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Hemingways influences
Hemingways influences
What is Hemingway's writing style
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Ernest Hemingway is today known as one of the most influential American authors of the 20th century. This man, with immense repute in the worlds of not only literature, but also in sportsmanship, has cast a shadow of control and impact over the works and lifestyles of enumerable modern authors and journalists. To deny his clear mastery over the English language would be a malign comparable to that of discrediting Orwell or Faulkner. The influence of the enigma that is Ernest Hemingway will continue to be shown in works emulating his punctual, blunt writing style for years to come.
Hemingway was born in Oak Park, Illinois on July 21st, 1899 to his parents, Clarence and Grace Hemingway. His family was wealthy, and would eventually move to a much bigger house with a music studio and a medical office to accommodate their occupational needs. His relationship with his mother was rocky at best, and he complained of her persistence in making him play the cello. In a book written by his sister, she reported that Grace had been obsessed with having twin girls, and had gone as far to dress young Ernest in girl’s clothing and call him “Ernestine”. This went on until he was six years old, and may explain his continuous focus on appearing masculine later in life. His relationship with his mother would set the tone for his future interactions women. He was brought up a man’s man, his father teaching him to hunt, camp, and fish from the very young age of four years old. These summer retreats would take place at his family’s summer home on Lake Walloon in Michigan. Spending much of his time outdoors as a boy instilled in him a great affinity for nature and sporting. At Oak Park and River Forest High School, he was very involved in sports and did w...
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... an Italian officer. They would never meet again. This made Hemingway very insecure, and would be detrimental to the way he would handle relationships in the future. He would go on to develop a habit of abandonment of his wives.
In September of 1919, after returning to his home and readjusting to his old life, he went on a fishing and camping trip with friends to Michigan’s Upper Peninsula. The trip inspired the short story, Big Two-Hearted River, in which his somewhat biographical character, Nick Adams made a return to his favorite fishing grounds after coming home from the war. Nick found that the area had been through some sort of fire, and the scorched trees and blackened insects represented Hemingway’s feelings that nothing was the same. A place which had once been so familiar and positive in his eyes was transmogriphied into a province of melancholy and woe.
The world of Ernest Hemingway’s “Big Two-Hearted River” exists through the mostly unemotional eyes of the character Nick. Stemming from his reactions and the suppression of some of his feelings, the reader gets a sense of how Nick is living in a temporary escape from society and his troubles in life. Despite the disaster that befell the town of Seney, this tale remains one of an optimistic ideal because of the various themes of survival and the continuation of life. Although Seney itself is a wasteland, the pine plain and the campsite could easily be seen as an Eden, lush with life and ripe with the survival of nature.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Hemingway constantly draws parallels to his life with his characters and stories. One blatant connection is with the short story, “Indian Camp,” in which an Indian baby is born and its father dies. As Nick is Hemingway’s central persona, the story revolves around his journey across a lake to an Indian village. In this story, Nick is a teenager watching his father practice as a doctor in an Indian village near their summer home. In one particularly important moment, Hemingway portrays the father as cool and collected, which is a strong contrast to the Native American “squaw’s” husband, who commits suicide during his wife’s difficult caesarian pregnancy. In the story, which reveals Hemingway’s fascination with suicide, Nick asks his father, “Why did he kill himself, daddy?” Nick’s father responds “I don’t kno...
Ernest Miller Hemingway was born on July 21st in 1899. Named after his grandfather, Hemingway was the second of six siblings in his family. He was born and raised in a town called Oak Park, which was known for being an upper/middle-class suburb only ten miles from Chicago. Hemingway would later refer to his place of birth as a “neighborhood of wide lawns and narrow minds.” This was likely due to the fact that Oak Park was mainly a conservative town that tried to separate from the liberal views of the big city. Hemingway was raised with very strict, conservative values, which taught him that the most important things in life were religion, hard work, physical fitness and self-determination. Hemingway’s father, Clarence Edmonds Hemingway, taught him to hunt and fish by the forests of Lake Michigan. Hunting quickly became one of Hemingway’s most loved passions; he often uses his knowledge of the sport to his advantage in his writing. Hunting is just one of the many inspirations that Ernest Hemingway uses to develop one of his short stories. A major influence on his pieces was World War I; he was enlisted in the World War I ambulance drivers. In 1918, he was seriously wounded after being struck by a mortar shell in Italy and returned home (Lost Generation). The effects of the war on Hemingway’s mind and body played a huge role in short stories that he wrote, but also on possibly his most famous novel of all time, A Farewell To Arms. In an interview with Matthew J. Bruccoli, Hemingway listed the following writers as influences on his own work: Ring Lardner, Sherwood Anderson, Ezra Pound, and Gertrude Stein (Conversations with E.H.).
Hemingway can be seen as a women's man, he was attracted to women, and marriage did not prevent him from having affairs. Whatever his life was, one of the main themes in his writing remained his determination to understand the difference between the two genders. This difference always mattered in his texts, as we will see in this short story, written by Hemingway, “Up In Michigan”. In this story, Hemingway tries to tell the story in the way he thinks a woman would see and live it, during the story, he will alternate the two point of views, the man’s (Jim), and the woman’s (Liz), and he will end the story on Liz’s view.
During this expedition, he was injured and hospitalized. Hemingway had an crush for a particular nurse at that hospital, her name was Agnes von Kurowsky. Hemingway continually proposed to her, and she continually denied.
Gajduske, E. Robert. Hemingway's Paris. New York: Charles Scribner's Sons, 1978. Mahoney, John. Ernest Hemingway. New York: Barnes and Noble INC., 1967. McSowell, Nicholas. Life and Works of Hemingway. England: Wayland, 1988. Meyers, Jeffery. Hemingway: A Biography. New York: Harper and Row Publishers, 1985. Shaw, Samuel. Ernest Hemingway. New York: Fredrick Ungar Publishing Company, 1974. Tessitore, John. The Hunt and The Feast, A life of Ernest Hemingway. New York: Franklin Watts, 1996. Waldhorn, Arthur. A Reader's Guide to Ernest Hemingway. New York: Octagon
Hemingway was a man born to change how literature is looked at today. He introduced and showed the world that using simplicity in writing can make the same effect as using descriptive language. I believe that Hemingway is a very creative man and used his technique in different ways, but sometimes authors need to be specific so that the reader can really live in the moment and understand everything from the the character’s thoughts and feelings, to the setting of the story. Sadly, he committed suicide on July 2, 1961 at the age of 61, in Ketchum, Idaho. Even though Ernest Hemingway left this world years ago, his legacy still lives here with us.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Sherwood Anderson was a relatively well-established author when he met Ernest Hemingway. Before they encountered one another, Hemingway had already read Anderson’s Winesburg, Ohio. Ernest “was a great admirer of [Anderson’s] work, particularly those tales which had sporting scenes for their backgrounds” (Schevill 153). Whenever the two were around each other, Hemingway was always “quiet and attentive” (Fenton 104), though Ernest’s friend, Kate Smith recalled: “It probably means a storm’s brewing” (Fenton 104). Hemingway would internalize all that he learned from his time spent with Anderson in Chicago. The two shared a similar interest in “sex as a basic human drive,...the examination of youth and its distresses,…[and] the importance of emotion and feeling” (Fenton 148). Anderson himself denied ever influencing Hemingway’s work “as a whole” (Fenton 105). Anderson merely recognized the talent that Hemingway possessed. Motivated by his appreciation...
As a boy he was taught by his father to hunt and fish along the shores and in the forests surrounding Lake Michigan. The Hemingways had a summer house called Windemere on Walloon Lake in northern Michigan, and the family would spend the summer months there trying to stay cool. Hemingway would either fish the different streams that ran into the lake, or would take the row boat out to do some fishing there. He would also go squirrel hunting in the woods near the summer house, discovering early in life the serenity to be found while alone in the forest or wading a stream. It was something he could always go back to throughout his life, wherever he was. Nature would be the touchstone of Hemingway's life and work, and though he often found himself living in major cities like Chicago, Toronto and Paris early in his career, once he became successful he chose somewhat isolated places to live like Key West, or San Francisco de Paula, Cuba, or Ketchum, Idaho. All were convenient places for hunting and fishing.
...d his lost love, he produced the character Krebs who was troubled by female companionship. Krebs wanted a woman but was not willing to work for one. Krebs considered relationships too complicated and painful. Hemingway learned this from previous relationships especially the relationship between Hemingway and Kurowsky. Krebs who lived with his parents after the war continued to do nothing around the house. Tensions grew between him and his parents and Krebs was eventually driven out.
“Then some one hit the drunkard a great blow alongside the head with a flail and he fell back, and lying on the ground, he looked up at the man who had hit him and then shut his eyes and crossed his hands on his chest, and lay there beside Don Anastasio as though he were asleep. The man did not hit him again and he lay there and he was still there when they picked up Don Anastasio and put him with the others in the cart that hauled them all over to the cliff where they were thrown over that evening with the others after there had been a cleaning up in the Ayuntamiento.” (Hemingway 126).
Ernest Hemingway was a major American novelist and short story writer whose principal themes were violence, machismo, and the nature of what is called now “male bonding.'; His renowned style for his firmly non-intellectual