Ernest Hemingway's Uses of Weakness and Survival
Ernest Hemingway is one of the most recognized writers of the twentith century. In World War I, Hemingway drove ambulances for the Red Cross, and was seriously wounded. Hemingway was rejected by his mother, and felt forced to move away from home. These experiences had a profound emotional impact on him and his writings. As a result, Hemingway's protagonists fulfill the heroic ideal of naturalistic views; and contrasts the weakness and survival of the men as seen in "Indian Camp", "Snows of Kilimajaro" and "The Short, Happy Life of Francis Macomber." Whereas, in "Indian Camp", Hemingway shows how Nick can endure the pain of childbirth, while the Indian father is weak and can not survive. Hemingway believes that "Only the strong survive," (Hughes 128). Hemingway is not primarily interested in the shocking childbirth, but he is interested in its effect on Nick, who witnessed it. Thus, "Indian Camp" exhibits weakness and survival through the personalities and death of the characters. The story tells about what Hemingway is up to for his writing career. Nick's father delivers an Indian woman's baby by Caesarean section, with a jackknife and without anesthesia. Therefore, weakness is shown by the Indian father who is "to weak to stand the childbirth of his wife" (Young 40). The Indian father obviously has not experienced many hardships throughout his life. As a result of the pain his wife experiences, it is ultimately too much for the father to bare. He finally decides to kill himself. When the delivery is over Nick's father looks on the top bunk and discovers the husband laying there with his head nearly cut off with a razor. The...
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... Hemingway's problem is that "... he had not been discovered in any act of cowardice but he himself knew that Brady 4 he had been frightened" (Atkins 50). One part of him accuses the other and insists on reparation. Fear is not to be condoned or rated as a sin throughout the story. Coward is a familiar character in Hemingway's work but he is never the traditional cringing coward. Hemingway uses fear in relation to weakness and survival to test his character's courage. Weakness and surival is the main point in these three short stories with each character except for Nick and his father. As a result, Hemingway has effectively displayed his belief of weakness and survival of his protagonists in the short stories of "Indian Camp", "Snows of Kilimanjaro", and "The Short Happy Life of Francis Macomber", to reflect his experiences in life to his characters in his stories.
*Paragraph Break*"Indian Camp" opens with an all-male convoy of rowboats heading across the lake, with young Nick, his doctor father and his Uncle George off to see an "Indian lady [who is] very sick." As they disembark on the other side and follow a young Indian bearing a lantern to the camp where childbirth is taking place, the men's guiding interest is not in the mother-to-be as a person, but in her physiology as a case study. When they find her screaming in bed, Nick's father dehumanizes her by saying: "[Her] screams are not important. I don't hear them because they are not important."
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe infection. Throughout the whole story, his life is flashing before his eyes as he recalls all of the major events that occurred in his past. By nightfall, Harry is acting unusual, and he begins to feel as if life is not worth living anymore. After he drifts off to sleep that evening, his wife goes to check on him and discovers that her husband has passed away (Hemingway 52-77). The second great work of Hemingway, “The Short, Happy Life of Francis Macomber,” is also set in a deserted section of Africa. Francis and his wife, Margot, are on a safari adventure along with their tour guide named Wilson. The way these three characters interact with each other creates tension and provides an adequate plot for the story. The trip begins with the couple intending on hunting big game. At first they track down a lion that continuously roars throughout the night, and later decide to chase after buffalos. To add to the complications of the trip, Margot has an intimate relationship with their tour guide. The story c...
Earnest Hemingway is one of Americas foremost authors. His many works, their style, themes and parallels to his actual life have been the focus of millions of people as his writing style set him apart from all other authors. Many conclusions and parallels can be derived from Earnest Hemingway's works. In the three stories I review, ?Hills Like White Elephants?, ?Indian Camp? and ?A Clean, Well-lighted Place? we will be covering how Hemingway uses foreigners, the service industry and females as the backbones of these stories. These techniques play such a critical role in the following stories that Hemingway would be unable to move the plot or character development forward without them.
Hemingway constantly draws parallels to his life with his characters and stories. One blatant connection is with the short story, “Indian Camp,” in which an Indian baby is born and its father dies. As Nick is Hemingway’s central persona, the story revolves around his journey across a lake to an Indian village. In this story, Nick is a teenager watching his father practice as a doctor in an Indian village near their summer home. In one particularly important moment, Hemingway portrays the father as cool and collected, which is a strong contrast to the Native American “squaw’s” husband, who commits suicide during his wife’s difficult caesarian pregnancy. In the story, which reveals Hemingway’s fascination with suicide, Nick asks his father, “Why did he kill himself, daddy?” Nick’s father responds “I don’t kno...
Ernest Hemingway uses the various events in Nick Adams life to expose the reader to the themes of youth, loss, and death throughout his novel In Our Time. Youth often plays its part in war, and since In Our Time writes very frequently about war; it is not a surprise that the theme of youth is seen in many of the stories. In “Indian Camp” the innocence of youth is shown in the last sentence of the story: “In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die.” (19) When this sentence and the conversation Nick and his father have before they get on the boat are combined in thought it shows that because of Nicks age at the time that he does not yet understand the concept of death.
Earnest Hemingway is known for leaving things out in his writing. He believed that if you knew something well enough, you could leave it out and still get your point across. In the short story "The End of something", he leaves a few things out. Some things he doesn't say at all and others the reader knows something before he says it. He must have know what he was writing about because he the reader can infer certain things.
Ernest Hemingway is today known as one of the most influential American authors of the 20th century. This man, with immense repute in the worlds of not only literature, but also in sportsmanship, has cast a shadow of control and impact over the works and lifestyles of enumerable modern authors and journalists. To deny his clear mastery over the English language would be a malign comparable to that of discrediting Orwell or Faulkner. The influence of the enigma that is Ernest Hemingway will continue to be shown in works emulating his punctual, blunt writing style for years to come.
Throughout the 20th century there were many influential pieces of literature that would not only tell a story or teach a lesson, but also let the reader into the author’s world. Allowing the reader to view both the positives and negatives in an author. Ernest Hemingway was one of these influential authors. Suffering through most of his life due to a disturbingly scarring childhood, he expresses his intense mental and emotional insecurities through subtle metaphors that bluntly show problems with commitment to women and proving his masculinity to others.
...egular job or move out" (Waldhorn 9). Both Hemingway and Krebs moved out and got jobs. Beyond a doubt, Hemingway wrote from his past experiences. In "Indian Camp," Hemingway used his own relationship with his father to breathe life into the fictional characters of Nick and his father. By leaving his childhood and entering the war, Hemingway recalled his own accounts of injuries and love that made up the character Henry and Barkley in A Farewell to Arms. And finally, with his return home after the war, Hemingway uses Krebs in "Soldier's Home" to express his distaste for the home life.
Ernest Hemingway uses the various events in Nick Adams life to expose the reader to the themes of youth, loss, and death throughout his novel In Our Time. Youth very often plays its part in war, and since In Our Time relates itself very frequently to war throughout; it is not a surprise that the theme of youthful innocence arises in many of the stories. In “Indian Camp” the youthful innocence is shown in the last sentence of the story: “In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die.” (19) When this sentence and the conversation Nick and his father have before they get on the boat are combined in thought it shows that because of Nicks age at the time that he does not yet understand the concept of death.
Earnest Hemingway’s work gives a glimpse of how people deal with their problems in society. He conveys his own characteristics through his simple and “iceberg” writing style, his male characters’ constant urge to prove their masculinity.
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...
"The Snows of Kilimanjaro" is a proof of Hemingway's artistic talent in which the author, by portraying the story of a writer's life self-examination, reveals his own struggles in life, and makes the reading well perceived by the use of symbolism. The reader learns about Harry's attitudes toward death, war, artistic creation, and women, which are concepts of what Hemingway writes about.