In the world of the twenty-first century, the result of our intention to use natural resources which is non-renewable had spew more unwanted substances and energy into the environment than the earth is capable of digesting, and this had thrown the entire global ecosystem out of balance. Even worse when architecture now have been considered due to their tremendous impact on the environment both during construction and through their operation. Moreover, most of the green architecture we seen today do not actually touch the sensitivity of community history, culture and identity, and therefore it is not well adapt to the community.
As a result of the global ecological crisis, people have to start to address new responsibilities for architecture
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First chapter will discuss on the importance and initiative of ecology architecture, and also Kean Yeang’s theory of ecological Design. The next chapter will be discussing on the design considerations of ecological architecture. In the third chapter, there will be an analysis on a selected building and a survey analysis about the public awareness on ecological architecture in …show more content…
One of the examples of ecological building that could be seen in Malaysia is the Menara Mesiniaga. This building is a successful landmark that blends with the physical environment and climatic adaption of Malaysia tropical weather and eventually increased the value of the land around it.
In conclusion, more effort are needed to enhance public awareness in the applications of ecological architecture and stimulate strategies towards a sustainable built environment so that in future, it will be environmentally benign and continued well-being our own survival as one of nature’s species depends.
CONCLUSION
In a nutshell, Ecological architecture would be one that minimizes the changes that have adverse impacts on the earth’s ecology. From the survey, the results shows positive responds towards the understanding of green architecture among public. They strongly agreed that green building is equally important in Malaysia and thus, initiatives of developing of ecological architecture are
Since the Environmental Movement, traditional land art evolved, on one hand, to climate art, and on the other, influenced landform building. “The principles of landform building,” according to architect and theorist Stan Allen, “offer a new lens with which to reexamine phenomena as diverse as the megastructure of the 1960s, the current fascination with green building, artificial ski slopes, or the vast multi-use stadia being constructed today.” These principles include the inhabitation of the landscape, which much of contemporary architecture has incorporated into its design. However unlike land art’s wild terrains, such as the salt lake of Spiral Jetty or the vast desert of Double Negative, contemporary architecture has incorporated principles of land art into densely populated urban typology, of which the following two projects serve as significant examples.
How to create an environment suitable for human living when resources are limited is a challenging problem for modern society. My strong interest in photography and art has compelled me to become especially observant toward the relationship between human beings and the environment. I have come to realize that the environment we live in has suffered much damage from pollution and lacks competent planning, making it difficult to find beautiful scenery to photograph or sketch. I began to think that I could make use of my artistic gift, concern about, and interest in the environment by entering the field of landscape design and putting my effort into beautifying our surroundings. Therefore, after graduating from high school, I entered the Department of Landscape Architecture at ABC University.
Sustainability is the ability to be sustained, supported, upheld or confirmed. According to UN (2014), “sustainability is the procedure of development which assists the future generation ability to meet their needs with present needs. The utmost practice of sustainability is in relation to sustainability development. Sustainable development is a forming standard for human life on a determinate world (d.n, 2014).
Rhetorical Analysis In the article Biomimetic Approaches to Architectural Design for Increased Sustainability, the topic of innovation regarding the field of architecture is discussed thoroughly. From this text, I gathered numerous perspectives on the matter of biomimicry, defined as the design and production of materials, structures, and systems that are modeled on biological entities and processes. Author Zari makes a convincing argument that biomimicry is an extremely effective and innovative step for architectural design, but its potential has gone unrecognized since it is not a heavily studied topic.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Yan, J. & Plainiotis, S. (2006): Design for Sustainability. Beijing, China: Architecture and Building Press.
Green architecture is an approach to building which has become more popular in the last 25 to 30 years. Also known as sustainable design, green architecture is a method of design that minimizes the impact of building on the environment. Once thought of as unconventional and nonstandard, both regulatory agencies and the public alike are quickly accepting green architecture as a socially responsible and logical means of construction.
The Green Building is a way to increase the positive effects and fade the negative effects through the life cycle of the building.
Sustainable design seeks to reduce negative impacts on the environment, the health and comfort of building occupants, thereby improving building performance. The basic objects of sustainability are to reduce consumption of non-renewable resources, minimal waste, and create healthy, productive environments (“Sustainable Design”). Focusing primarily on the sustainable design principles, there are five, including: low-impact materials, energy efficiency, quality and durability, design for reuse and recycling, and renewability. As sustainability appears to become the necessary trend in architecture, the question concerning the cost versus outcome of “going green” really an investment or a waste of time and money comes to mind. With our research provided below, we believe the expenses may truly be with the investment in the end.
Now days, the world is intended to be in a worst scenario ever imagined. Climates, global warming and furthermore problems. However, I have noticed new changes, universally speaking, yet renewable energy has also been popularized to our world and I addition, it became part of Sustainable Architecture. “Sustainable Architecture describes the fact that we can only exist and create with the availability of natural resources. Those resources are the foundation of our world. Sustainable architecture proclaims this fact to the world… And that is probably the most appropriate understanding of the term.”(Brooks, 92) That’s why these resources exist within our environment but only few of the people anticipated a good use for them just t increase likelihood the worlds energy efficiency and also the natural environment. Speculating Asia’s growth both in wealth and population, it has been a great risk for them consequently they had been temporizing endeavoring new ways of preventing massive energy consumptions and wastes from resources. “How can we protect our natural resource base while sustaining our socio economic gains? My answer in two words: systems and self.”(Ms. Galang, 1)
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.
A city has to be beautiful, though the definition of “beauty” is so vague. The beauty can be physical, such as enjoyable parks, streetscapes, architectural facades, the sky fragment through freeways and trees; or it can be the beauty of livelihood, people, and history. As landscape architects, we are creating beautiful things or turning the unpleasant memorial.
Nature in architecture is critical. Laugier made this clear in the 1700s with his basic, but insightful, claims in “An Essay on Architecture.” Modern architects have taken his beliefs further than he probably ever imagined with technology and the cutting-edge idea of biomimicry. After studying natures’ artistic design, architectural stature, and overall success rate on this earth, I believe that the incorporation of nature is vital to architectural design.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.
Times have changed since days of Vitruvius, the inevitable advancement in technology, rapid global population increase and an ever developing awareness of the sustainability of our environment have forced the architect into different positions in the project team Thus it can be said that the external forces that shape the environment that an architect works in does so by manipulating the relationship between the skills required to practice; the scope of expertise and the depth of knowledge. Fig. 3 indicates a diagrammatic timeline representing the changing roles of the architect over the various time periods with respect to the scope and depth of