; is a more interpretive short story than 'Mule in the Yard because 'Spotted Horses'; fits Perrine's profile of interpretive literature, and 'Mule in the Yard'; seems to replicate Perrine's profile of escape literature.
The history of the Scopes trial begins in Tennessee with the Butler Act, which passed on March 13, 1925. The Butler Act stated that “it shall be unlawful for any teacher in any of the Universities, Normals and all other pub...
According to Jones, modern estimates suggest perhaps 100,000 trials took place between 1450 and 1750, with an estimated execution total ranging between 40,000 and 50,000. This death toll was so great because capital punishment was the most popular and harshest punishment for being accused of witchcraft. Fear of the unknown was used to justify the Puritans contradictive actions of execution. Witch trials were popular in this time period because of religious influences, manipulation through fear, and the frightening aspects of witchcraft.
Nathaniel Hawthorns short stories, such as, Dr. Heidegger’s Experiment, Rappaccini’s Daughter and The Birthmark all have an underlying meaning and demonstrate a similar recurring theme. Hawthorne uses his stories to clarify his beliefs on the competition between nature, religion, and science in everyday life. In all three of his short stories he refuses the concept of science coming before religion or nature. Hawthorne clearly thought if nature or religion was tampered with using science it could only end badly, but more specifically with death. In each of his stories there is a scientific experiment that defies both nature and religion ending harmfully. Nathaniel Hawthorne’s beliefs conclude that God and nature to ultimately be more powerful then science.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
The Salem Witch Trials of 1629 were complex, deep, and twisted in nature. However, they can be rooted down to the specific scientific cause that is ergot, and were driven by purely inequitable allegations. The trials highlight utterly corrupt decisions and a crooked time period in American History.
Following World War II, war trials convicted the criminals of their crimes. There were hundreds of trials that took place to punish the Nazi criminals. According to UnitedStatesHolocaustMemorialMuseum.org, “On December 17, 1942, the leaders of the United States, Great Britain, and the Soviet Union issued the first joint declaration officially noting the mass murder of European Jews and resolving to prosecute those responsible for crimes against civilian populations.” The United Nations War Crimes Commission would be in charge of the trials. These trials took place all over Europe.Many of them were in Germany and were held by the country that was occupying Germany after the war. According to UnitedStatesHolocaustMemorialMuseum.org, “The IMT defined crimes against humanity as “murder, extermination, enslavement, deportation.” Most of the trials were with lower-level officials, and most of the first information we knew about concentration camps came from evidence and eyewitness accounts from these trials. Some of the specific trials were the Nuremberg trials, the Doctors trials, and the Auschwitz trials.
Part A: The book, “To Kill a Mockingbird” has a movie adaptation, which skips parts, but follows the plot. While most of what it excludes are side stories, many of these had an impact, and changed the story later in the movie. A great example of this is the story of Mrs. Dubose, an old cranky woman who sits on her deck, insulting all who pass. Although first seen as an evil in the book, it is later revealed that she also had a morphine addiction she wanted to rid herself of before she died. She tried her hardest and succeeded with the help of Jem, who read to her every day for a bit over a month. Atticus, their father, explained that the reason the son read to her was to show him what “true courage” was, fighting an uphill battle, This
Keith Thomas has argued that “The idea that witch-prosecutions reflected a war between the sexes must be discounted, not least because the victims and witnesses were themselves as likely to be women as men”.
Love, Heather. "Close but Not Deep: Literary Ethics and the Descriptive Turn." New Literary History 41.2 (2010): 371-91. Project Muse. Web. 30 April 2014.