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The genre of poetry itself produces connotations based around raw emotions, especially when considering poetry from the Romanticism era. Furthermore, poetry which is based on emotions (whether negative or positive) is what makes it successful in evoking a more personal response from the reader. When exploring poetry references such as 'The English Poetic Mind' by Charles Williams, he states how when 'We are told of a thing; we are made to feel as if that thing were possible to us; and we are so made to feel it-whatever the thing may be, joy or despair...knowledge is an intense satisfaction to us '1. This statement supports the idea that a certain emotion must be within a poem, meaning if the reader is able to relate to it, the poem is more effective. However, these quotes support the importance of emotion within poetry, but what about the importance of emotion within the poet? Throughout this essay, Lord Byron will be the main poet of focus, as his notorious lifestyle suggests that true emotion may have been his weakness. His poems 'Fare Thee Well!' (composed 18 March 1816: From Poems (1816)) and 'When we two parted' (composed August or September 1815: From Poems (1816)) will also be the primary focus, as they represent two negative influences which happened in Byron's life that would have produced an emotional response.
When first approaching Byron's poetry, the reader would find it difficult not to judge the poem without putting it in the context of his famous reputation. He was a celebrity of his time due to his lavish and liberal lifestyle. Paul West states that 'The difficulty is that if we respond to him at all, we respond to his temperament '2. But how would one respond to his poetry if they had no previous knowledg...
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...ling. To complete the discussion, the assessment of Byron and his works leads to the belief that personal emotions and feelings are important, as it is through this delicate, yet expressive language, that poetry is formed.
Bibliography:
Williams, Charles, (1932). The English Poetic Mind. Oxford University Press
West, Paul (1963). BYRON A collection of critical essays. Prentice-Hall, Inc.
Marchand, Leslie A. (1957) BYRON A Biography. Volume Two. Alfred A. Knopf, Inc.
Poems:
'Fare Thee Well!' by Lord Byron (composed 18 March 1816: From Poems (1816)) taken from Wu, Duncan, (2006) Romanticism An Anthology, Third Edition. Blackwell Publishing. p. 850-852.
'When we two parted' by Lord Byron (composed August or September 1815: From Poems (1816)) taken from Wu, Duncan, (2006) Romanticism An Anthology, Third Edition. Blackwell Publishing. p. 849.
,“Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity" as William Wordsworth, the English Romantic poet, stated. Poetry is a way to express vast emotions and feelings in a way which is unique to the poet. Poetry uses forms and conventions to suggest differential interpretation to words, or to evoke emotive responses.
Rochester's poetry has been denounced by many as obscene and immoral. Samuel Johnson condemned his work and said that he lived and wrote "with an avowed contempt of decency and order, a total disregard to every moral, and a resolute denial of every religious observation." However, he is not without his admirers. Hazlitt respected his work, and remarked that "his contempt for everything that others respect almost amounts to sublimity". It is true that Rochester's work contains voluminous amounts of obscene language and metaphor. But this is not without reason, and does not mean his poetry is a light hearted and rude collection by a man who cared greatly for a debauched lifestyle. Frequently, the poetry contains an often very dark view of life in the Court (despite Rochester's active participation in the courtly way of living), and some extremely clever and appropriate satire on King Charles II and the members of his court. The obscenity could be viewed as simply that - obscenity for the sake of it, but this may not be the case. There seems to be underlying feelings beneath the surface of the language, which reflect a dissatisfied soul observing the events around him. The question of the success of his ribaldry is one that requires a good deal of thought, as it is not always the bawdy poems that convey best the satire that Rochester aims for.
Ralph Waldo Emerson's essay, entitled " The Poet", takes the reader into a new awareness concerning an artistic writer. This essay created new insight about a writer's handicraft. Emerson shows us how a poet uses his gift to connect a non-artist of words to feelings that he is unable to express. A poet uses his God-given ingredient, the soul, to describe the things that engulf our lives. We, that do not have this talent, are given this connection by the writings in "The Poet".
Each literary work portrays something different, leaving a unique impression on all who read that piece of writing. Some poems or stories make one feel happy, while others are more solemn. This has very much to do with what the author is talking about in his or her writing, leaving a bit of their heart and soul in the work. F. Scott Fitzgerald, when writing The Great Gatsby, wrote about the real world, yet he didn’t paint a rosy picture for the reader. The same can be said about T.S. Eliot, whose poem “The Lovesong of J. Alfred Prufrock,” presents his interpretation of hell. Both pieces of writing have many similarities, but the most similar of them all is the tone of each one.
Harris, Laurie Lanzen. “George Gordon (Noel) Byron, Lord Byron.” Nineteenth- Century Literature Criticism. Vol. 2. Detroit: Gale Research Company, 1982. Print.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by the name of Langston Hughes. A well-known writer that still gets credit today for pomes like “ Theme for English B” and “Let American be American Again.”
You must analyse at least six poems, ensuring you include at least one pre-1914 poem.
Lord Byron had a variety of achievements during his time. Among these various achievements, he had a very significant and profound impact on the nineteenth century and it’s “conception of archetypal Romantic Sensibility. (Snyder 40). “What fascinates nineteenth century audiences about Byron was not simply the larger than life character of the man transmuted into...
Great works of poetry don’t always make sense at first. They can be over a highly random subject, such as the singing of a bird or the way a woman composes herself, yet they are still great. Some of the most infamous poetry known to today’s modern literary world come out of 19th century England, the Victorian Era. These poets were some of the first to experiment with different themes and rhythms of poetry. “The easy conversational flow of the poem is created by making the regular mid-line pauses ("caesura") the dominant stops of the poem rather than endstopping.” (Tenebris) One of these poets was Robert Browning, who failed to obtain much recognition for his poetry until much later. His determination paid off, as he is now one of the greatest, right up there with Tennyson. The poems My Last Duchess and Porphyria’s Lover, written by Browning, each have a single unique character, yet the characters’ traits seem to echo one another in some ways too.
“In Tradition and the Individual Talent”, T.S. Eliot affirms that the greatest writers are those who are conscious of the writers who came before, as if they write with a sense of continuity. T.S Eliot addresses literary tradition as well as poetic tradition, and states that it is important to focus on “significant emotion, emotion which has its life in the poem and not in the history of the poet” (18). In this sense, the importance of tradition in poetry relies on the fact that a poet must be aware of the achievements of his predecessors, for, as we shall see in the case of Stevens and Ashbery, “the emotion of art is impersonal. And the poet cannot reach this impersonality without surrendering himself wholly to the work to be done. And he is not likely to know what is to be done unless he lives in what is not merely the present, but the present moment of the past, unless...
... is poetry for “everyone”, even though authors want to make meaning and tell a story; our interpretation of a poem is what counts. The true beauty of a poem is the fact that it is subject to various interpretations (Videnov, pp. 126-30).
There are a wide range of poets and authors who are able to move readers with their writings and life stories. For many centuries, poets have been able to express countless emotions and convey unbelievable stories in the readers’ head. People throughout the world in the early 1700’s until now, are moved by his variety of writing techniques and depth in romance. George Gordon Byron also known as Lord Byron became known as a poetic leader of his era. Incorporating his secret love affairs with not only his cousin, but also another man, and changed the world of poetry from that point on. Lord Byron changed poetry with his unforgettable past, and influence on early European poetry, art, and music.
Shelley, Percy. Selected poems found in The Norton Anthology of English Literature. Volume 2, 7Th edition (2000): 698-798.
Emotions are evoked with the aim to free persons from disturbing emotions. In instances of pity and fear persons tend to accumulate these feelings, which is harmful to the soul. In tragedy, however, whatever sufferings witnessed are not in our control and these emotions are easily released thereby relieve the excess in our souls. Tragedy transforms these distressing emotions into “calm of mind”, thus, the emotional appeal of poetry leads to pleasure. In addition, esthetic emotion in poetry translates to pleasure. The reader and the listener of the poem are prompted through figurative language to visualize what is in the real world. The vividness of the imaginary world that is experienced by the reader, poet and listener generates to a new spiritual knowledge or understanding which gives pleasure (Berlant, p.189). To add on, melancholy as an aesthetic emotion is a source of pleasure. Melancholy involves a variety of emotions; a yearning, sadness, feeling uplifted and even an elusive excitement. It has both pleasure and displeasure aspects. The displeasure aspect lies in the feeling of grief, fear of the unknown, loneliness and emptiness. The pleasurable aspect is entirely about reflecting on elaborate illusion and happy memories. Melancholy is therefore deliberately pursued by finding seclusion. In seclusion reflection is deepened which in turn prolongs the pleasure. Dylan in his poem reveals instances of melancholy Gale, Cengage Learning,
The New Critics, just like Wimsatt and Beardsley put forward in their essay, also believed in the ‘organicity’ of the text. In the essay, they write, “A poem should not mean but be.” And, since the meaning of the poem or the text is the medium through which it can exist, and words, in turn, is the medium through which the meaning is expressed, the poem or the text b...