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Grieving and loss quizlet
The five stages of grief poem analysis
Grieving and loss quizlet
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How a person processes the loss of a loved one or cherished items varies greatly. The grieving process for both Anne Bradstreet and Elizabeth Bishop was carried out through their poetry. While both authors begin this process by describing exactly what they lost, their grieving took different paths that ultimately affected how they emerged from the grieving process. Anne Bradstreet began her poem immersed in grief but in the end she was comforted by the presence of God. Elizabeth Bishop, however, began her poem in fairly good spirits but was so stricken by grief she could no longer write. Through their poems both Bradstreet and Bishop express exactly what they lost. In “Verses upon the Burning of Our House”, Bradstreet reflects on the items she loses by saying “My pleasant things in ashes lie and behold …show more content…
them no more shall I”. L.27-28 She later goes on to name specific things she lost such as a table, trunk, and chest. Anne Bradstreet wasn’t just reflecting on the loss of goods, however, she was reflecting on the loss of her life as it was. “Verses upon the Burning of Our House” is a reflection of Anne Bradstreet’s sudden loss of a peaceful, happy life with her husband, children, and friends. In “One Art”, Elizabeth Bishop portrays her loss in a different way. She reveals her loss by writing “Even losing you (the joking voice, a gesture I love) I shan’t have lied.” L.16-17 As she is writing the poem Bishop begins telling about more important things she has lost until she reveals the loss of a loved one. Grief can be dealt with in many ways, including writing about it. Anne Bradstreet and Elizabeth Bishop came to terms with their grief by writing their poems. On line fourteen of “Verses upon the Burning of Our House” it says, “I blessed his name that gave and took that laid my goods now in the dust”. L.14-15 In this section of the poem Bradstreet is rationalizing the loss of her possessions because she believed it was God’s will. Although she recognized his loss as God’s will, Bradstreet begins reflecting on all she has lost.
After she grieves for her emotional and material possessions, she corrects herself as she says “Adieu, Adieu all’s vanity”. L. 36 She is reminding herself that she is to follow God’s will and not grieve for her material things. As her poem comes to an end she says, “The world no longer let me love, my hope and treasure lies above.” L.53-54 Anne Bradstreet ends her poem as she comes to terms with her grief and offers her life to God. Elizabeth Bishop copes with her grief as well by writing “One Art”. She begins by saying “The art of losing isn’t hard to master” which is her way of convincing herself that the more you lose something the less it hurts. L.1 Bishop is trying to shield herself from the despair she is feeling, but as she writes she begins talking about things that have a greater significance. Eventually she says “It’s evident the art of losing’s not too hard to master though it may look like (Write it!) like disaster”. The level of grief gets much higher as Elizabeth Bishop writes that by the end she had to force herself to finish
writing. “Verses upon the burning of our House” and “One Art” were both poems written to help deal with a tremendous loss. Anne Bradstreet lost her house in a fire, but that house symbolized the kind of life she was living and the grief she was experiencing when she left it behind. Throughout the poem, Bradstreet was transitioning from the life where she loved her material things to a life that was centered on God. Elizabeth Bishop, however, started out thinking that since she had experienced loss before she was prepared for the loss she was experiencing. Bishop became overwhelmed with grief at the end of her poem, and proved her original statements false. These authors both experienced loss and found a way to cope with it through writing.
She writes a letter to husband, almost instructing him on what to do after her death. Unlike other demure housewives of her time, she acknowledges the risk birthing her child brings by saying, “And when thy loss shall be repaid with gains / Look to my little babes, my dear remains” (107). Bradstreet also approaches a taboo subject by acknowledging that her husband might remarry. Bradstreet does not tread lightly on this subject either by writing, “And if thou love thyself, or loved’st me, / These o protect from step Dames injury” (107). In this poem, Bradstreet faces the possibility of not only the loss of her life but the loss of her husband’s love. Bradstreet challenges Puritan beliefs by showing that she will still be concerned with her earthly life after her
Bradstreet also made it appoint to compare the sudden death of her grandchild to nature stating, “But plants new set to be eradicate, / And buds new blown to have so short a date, / Is by His hands alone that guides nature and fate”( lines 12-14). Conversely, Edward describes his loss of his child as a honor from God. Taylor states, “ Lord take’t. I thank Thee, Thou tak’st ought of mine: / It is my pledge in glory, part of me / Is now in it, Lord glorified with Thee” revealing his honor to have his child sitting with the lord (Edward lines 28-30). Both authors took their faith into great consideration when speaking of the loss of a family
Anne Bradstreet and Edward Taylor are two of the most recognizable poets from early American History; they were also both American Puritans, who changed the world with their poetry. We can see many similarities in their poetry when it comes to the importance of religion and also on having children and losing children. There are however differences in the audience of their poetry and their personal views on marriage. Bradstreet and Taylor both came over to America in the 17th century and settled in New England. Though Taylor came years later we can see the similarities through their poetry.
Imagine that the person you love most in the world dies. How would you cope with the loss? Death and grieving is an agonizing and inevitable part of life. No one is immune from death’s insidious and frigid grip. Individuals vary in their emotional reactions to loss. There is no right or wrong way to grieve (Huffman, 2012, p.183), it is a melancholy ordeal, but a necessary one (Johnson, 2007). In the following: the five stages of grief, the symptoms of grief, coping with grief, and unusual customs of mourning with particular emphasis on mourning at its most extravagant, during the Victorian era, will all be discussed in this essay (Smith, 2014).
Bishop’s early years were quite difficult. Her mother suffered from serious mental illness. After her father’s death and her mother’s inability to care for her, she went to live with her Grandparents in Nova Scotia, Canada. Her father’s parents in Massachusetts believed that Elizabeth would fare better with them due to their financial standing and the educational resources available. “Under their guardianship, Bishop was sent to the elite Walnut Hills School for Girls and to Vassar College (Poetry Foundation, n.d). The experiences of Bishop’s youth are reflected in her poetry through themes of “...struggl[ing] to find a sense of belonging, and the human experiences of grief and longing. (Poetry Foundation,
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
Dealing with the loss of a loved one is very hard and sometimes brutal. There is losses everyday and people around the world mourn that the ones they love are gone forever. As we can see through the creative minds of Emily Bronte and Thomas Hardy loss is a challenge of everyday life whether it’s between the loss of a job, loved one, money, hope, and time. In Emily Bronte’s, Remembrance, the poem is between the losses of love for someone who died fifteen years ago. That the one who died is long gone and out of anyone’s memory. So, in this poem we see a loss of love. In Thomas Hardy’s, The Darkling Thrush, we see the loss of hope because of the turning of the new century because Hardy wrote this poem on December 31st, 1899. In another Hardy poem, Ah, Are You Digging My Grave, we see the loss of memory, and being forgotten. This poem is about a woman who was buried long ago and thinks that the digging above her is her loved ones sending flowers, but they have all forgotten her. Therefore, from the three poems as stated in the text above, what is the comparative analysis of loss between Bronte and Hardy?
Feelings of loss and grief are expressed differently with each individual person. Anne Bradstreet, a Puritan housewife, experiences feelings of loss after her house burns down. She compiles all of her thoughts into her poem, “Upon the Burning of Our House.” Daniel Smith, the composer of the song, “Things We Lost to the Fire,” expresses his grievances through music. Although both texts exhibit feelings of loss, Anne Bradstreet finds security through worship, while Daniel Smith is left feeling lost.
There are various literary devices used by Elizabeth Bishop in the poem “One Art.” They include metaphors, personification, symbolism, alliteration, and rhyme. Through repetition and metaphor, she asserts that losing things is a small matter as compared to losing a loved one. In the first line, she claims that “The art of losing isn’t hard to master.” This opening stanza adopts a relatively apathetic tone, which emanates from the speaker’s pretentious indifference towards suffering. Bishop repeats this line several times throughout the poem in lines 6 and 12 which implies that losing material items isn’t such a big deal. In the final repetition of the first line, she uses the word “too.” This proposes that it is challenging to master, though
During some point any many lives, someone had lost a loved one and weren’t sure how to properly mourn for them. Their death led to a path of agony and despair for the living that can’t handle to feel as their emotions died as well. It’s always hard to accept that the one you love is gone, but reality takes a stab at you telling you to wake up. In Emily Dickinson’s “After Great Pain” piece, she examines the series of steps every person has gone through now or in the future.
Grief is a feeling that almost every person experiences. Edgar Allan Poe, one of America’s incredible writers, is known for his dark and gothic works. Most of Poe’s works reflects the grief from the tragedies he experienced throughout his life time. In two of Poe’s poetry, he develops a theme of grief.
Close your eyes and feel the cool breeze brush upon your skin as we journey through the spectacular premiere of Poetry 's Got Power! In this episode we will be analysing the two compelling poems, 'No longer mourn for me when I am dead ' (Sonnet 71) by William Shakespeare and 'On the death of Anne Bronte ' by Charlotte Bronte. Shakespeare’s Sonnet 71 describes that he does not want people to mourn when he dies as he wants them to move onto better things now that he has gone. Corresponding to this is Charlotte Bronte’s poem about her sister’s death and the great difficulty to find herself again. Both poems embody similar techniques and messages that have the ability to move and influence the audience, representing death as being an excruciating painful and emotional time for any loved one to ever experience. Not only that but to move on takes an extreme amount of willpower.
Funeral Blues by W. H. Auden is a short poem that illustrates the emotions that he is dealing with after the love of his life passes away. The tone of this piece evokes feelings that will differ depending on the reader; therefore, the meaning of this poem is not in any way one-dimensional, resulting in inevitable ambiguity . In order to evoke emotion from his audience, Auden uses a series of different poetic devices to express the sadness and despair of losing a loved one. This poem isn’t necessarily about finding meaning or coming to some overwhelming realization, but rather about feeling emotions and understanding the pain that the speaker is experiencing. Through the use of poetic devices such as an elegy, hyperboles, imagery, metaphors, and alliterations as well as end-rhyme, Auden has created a powerful poem that accurately depicts the emotions a person will often feel when the love of their live has passed away.
Gwen Harwood and James McAuley interpret loss comparatively in their poems “In the Park” and “Pietà”. The sonnet “In the Park” explores the psychological loss of self identity whereas , contrastingly, “Pietà” illustrates the physical loss of a child and the grief of a father. Although both poems are similar in demonstrating the actuality of loss, they differ in the narrators expression of the idea physically and mentally.
Katherine Philips is desperately trying to renew her faith in life, but she is struggling to do so because of the death of her son. She is attempting to justify the loss of her child as a form of consolation, while keeping somewhat emotionally detached to the later death of her stepson in “In Memory of F.P.” The differing phrases, words, and language contrast the two elegies and emphasize the loss and pain in “Epitaph” while diminishing the pain in “Memory of FP.”