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How does shakespeare portray the women characters in othello
How are women portrayed in othello
The start of desdemona and othello relationship
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In William Shakespeare’s Othello, women were not portrayed as strong. The men in the play do not respect women as they should and in turn, the women see it, yet are powerless due to high social standard. There are three women in Othello and each one is bound in a relationship with a man; only one survived. In Othello, Emilia and Desdemona are both victims of the men in their lives, but they also contribute to their own fate.
As the play proceeds, Emilia is a victim of her husband’s deception; however she also contributes to her own fate. Emilia’s relationship is a symbol of how women were mistreated. Her character starts off as docile and submissive to her husband; the way women in Shakespearean era were supposed to be however, she has so
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She unconditionally loves her husband so much that she is blind to what is going on around her especially his changing treatment of her. This was seen when Othello accused her of infidelity, called her names and physically abused her. He says “o, devil, devil!/ if that the earth could team with woman’s tears, each drop she falls would prove a crocodile./Out of my sight!” (4.1.273-276). Despite his attitude towards her, she loves him sill which makes her more of a victim because she fails to realise that Othello has changed. Not only is Desdemona a victim of her husband, she is also a victim of Iago’s manipulation. Iago identified a character trait in Desdemona, which he plans to use to his advantage. He believes she will be a perfect opportunity to get him back into Othello’s good grace. He says: “To win the Moor again? For ’tis most easy /Th' inclining Desdemona to subdue/ In any honest suit. She’s framed as fruitful” (2.3.359-361). Her always inclining to help make it easy for Iago to manipulate her in helping Cassio. Her involvement in helping him made it easy for Othello to be convinced that there was something going on between the both of them. Othello justifies his act of murder by saying “yet she must die, else she’ll betray more men” (5.2.6). Othello believes that he has provided justice by killing Desdemona. Desdemona at the end of the play suffers a tragic fate because she was too naive to …show more content…
She self- possed the marriage between Othello and herself. In the first scene with her father, she explains, I am hither to your daughter./But here’s my husband. /And so much duty as my mother showed/To you, preferring you before her father,/So much I challenge that I may profess/Due to the Moor my lord” (1.3.215-219). Desdemona chose to be with Othello thereby triggering her own downfall. She went into her marriage too quickly without getting to know Othello more. The handkerchief is a very significant symbol in the play. It solidified Othello’s jealousy when he is convinced about his wife’s supposed affair. When Othello finally confronts Desdemona about the handkerchief, she has the chance to come clean yet lied to Othello more than twice while bringing up Cassio despite being confronted by Othello aggravation. She says: “I pray, talk me of Cassio man that all his time/Hath founded his good fortunes on your love,/Shared dangers with you (3.4.108-112). She is trying to help Cassio without realizing it is making Othello jealous. Desdemona could have avoided her fate by telling Othello that she dropped his token. Othello would not have been jealous and Iago plan to cause chaos would not have worked however, she kept quiet. Desdemona had another chance to tell Emilia this time who killed her. However, she refused and tried with her dying breath to protect her husband. She tells Emilia “nobody. I myself farewall./ Commend
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Her confession then confirms that Desdemona was faithful and did not deserve to die and as a result she shows one that love can be foolish and naïve. Her love and loyalty to Iago causes her to deceive her friend and this ends with both women being killed because the love they possessed for too foolish men. Othello is responsible for murdering Desdemona; Iago is
He is perceived as “honest” Iago, but this is a product of his deception. He claims to be motivated by truth and never completely tells a lie; yet, he is committed to telling the truth for his own purposes. Moreover, he is two-faced. His narcissistic side is seen in asides, where he divulges schemes to ruin Othello and Cassio. Beginning to plan their downfall, Iago reveals, “But I, for mere suspicion in that kind, Will do, as if for surety. He holds me well; The better shall my purpose work on him. Cassio’s a proper man. Let me see now: To get his place, and to plume up my will In double knavery.” (1.3.557-62). He purposely misleads people to trust that he is honest out of love for them, but his deeper intent is to bring about their destruction and his
In Shakespeare’s play Othello, the male characters perceive women as adulterous and property, treating them as inferior that need to be submissive and obey. Iago creates a false perception of his wife thinking she is promiscuous. Also, Othello sees his wife as promiscuous, an impression created by his jealousy and one he has convinced himself of it. Furthermore, Iago and Othello perceive their wives as inferior, and by his words, the reader can see that they are both their wife and subordinate. At last, the male characters refer to Desdemona’s marriage as a “steal” and “purchase” of property, then, Iago and Othello end their wives’ lives because they see them as possessions of no good.
Iago has been working with Othello for a long time, so they have a certain level of loyalty to each other. Because of this, Othello believes most of the things Iago says, especially when Iago is trying to help with Othello’s relationship with Desdemona. Iago brings up that he was in Cassio’s house while he was sleeping and he heard Cassio speak during a dream and say, “Sweet Desdemona, let us be wary; let us hide our loves” (219). This evidence that Iago brings up is enough to get Othello angry that Desdemona has been spending time with Cassio and it truly makes Othello believe that there is something romantic happening between them. By Cassio supposedly saying, “Let us hide our loves,” in his dream, it is evident that he wants his relationship with Desdemona to be secret and he doesn’t want Othello to know (219).
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
This optimism is mistaken for naivety and will be part of the reason why she dies. The love she has for Othello and persistence for him to reciprocate it back even though she hears that he is jealous over her fondness for Cassio causes a big part of her devastatingly tragic end. Although she played a role in her own death, it was not entirely her fault. As said before, it is generally agreed upon by most people that Othello is to blame for her death, as he directly caused it. However, whose fault it is in this play is of great debate.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
During the Shakespearean time women were treated as inferiors. The three women in Othello, Desdemona, Emilia, and Bianca encountered many degrading and unfortunate situations. They were to be obedient. The women had to comply with the commands, orders, and the instructions of the men. Women were made to believe that they had no rights. The men would publicly humiliate the three women. It was difficult for the women to stand up for themselves due to that time in society. In Shakespeare’s play Othello, he portrayed the three women to be viewed as obedient, loyal, and submissive to their husbands.
He is so convinced by Iago’s lies that he believes his wife should no longer live. If Iago had not implanted Othello with these ideas, he and Desdemona would have lived happy lives together. The anger planted a desire for revenge in Othello that he eventually acted upon resulting in the murder of Desdemona and ultimately his own
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.