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Importance of art in the community
Importance of art in the community
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Edward Kienholz was an American artist born in Fairfield, Washington. He was an installation artist whose work was highly critical of aspects of modern life. He created powerful work that reflected upon contemporary social and political issues of late twentieth-century America. Kienholz made his work physically and emotionally immersive, breaking down the comfort zone between the art and its audience. Kienholz had begun creating these wall pieces in 1954 with the idea that he would make them “as ugly as possible” in an attempt to “understand beauty.” The process of creating these works drew from the tradition of Junk Art that was prominent in the 1950s on both coasts. Most of the materials he used was either from a flea market or in the back
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
The exhibition of recent stoneware vessels by Peter Voulkos at Frank Lloyd Gallery featured the sort of work on which the artist established reputation in the 1950s. The work was greeted with stunned amazement. However now it is too, but it's amazement of a different order -- the kind that comes from being in the presence of effortless artistic mastery. These astonishing vessels are truly amaising. Every ceramic artist knows that what goes into a kiln looks very different from what comes out, and although what comes out can be controlled to varying degrees, it's never certain. Uncertainty feels actively courted in Voulkos' vessels, and this embrace of chance gives them a surprisingly contradictory sense of ease. Critical to the emergence of a significant art scene in Los Angeles in the second half of the 1950s, the 75-year-old artist has lived in Northern California since 1959 and this was his only second solo show in an L.A gallery in 30 years.”These days, L.A. is recognized as a center for the production of contemporary art. But in the 1950s, the scene was slim -- few galleries and fewer museums. Despite the obscurity, a handful of solitary and determined artists broke ground here, stretching the inflexible definitions of what constitutes painting, sculpture and other media. Among these avant-gardists was Peter Voulkos.” In 1954, Voulkos was hired as chairman of the fledgling ceramics department at the L.A. County Art Institute, now Otis College of Art and Design, and during the five years that followed, he led what came to be known as the "Clay Revolution." Students like John Mason, Paul Soldner, Ken Price and Billy Al Bengston, all of whom went on to become respected artists, were among his foot soldiers in the battle to free clay from its handicraft associations.
Andy Warhol was a graphic artist, painter, and film maker, amoung other things, also associated with Pop Art. He moved to New York, around 1950, where he did his first advertisements as a comercial artist and, later, began showing in expositions. One technique employed by Warhol involved repeditive silk screen prints on canvas. He used this method to produce many series of prints with various, easily reconizable images. Between 1962 and 1964 in his self titled studio “The Factory”(Phaidon 484), Warhol produced over two thousand pictures. One of these, Lavender Disaster, was made in 1963 and belonged to a series of pictures all including the same image of an electric chair.
The novel Ethan Frome by Edith Wharton tells the story of Ethan Frome and the tragedy he faces in his life. The story mainly focuses on the relationships between and among Ethan, his wife, and his wife’s cousin, with whom he is in love. Wharton uses different literary devices to develop the plot, including irony as one of the most effective. The use of irony in the novel, especially in the climatic sledding scene, greatly adds to the development of the tragedy.
Throughout the novel, Ethan Frome’s sense of responsibility lives strong enough in him to forget about his own happiness with Mattie, to stay with his wife Zeena, and to take care of the town when all of the others have passed away. In Edith Wharton’s Ethan Frome, Ethan’s sense of responsibility to his wife and land prevents him from achieving true happiness and causes his ultimate emotional death.
Gehry draws his inspiration from famous paintings such as the Madonna and Child which he qualifies as a “strategy for architecture” (Friedman M. , 2003, p. 42) and which he used as an inspiration for a project in Mexico . Through his interpretation of the paintings and artwork, Gehry looked for a new kind of architecture. His search for a new type of architecture culminated in 1978 with his own house in Santa Monica. What was once a traditional Californian house would be redesigned to become one of the most important and revolutionary designs of the 20th century, giving Gehry international prestige and fame. Frank Gehry’s “Own House” uses a mixture of corrugated metal, plywood, chain link and asphalt to construct a new envelope for an existing typical Californian house. This house has been inspired by Joseph Cornell, Ed Moses and Bob Rauschenberg. Gehry comments on his house by saying that there was something “magical” (Friedman M. , 2003, p. 54) about it. He admits having “followed the end of his [my] nose” (Friedman M. , 2003, p. 54) when it came to constructing the “new” house, which led Arthur Drexler, former Director...
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
On November 17, 1957 police arrived to the house of Ed Gein, they had suspected him of robbing the local hardware because he was found loitering around the store and being the last person seen at the store. When the police entered the house they found chairs, couches, lampshades, bowl made from a skull, a belt of female nipples and a costume made from human skin.
One of the things that appealed to me when I went the St. Louis Art Museum(SLAM) was the Contemporary and Modern art. I don’t know what it is about Contemporary art that just draws me to it. The SLAM Contemporary collection comprises majorly of World War II period art. One piece of this art that I really liked, and considered my favorite, was a piece of art titled by the museum as “Untitled” the german Franz Ackermann. This work was made in 1996 is and was constructed of oil on canvas. Contemporary collection spans the post-World War II period until today. In this work, you can see that Franz Ackermann illuminates his art with a great use of vivid colors. When I looked at this painting, I could easily see how his travel in various urban locations influenced him. Overall, the contemporary exhibits were quite impressive and fun to view. The Modern artwork grabbed my attention with some of its works too. Although this was part...
Inspiration The world has many photographers that anyone can look at. You can call me an amateur or say I don’t really understand the art, but when I look at most of the pictures available, and I have looked at thousands lately, I don’t see anything different in the style of photography. I just saw the pictures. I see pictures of beautiful subjects and pictures of ugly subjects. I never really thought about the difference between being the photographer instead of the subject, until I saw Elliott Erwitt.
Edward Estlin Cummings was born in Cambridge, Massachusetts on October 14, 1894. He earned a BA from Harvard and volunteered to go to France during World War I with the Ambulance Corps. After the war, he stayed in Paris, writing and painting, and later returned to the US. He died in Conway, New Hampshire, in 1962. Cummings is one of the most innovative contemporary poets, he used unconventional punctuation and capitalization, and unusual line, word, and even letter placements - namely, ideograms. Cummings' most difficult form of poetry is probably the ideogram; it is extremely terse and it combines both visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot convey the same message if pronounced and not read. Four of Cummings' poems "la," "mortals," "!blac," and "swi" illustrate the ideogram form quite well. Cummings utilizes unique syntax in these poems in order to convey messages visually as well as verbally.
Andy Warhol was a famous American artist known best for starting the pop art movement during the 1960’s. Born in 1928 in Pittsburgh Pennsylvania Warhol was a quiet sickly child who spend most of 1935 in his bed due to an illness, during this time his mother would give him colouring books to keep him occupied, this is probably when his fascination with colourful art began. Before beginning his career as a pop artist Warhol did commercial art doing illustrations for shoe advertisements and setting up display windows for various shops, this art gained him some fame especially his illustrations which were done in a loose blotted ink style which people liked
Born February 3, 1894 in New York City, Norman Percevel Rockwell discovered his artistic talent early on. By the age of fourteen, he began taking classes at The New York School of Art, and, by the age of sixteen, his desire to pursue a career as a painter grew so strong that he dropped out of high school and enrolled at the National Academy of Design. Shortly thereafter, he transferred to the Art Students League of New York. Upon graduation, Rockwell was immediately hired as an illustrator for Boy’s Life magazine. Then, in 1916, the 22-year-old Rockwell, newly wed to Irene O’Connor, completed his ‘first cover for The Saturday Evening Post — the beginning of a 47-year relationship with the iconic American magazine.’ In total, Rockwell painted
An author, a journalist, a soldier, who was E.E Cummings? While those think they know of this well known author, he has secrets most people are unaware of. While poetry is a diverse form of art, Cummings founded a unique style of writing that inspired many. Mr. Cummings was considered a revolutionary author for his creative and historical stories and poems. In this paper we hope shine light on the literature phenomenon that was E.E. Cummings. We will not only tell of the stories behind the writing but also about the person that was this great writer.