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Epic and Gender: The Case of Gilgamesh
In ancient Mesopotamia, people transmitted orally The Epic of Gilgamesh. Gilgamesh is the person who ruled at Uruk about 2700 BCE. This epic was originally composed in Sumerian at 2000 BCE and eventually written on clay tables by Babylonians, Hittites, and other in their own languages (Culture and Value. Page7). This epic focuses on human existence (Culture and Value. Page8).
. According to Reading Selections: Reading 1, in The Flood, it says that when a black storm that was ridden by Adad who is God of storm and led by Shullat and Hanish who are minor gods in Babylonian came from the horizon, the gods of abyss destroyed the city. For example, Annunaki burned city with livid flame. As a result, daylight changed to darkness, people were separated from each family member and the place where people live became like the tides of battle, and even gods escaped to heaven. Ishtar, Queen of Heaven laments for her inability to command evil, wars, and people.
From The Flood, I say that from Ishtar’s saying “Alas, the days of old are turned to dust because I commanded evil; why did I command this evil in the council of all the gods? I commanded wars to destroy the people, but are they not my people, for I brought them forth? Now like the spawn of fish float in the ocean.”(Culture and Value. page 295), women strongly related to life because she says “not my people”, which means that she owns her human beings.
In The Afterlife, it says that Enkidu who is the friend of Gilgamesh and unhealthy because of illness by gods was led to the Palace of the Queen of Darkness. In this palace, dust was food and there was no light. In the house of dust, Enkidu saw the kings of the earth who were like servants. I...
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... weighed out their offering to Ereshkigal, the Queen of Death, and to all the gods of the dead”. From this part, I say that when the Epic of Gilgamesh was written, people believed in the existence of after death.
My conclusion is that in The Epic of Gilgamesh, women were regarded as the symbol of life because Ishtar, Queen of Heaven, laments for the change of humans by the flood, Belit-Sheri keeps the books of death, the wife of Utanapishtim focuses on the peace, and the people who related to Gilgamesh such as his son gave their offering to Ereshkigal, the Queen of underworld.
Work cited
Cunningham. Lawrence S., and John J. Reich. Culture and Values; a Survey of the Humanities. 7th ed. Boston; Wadsworth, 2010. Print.
Work cited
Cunningham. Lawrence S., and John J. Reich. Culture and Values; a Survey of the Humanities. 7th ed. Boston; Wadsworth, 2010. Print.
Culture. Ed. Thomas Riggs. 2nd ed. Vol. 4. Detroit: St. James Press, 2013. 53. Gale
Gender plays a role in literature, often reflecting the culture at the time of their creation. In such cases, it is also easy to tell the expectations of men and women in society. Gender roles in the works The Odyssey and The Epic of Gilgamesh are similar to which there is an obscure line between the two genders. Although most women are presented as maternal figures in both works, they are mainly seen as tools at the disposal of men.
The Epic of Gilgamesh is generally regarded as the greatest literature about tales of a great king. The Epic of Gilgamesh served to show us a lot of things. The time period of BCE is very blurry, and this story attempts to describe many different things in not only Sumerian beliefs, but also Sumerian's culture as a whole. Like many stories from BCE the truth itself is questionable, even though a lot of the information is fact. The factual information that Gilgamesh teaches us about Sumerian Civilization is that had had many craftsman and artistic skills, and also a strong belief in Gods.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
N.K. Sanders, The Epic of Gilgamesh, is one of the most well-known stories in literature. The story beings with Gilgamesh, one-third human and two-thirds God. He ruled the greatest city with strong walls in Urnk to save his people from dangerous attacks. He is described as the most beautiful, strong, and wise ruler of Mesopotamia. He then goes on a quest with Enkidu. When they arrive at Ceder Forest Enkidu dreams that killing the Bull of Heaven had some consequences. Either Enkidu or Gilgamesh must die. Enkidu was chosen and suffered a severe illness. Enkidu did not make it, he was deeply sadden and decide to continue his quest to find immortality. He showed fear towards death because of his friend and now risking everything in hopes that Utnapishtim
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
His experiences now involve humanity and its creations such as cooked food and alcohol consumption. At this point, like the shepherds, Enkidu has one foot in the wild and one foot in civilization. Once Shamhat brings Enkidu to Gilgamesh, Enkidu has completed the process of becoming cultivated with “garments suitable for a prince to wear…[and] a place of honor nearest the king” (40). In a sense, Shamhat created or gave a rebirth to Enkidu, who gratefully praises her to no end. Without the woman, Enkidu would have never evolved into a prince like figure. Shamhat became the bridge that has connected Enkidu from wilderness to
The women of Homer's epics were also viewed as a "prize of honor."(49) Noblemen were awarded women as prizes, given to them by the Gods. These women that were earned by the noblemen were considered possessions of wealth and symbols of honor. Regardless of the beauty they possessed, the women were still subjected to a life of war, slavery and deprivation. Although the women were regarded as slaves, their intelligence and beauty played a major role in the respect the noblemen had for female divinity.
The women in The epic of Gilgamesh play an unavoidable and yet a significant role in Gilgamesh’s process of maturity and the quest his quest for immorality. In The epic of Gilgamesh we are introduced to a few female Characters; Ishtar the goddess of love and war, Ninsun Gilgamesh’s mother , Arura the goddess of birth and fertility, Shamhat the prostitute of Uruk, Sinduri the tavern keeper and the wife of Ut-Napushtim. Everyone of these women played a significant role in Gilgamesh’s life, whether it was in his coming of age process ( maturity) or his quest for immorality. There are not many female characters in The Epic of Gilgamesh compared to the men. It is evident that the role of women was indeed apparent in Gilgamesh’s change of character
Lawrence S. Cunningham, John J. Reich. Culture and values: a survey of the humanities. USA:Wadsworth Publishing. 2009. PRINT.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
The epic begins with Gilgamesh terrorizing the people of Uruk. They call out to the sky god Anu for help. In response Anu tells the goddess of creation, Aruru, to make an equal for Gilgamesh. Thus Aruru created Enkidu, a brute with the strength of dozens of wild animals. After being seduced by a harlot from the temple of love in Uruk, Enkidu loses his strength and wildness yet gains wisdom and understanding. The harlot offers to take him into Uruk where Gilgamesh lives, the only man worthy of Enkidu's friendship. After a brief brawl the two become devoted friends.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
Kroeber, A. and C. Klockhohn, Culture: A Critical Review of Concept and Definition New York: Vintage Books, 1989.