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A streetcar named desire characters and contrasting values
Compare and contrast the major characters in the streetcar name desire
Compare and contrast the major characters in the streetcar name desire
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In A Streetcar Named Desire by Tennessee Williams, Stanley Kowalski and Blanche Dubois are characters who are opposites from their personalities to their ideals but still share traits that make them similar. When Stella Kowalski introduced Stanley and Blanche, they automatically became at odds with each other. They each represent opposing symbols and did not get along because of this. Tennessee Williams shows in A Streetcar Named Desire that opposites can still be similar in some ways by how Stanley and Blanche are both carnal, drink a lot, and have a temperamental personality. Both Stanley and Blanche have very carnal personalities, and they need love to satisfy their desires for not only physical sex, but also stability and security in a relationship. Stanley is openly sexual with his wife, Stella and does not try to hide it. On page 50, after Stanley whacks his hand on Stella’s thigh in front of his poker friends, Stella said, “That’s not fun, Stanley. It makes me so mad when he does that in front of people.” Blanche’s carnal personality is obvious in the incident of the …show more content…
newspaper boy. On page 99, Blanche said, “Come here. I want to kiss you, just once, softly and sweetly on your mouth! Now run along, now, quickly! It would be nice to keep you, but I’ve got to be good--and keep my hands off children.” Both also need a relationship that gives them stability and security; Stanley needed Stella to come back after she ran off to Eunice’s house, and Blanche wanted Mitch to give her this sense of safety in a real relationship. Drinking is an issue for both of these characters, though the handle this problem differently. Stanley has a real problem drinks until he passes out like in the poker game. Blanche drinks in secret, but her problem is to the same severity as Stanley. On page 158, Stanley said to Blanche, “Sitting on your throne and swilling down my liquor!” Again, Blanche said on page 15, “I am going to take just one tiny nip more, sort of to put the stopper on, so to speak….Then put the bottle away so I won’t be tempted.” This pair often becomes excessively drunk--as can be seen in scene three where Stanley beats his wife after having too many drinks, and Blanche becomes overly flirtatious and talkative with Mitch. On page 59, Blanche slurs and stumbles through saying, “Show me a person who hasn’t know any sorrow and I’ll show you a shuperficial--Listen to me! My tongue is a little--thick!” Each of the these two characters have very unique personalities that are quick tempered and have moments where they seem insane.
Ever since the beginning of the book, Blanche would talk about Shep Huntleigh, an imaginary man that she made into her escape from reality. On page 85, Stella says, “What are you laughing at, honey?” Blanche then replies with, “Myself, myself, for being such a liar! I’m writing a letter to Shep.” Stanley lets his carnal, “animal” side out, and this can be seen when he takes advantage of Blanche. On page 161, Stanley said, “Come to think of it--maybe you wouldn’t be bad to--interfere with...” Another example of both of their tempers is in scene two, where Blanche and Stanley get into a heated discussion about the Belle Reve. Stanley oversteps his boundaries by throwing her possessions around, and Blanches losses her head and breaks down when he touched her love
letters. The characters Stanley and Blanche in A Streetcar Named Desire may seem very contrasting and opposite, but they do have some traits that connect them together. Stanley and Blanche’s carnal and temperamental personalities, combined with a love for alcohol, give these two characters plenty of shared attributes. A Streetcar Named Desire shows how even the most polar of opposites have features to tie them together when examined enough.
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
Her first problem is with the heroine of the play, Blanche DuBois, who, she claims, is "ironically made guilty for her own victimization. No longer fully human, she is simply a metaphor of all that is vile about women. Blanche cannot, then, claim tragic stature or even our sympathy precisely because she is a victim of rape. And as she becomes responsible for her own victimization, Stanley is left to glory in his ascendancy. This aspect of Streetcar arises from the misogyny which colors the play…" (Lant 226). Admittedly, Blanche does flirt with Stanley briefly at the beginning of the play—just as many women playfully flirt with their brothers-in-law. But as her relationship with Stanley deteriorates, she makes it quite obvious to him that she loathes the sight of him. Though the world in which Lant lives may be one in which a woman, playfully sprinkling her brother-in-law ...
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
Blanche one day tells Stella that she shouldn't stay with Stanley because he shouldn't treat his wife abusively, especially when she's pregnant. Blanche describes in full detail that he “acts like an animal,has animal habits! Eats like one, moves like one, and talks like one!” (74) All that Blanche wants to do is speak to Stella so she does not put up with the domestic abuse. Blanche feels that Stella does not deserve to be mistreated by her husband. Williams excellent use of diction most certainly proves how Stanley is both an animal and an abusive husband to Stella. Although Stella feels mistreated and abused, she never considers leaving Stanley because she has a great desire for him no matter his abusive actions. Stella at times finds herself the cause of Stanley's actions. She feels that she's the reason why Stanley hits and abuses
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Her rendezvous just added to her problems and dirtied her reputation.... ... middle of paper ... ... Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning.
Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche, after being reunited with Stella, meets Stanley and Mitch. Stella is torn between her sister and Stanley because of Stanley’s dislike of Blanche. Stanley is a lower class citizen who is devoted to his friends and adores his wife, but he is cruel to Blanche. Mitch is Stanley’s friend and poker buddy.
Stanley rape Blanche, so she can not reclaim her purity anymore. Her only solution is by living in her imaginary world which she can create free of adversity. She no longer survive in the harsh world of reality . Stanley decided to send her away to a mental institution. When Blanche is told that she will be leaving. Blanche further expand her imagination to Shep Huntleigh. She believed that Shep Huntleigh will take her away. The only thing that she can conquer her adversity is by using her imagination ,which result her a complete loss of identity. She is send away to her last exile and entrapment. Having proven unable to adapt her identity in order to overcome
Blanche DuBois is a character full of life tragedies and struggles with her internal conflicts throughout the play. The first introduction of Blanche portrays her as a more cultured and highly sophisticated individual, than the average local in Elysian Fields. Dubois was quick to claim to be from an upper class of society, by daintily dressing in white suite with a fluffy bodice, necklace and earnings of pearl, white gloves and hat (Williams 95). The color white usually signified something that was pure and blameless, which was the total opposite with Blanche, all this was part of an image she was trying to portray. She tried covering up the truths of her life like; her sexual deviants, the loss of her job, and her alcoholism. All these events foreshadows the downfall of Blanche’s character which eventually led her to the insane asylum. She is an extremely complicated character who seems to be out of her element both physically and mentally, and seems to be stuck in her youthful years. Blanche’s mind is all disarrayed leaving her so lost and confused about life allowing her to lash out in ways that are sexual in nature. Her sexual tendencies are exceedingly inappropriate do to the nature of her actions. Balance tries to avoid the true reality of what was going on in her life, it was as if it was problematic for her to differentiate between reality and the desires of her heart. She just wanted a better future for herself, by trying to submerge herself in a life that was constructed off lies and deception. She captivated herself in romantic fantasies that begun as something that was harmless, then escalates into something that is morally unacceptable.
From the moment Stanley and Blanche met the contrast between the two characters was apparent, Stanley even points out ‘The Kowalskis and the DuBois have different notions’ (S2:pg.135*). Williams uses the dramatic device of colors to symbolize a distinction between Stanley and Blanche; Stanley wears vivid colors ‘roughly dressed in blue denim’(S1:pg.116*) representing his masculinity and authority he possesses in the Kowalski household, before Blanche arrived, in contrast to Blanche who ‘is daintily dressed in a white suit’ (S1:pg.117*) representing purity and femininity. Blanche wears white at the beginning of the play thinking she will be able to hide her impure behaviour but Stanley saw right her act and knew she would be a threat to his marriage with Stella. The reason being is that Blanche constantly criticizes Stanley making derogatory comments about him calling him a ‘common’ and ‘bestial’(S4:pg.163*) along with conde...
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
Arguably one of Tennessee Williams’ most famous and successful works, A Streetcar Named Desire, illustrates the psychological deterioration of Blanche DuBois. Throughout the play, she proves to be a fraud from the start, weaving an illusionistic image of her reality. The theme of desire is pivotal to the play’s progression, as her internal conflicts of the past and upholding of the Southern tradition serve as catalysts to her deluded and fragile personality. As a result, Blanche’s hope lies in her fantasy world, aiming to salvage her old life in a world of brutality and outside threats. This is further accentuated by the personality of her sister Stella’s husband, Stanley Kowalski, a foil to her delicate femininity.