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Paris in the 20s
World War I impacted the art movements
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Hemingway and Fitzgerald on the Expatriate Experiance
"You're an expatriate. You've lost touch with the soil. You get precious. Fake European standards have ruined you. You drink yourself to death. You become obsessed with sex. You spend all your time talking, not working. You are an expatriate, see?" (Sun Also Rises, 115)1
Paris in the 1920's was a place that seemed to embody dynamic artistic achievement. Many of the great artists of modernist movements were either there or had passed through at some point. It became the living embodiment of the old joke "So Hemingway, Fitzgerald and Modigliani walk into a bar..." For Americans traveling to Paris after the war with artistic intentions, it was a win-win situation: Freedom from stultifying artistic conventions and the burgeoning corporate culture, and life in a bohemian community with cheap francs, an old order debunked by the war, and an already established network of expatriate heavy hitters (Gertrude Stein, Ezra Pound). Even among the American expatriate class, however, there was a division between groups. There were those who went to Paris to fully immerse themselves in the bohemian lifestyle (even if part of it was more show than reality) and interact and bicker with other self-proclaimed artists, while the other went to Paris due to its burgeoning reputation as a place to see and be seen among the literati (much like the latest trendy eatery in Los Angeles). Some were there for the art, others for the atmosphere. Hemingway, in his retrospective "A Movable Feast", would consider himself a staunch member of the former and Fitzgerald a hopeless member of the latter. While Paris had a crucial formative effect on Hemingway that it did not have on Fitzgerald, it would be...
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...n R. French Connections: Hemingway and Fizgerald Abroad, St. Martin's Press, 1998
4. http://ntsrv2000.educ.ualberta.ca/nethowto/examples/bradley/mansfiel/paris.htm
5. http://www.lib.unc.edu/rbc/french_expatriates/paris.html
[1] Kennedy, J. Gerald and Bryer, Jackson R. French Connections: Hemingway and Fizgerald Abroad, pg 1
[2] Kennedy, J. Gerald and Bryer, Jackson R. French Connections: Hemingway and Fizgerald Abroad, pg 6
[3] 5
[4] Hemingway, Ernest A Moveable Feast, pg 69
[5] Hemingway, Ernest A Moveable Feast, pg 35-36
[6] Kennedy, J. Gerald and Bryer, Jackson R. French Connections: Hemingway and Fizgerald Abroad, pg 233
[7] Kennedy, J. Gerald and Bryer, Jackson R. French Connections: Hemingway and Fizgerald Abroad, pg 167
[8] Kennedy, J. Gerald and Bryer, Jackson R. French Connections: Hemingway and Fizgerald Abroad, pg
Works Cited: Source: #1 Dictionary of Literary Biography, Volume 123: Nineteenth-Century French Fiction Writers: Naturalism and Beyond, 1860-1900. A Bruccoli Clark Layman Book. Edited by Catharine Savage Brosman, Tulane University. The Gale Group, 1992. pp. 188-214.
Published three years after his death in 1961, Ernest Hemingway’s memoir A Moveable Feast illuminates the author’s time spent as an expatriate in 1920s Paris. Though the chronicle was written in a time of great turmoil for Hemingway, (divorces, poor health, paranoia, and alcoholism plagued him for many years), he reflects on the time spent there with respect and fondness. Though the life of a expatriate author in Roaring Twenties Paris seems like a dream to many, Hemingway reveals that not all times were good, in fact, there were times he and his first wife, Hadley, could not afford three meals a day. Despite his hunger, Hemingway manages to use it as a driving force in his creative venture. Through alluring descriptions of fine foods, Hemingway uses this as a distraction
2.Flora, Joseph M. Ernest Hemingway: A Study of the Short Fiction. G.K. Hall & Co., 1989.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Maupassant, Guy De. “An Adventure in Paris”. The Norton Anthology of Short Fiction. Cassill, RV. New York: Norton & Company, Inc. 2000. 511-516 Print.
Hemingway, Ernest. "Soldier's Home." The Bedford Introduction to Literature, 6th Edition. Ed. Michael Meyer. New York: Bedford/St. Martin's. 2002. 152-57.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
...ry (McCourt 327). However one can pressure but hardly force drinks on someone and Frank stated “I gulp the sherry” (McCourt 327). This not only shows a lack of force but almost a yearning. This led to the loss of his first steady job, as a telegram boy, which was recovered later due to the insistence of the local priest. Frank’s inability to say “no” shocks the reader and one is faced with the painful thought that he may end up like his deadbeat father.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
The Critical Tradition (1998): n. pag. Web. 7 May 2014. <http://www.clas.ufl.edu/users/burt/FrenchConnections/Lit.pdf>. 12.
Ernest Hemingway is today known as one of the most influential American authors of the 20th century. This man, with immense repute in the worlds of not only literature, but also in sportsmanship, has cast a shadow of control and impact over the works and lifestyles of enumerable modern authors and journalists. To deny his clear mastery over the English language would be a malign comparable to that of discrediting Orwell or Faulkner. The influence of the enigma that is Ernest Hemingway will continue to be shown in works emulating his punctual, blunt writing style for years to come.
Wagner-Martin, Linda. Ed. A Historical Guide to Ernest Hemingway. New York: Oxford University Press, 2000.
This paper introduces the environmental concerns of the loss of coastal wetlands. The paper will discuss the significance of wetlands and the devastation that is occurring because of human activity. Wetlands are an essential element of our environment both ecological and societal; conservation will be essential for the preservation of these precious ecosystems.
Ernest Hemingway in His Time. July, 1999. Universtiy of Delaware Library, Special Collections Department. 29 Dec. 2000
Green, Frederick C. French Novelists: From the Revolution to Proust. New York: Frederick Ungar, 1964. 233.