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Historical development of science and technology
History of technology
History of technology
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"Emperor of Time" aka Edward Muybridge
Edward Muybridge (Eadward Muybridge) known as the father of film and the emperor of time was not only these things but also a man that was human. Drew Christie shares Muybridge's story through the narration of Hugh Ross.
Hugh Ross begins the film with a story on an ancient Chinese belief where the emperor of China was in control of time. This story-telling leads us into Ross' idea that Edward Muybridge was the actual emperor of time. He states that Muybridge was, "the first man who stared at time himself".
Skipping into Ross' narration as Muybridge's abandoned son, he shares his tale of his father and begins with how he had never met his mother and after she died he was placed in an orphanage in San Francisco.
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While we hear this tale our idea of who Muybridge was gets shattered with the fact that he was just a man who stumbled upon the invention of the motion picture.
After Muybridge's son was released from the orphanage he was trained to make saddles and other horse materials including stirrups. He became a horse whisperer. While he began training in horsemanship and everything horses he shares the idea that horses began to become obsolete because of the invention of trains and railroads.
What took months of travel by horse only took a week to travel by train. Trains were an "annihilation of time and space". This quote reminds me of the idea that time and scheduling began to have more of an importance to humans after trains were invented for potential passengers to catch their trains on time. This is why time became important.
Shifting the storytelling back to Edward, we are told that Edward was hired by a train baron to photograph the baron's horses. The train baron wanted to settle a bet in which it was undecided whether a horse picks up all four legs when
To urban middle-class Americans of the late 19th century, nothing symbolized the progress of the American civilization quite as much as the railroad. Not only had the great surge in railroad construction after the Civil War helped to create a modern market economy, but the iron horse itself seemed to embody the energy, force, and technology of the new order. In fact, the fanning out of railroads from urban centers was an integral part of the modernizing process, tying the natural and human resources of rural areas to the industrializing core.
carriage of horses as "the front wheels of the dray missed Jappy. The hind ones
No Horse to be a safe haven for him as he questions his identity. As Agnes states near the end of
Moreover, the trip in the train gives an example of the loss of the humanity. In the train, a
“I envied the people in the train because they seemed to be going somewhere” (Lesley,7).
Reinhardt, Richard. Workin' on the Railroad; Reminiscences from the Age of Steam. Palo Alto, CA: American West Pub., 1970. Print.
Paul Revere's Ride is a collection of historical accounts centering around Paul Revere's midnight ride to warn the countryside of the battles that occurred. The novel is made up of narrative accounts that tell the whole story of the midnight ride. David Hackett Fischer goes to great lengths to cover every possible angle in telling the story. "Fischer illuminates the figure of Paul Revere, a man far more complex than a simple artisan and messenger"(3). By adding different perspectives he allows the reader to see not only the American idealistic point of view, but we get a chance to hear British accounts of these particular events. In this way Hackett Fischer paints an accurate and unbiased picture not only of Paul Revere and his ride, but also of many other supporting historical figures that were important in making these events happen.
Railroads were one of the most used transportation during the Gilded Age, making traveling the United States quicker. This allowed shipping products to other states easier, while keeping the consumers happy. Originally, shipping steel, or other heavy equipment was near impossible until railroads/train could carry mass tons of products.
At the beginning of the industrial revolution in England during the mid-nineteenth century, the railroad was the most innovative mode of transportation known. The British Rail system was a forerunner in railroad technology, uses, and underground engineering. Though the rail system was extremely slow at first and prohibitively expensive to build and run, the British were not to be dissuaded in their pursuit of non-animal driven transportation. The most advanced mode of transportation prior to the introduction of the rail system was the horse drawn omnibus on a track, called a tram. This paper will examine the rail system from a cultural perspective, presenting the impact the railway had on everyday lives in Victorian London and its surrounding communities.
Very few men in that period had enough time to learn and ride horses. All
Eadweard Muybridge was a director who made the first movie in 1878, The Horse in Motion. He used multiple cameras and put the individual pictures into a movie. Muybridge’s movie was just pictures of a galloping horse. Muybridge also invented the Zoopraxiscope,the first ever movie projector that made short films and movies. It was able to quickly project images, creating what is known as motion photography and the first movie to ever exist. To use the Zoopraxiscope a disc is put on the device and is turned. As the disc turns, the images are projected onto the screen and the movie starts ...
Phileas Fogg’s journey is made possible by the growing industrialization of the time. One example of industrialization is the extensive use of trains in the novel. During the nineteenth century, rail lines were expanding all over the world. For example, when Phileas Fogg reaches India, the change from old forms of transportation to new industrialized forms is described, “Formerly one was obliged to travel in India by the old cumbrous methods of going on foot or on horseback, in palanquins or unwieldy coaches; now, fast steamboats ply on the Indus and the Ganges, and a great railway, with branch lines joining the rail line at many points on this route, traverses the peninsula from Bombay to Calcutta in three days” (32). This demonstrates how the methods of transportation have become more advanced and industrialized throughout the century. Again, the industrialization of railways is shown when the party reaches America. “The journey from New York to San Francisco consumed, formerly, under the most favourable conditions, at least six months. It is now accomplished I seven days” (110). T...
H G Wells was cynical of the Victorian class system and thoroughly disapproved of the way people were segregated, according to their wealth. Wells disagreed with England’s capitalist views as he himself was a socialist and strived to get his views noticed. In his novel the Time Machine he has taken segregation to its extremes with the distinction of both the upper and lower classes living above and below ground, in an attempt to show everyone the error of their ways, with his views on the political policies of England subtly implied.
In Eugene O'Neil's play, The Emperor Jones, he presents a crucial lesson to mankind: one should not pretend to be someone who he is not. Multiple repercussions may occur to someone who denies their background and race. For example, in The Emperor Jones, the character, Brutus Jones, dissembles as a free white man (Jones was really black and was supposed to be in slavery during that time). Because of Jones' denial, he encounters numerous illusions in the forest of his black heritage, which haunt him until he is finally killed by his natives, under the accusation of an insurgence against his people. O'Neil introduces the theme of denial bluntly. In the opening scene of the play, it is clear to the audience, from a nineteenth century perspective, that Brutus Jones' physical features oppose his personal opinion of his individual status. Jones, a colored man, was expected to be a slave during the eighteen hundreds. Ironically, Jones proudly claims to be a white man and is portrayed as a powerful man in this first scene. After O'Neil presents his theme of denial, he supplies following scenes with the consequences of illusions, displaying his true lineage. One apparition Jones encounters is a gang of Negroes chained, working on the road supervised by a white man. The anticipation of the audience is that Jones will assist the white man with managing the slaves. Instead, Jones is ordered to work; subconsciously, he proceeds to the slave work with his fellow natives. Jones finally realizes his actions and shoots the apparition, which immediately disappears. Jones experiences a similar illusion later of chained blacks, sitting in rows, wailing, awaiting their slavery. Intuitively, Jones joins their rhythm and swaying and his cry rises louder than the others. This illusion leaves on its own and Jones advances through the forest. These two apparitions demonstrate that inside, Jones really understands that he is colored, but he cannot admit it. The next two of Jones' illusions display that the other people realize that Jones is black which aggravates him even more. First Jones confronts a slave auction. He spectates until he realizes that it is he, who is being auctioned. As a result, Jones loses control and goes wild. Finally, Jones witnesses a religious sacrifice, one similar to his native religious. It is not until Jones realizes that the witch doctor is offering him as a sacrifice, to be eaten by the crocodile, that Jones loses control once again.