In “Nonsense Verse”, E. Rettberg considers the scope, classification, dynamics, characteristics, and audience of nonsense verse. Rettberg notes that the audience of nonsense is not necessarily children, but most would confidently assume that the audience of nursery rhymes are children. However, the “Nursery Rhymes” entry’s investigation into the sources of traditional nursery rhymes reveal that sources even derived from tavern songs, barrack-room refrains, street ballads, monger cries, and mummers’ plays, blurring the lines between children and adult audience. In turn, this entry asserts that lullabies are true nursery rhymes, but this declaration is soon debunked in the “Lullaby” entry. Paragraph five of “Lullaby” describes William Blake’s cradle songs as “sophisticated explorations of the innocence of infancy and the ensnaring chains of adult sexuality.” This statement unsettles the exclusively children audience of lullabies by indicating that Blake’s cradle songs contain elements for both adults and children. Within the statement, I noticed two interesting phrases: “innocence of infancy” and “ensnaring chains of adult sexuality.” The phrases oppose each other: infancy versus adulthood and innocence versus sexuality. They also …show more content…
Innocence and infancy also both derive from French and Latin; the words actually rhyme in French, Italian, Spanish, and Portuguese, thereby explaining the close resemblance of their sounds. The absence of hard consonants also augments the tranquil mood and creates an approximate euphony even without long vowels. These sound devices concretizes and extracts the sense of peacefulness concealed in the words’ abstract concepts. Therefore, when one reads aloud “innocence of infancy”, one can imagine a blissful infant in a pure, serene
The ability of words to calm a child’s fears is shown in “A Barred Owl.” Additionally, the author conveys the idea that even though one may say everything is alright, what one makes up in one’s mind is often worse than reality. The rhyme scheme in “A Barred Owl” helps depict the simple and soothing tone of the poem. Not only the rhyme scheme but also the repetition of certain consonants and sounds such as, “the warping night air having brought the boom / of an owl’s voice into her darkened room” help emphasize Wilbur’s i...
The poems “A Barred Owl” and “The History Teacher” by Richard Wilbur and Billy Collins respectively, depict two different scenarios in which an adult deceives a child/children, which ranges from the sounds of a bird at night, to the history of the world itself. “A Barred Owl” depicts two parents who lie to their daughter about an owl who woke her in the night, while “The History Teacher” involves a man who tries to protect his students by using education as a tool to deceive them. Both poets use diction, imagery, and rhyme to help them convey a certain tone in their poems.
Stanza two shows us how the baby is well looked after, yet is lacking the affection that small children need. The child experiences a ‘vague passing spasm of loss.’ The mother blocks out her child’s cries. There is a lack of contact and warmth between the pair.
...Lullaby’ is about a woman's struggle with her family. Silko's this piece is more of a reflection of what happened to someone in her past. It seems all too real especially when she says things like; "It’s too late now...Her children were without her...She hated Chato, not because he let the policeman and doctors put the screaming children in the government car, but because he had taught her to sign her name." (Silko 2352) Works Cited Basic theme and works excerpts accessed on 19/05/2003 from: “A Laguna Woman” retrieved from http://www.richmond.edu/~rnelson/woman.html & http://web.nmsu.edu/~tomlynch/swlit.silko.html Karenne Wood writes in her review of Garden in the Dunes accessed on 19/05/2003 from: http://voices.cla.umn.edu/authors/SILKOlesliemarmon2.html Lullaby reference accessed on 19/05/2003 from: http://csis.pace.edu/amlit/proj1d/silko.htm
When the poem is read aloud, the explicit rhyme and rhythm of the lines becomes extremely obvious. In fact, the bouncy rhythm is so uplifting, it occasionally makes the audiences feel like it is too predictable and straight-forward. An example would be “bright with chrysolite”, the word “chrysolite” feels like it is forcefully implemented for the sake of the rhyme. This is somewhat similar to a children’s tale. Most children’s tale as we know it, conveys messages straightforwardly and are easily understood by children, it also has an amiable tone and a merry mood that engages the children 's attention. Similarly, the rhyme and rhythm of this poem is very obvious and explicit, creating a delightful, casual mood that appeals to a young audience. Even though the legend dealt with deep insights about parenting that are intricate and puzzling, the father delivered it in such a gratifying, simple manner that made even the most dark and dreadful matters: like the description of precarious beasts and vicious monsters to sound like a blissful adventure of friendly animals. The sole purpose of this contradiction between the tone and message is to make this seemingly strong and serious topic more tolerable and captivating to the son of the father. Unsensible, impulsive youth is very similar to restless children, a long insipid lecture about deep insights is very difficult for them to buy into. In the same time, a harsh, threatening warning will only make them obey unwillingly, and creating a doubtful relationship will make them uncomfortable to communicate or appeal to their parents. Clearly, the percipient father recognized the ineffectiveness of these unsuitable parenting methods. Instead, he conveyed the message in a uncomplicated, friendly way that made his son to accept his teachings more comfortably. A
The fact that they feel they can sit about the knee of their mother, in this stereotypical image of a happy family doesn’t suggest that the children in this poem are oppressed... ... middle of paper ... ... y has a negative view of the childish desire for play which clearly has an effect on the children. The fact that they the are whispering shows that they are afraid of the nurse, and that they cannot express their true thoughts and desires freely, which is why they whisper, and therefore shows that Blake feels that children are oppressed. I feel that the two poems from innocence which are ‘The Echoing Green,’ and ‘The Nurses Song,’ display Blake’s ideological view of country life which I referred to in my introduction, and show his desire for childhood to be enjoyed.
Meyer compares poems to songs. He says that we have to listen several times a song before we hear it all and before we understand it. The title of a poem provides a sense of what the poem is about. It can tell you about the poem’s subject, tone, and genre. While reading poetry we need to pay attention to elements such as speaker, image, metaphor, symbol, rhyme, and rhythm. Also, Meyer defines doggerel as a “derogatory term used to describe poetry whose subject is trite and whose rhythm and sounds are monotonously heavy-handed”. It is characteristic of children’s game rhymes. In addition, by characterizing poetry as “undefinable” and “unmistakable”, Robinson says that it can have different purposes, subjects, emotions, styles, and forms.
I love little pussy, /Her coat is so warm, /And if I don’t hurt her, /She’ll do me no harm. /So I’ll not pull her tail, /Nor drive her away, /But pussy and I, /Very gently will play. (http://www.zelo.com/family/nursery/pussy.asp)
Early on, poetry was often used with rhyme to remember things more accurately, this still rings true today, even though its use is more often to entertain. However, although it appeals to both the young, in children's books, and the old, in a more sophisticated and complex form, people are bound to have different preferences towards the different styles of poetry. Dobson’s poetry covers a variation of styles that captivate different individuals. “Her Story” is a lengthy poem with shorter stanzas. It’s free verse structure and simplistic language and face value ideas might appeal better to a younger audience. This poem includes quotes with informal language that children or teens would better understand. It’s narrative-based style is easy to follow, and although the poem covers very basic concepts, it’s message is still communicated subliminally. This particular poem is interesting because it focusses on the universal experience of pain and it’s relation to time. Similar to this is “The Householder”, written in a cyclical style, opening with a “house” and ending with a “home”. With only three stanzas, it is
The `Songs of Experience' `Introduction' appears to be a lamentation concerning the demise of innocence, the gradual loss of nature through the corollary of experience. The persona cries `calling the lapsed soul', calling the `Earth, o Earth' to `return' from `the slumberous mass'. The Earth replies in `the Earth's answer' with the remark `break this heavy chain that does freeze my bones around' suggesting the coercive forces of industry and the artificial forces of man over the Earth, over nature. The `little girl' and `little boy' grow to be `lost' in this new world governed by industry, in this new world of mechanised Christendom, in this new world absolving itself of altruistic action and concern for the individual. The `lost' boy and girl make their way back to their instinctive origin and find solace in nature. The harmony of nature and its association with man is represented well in the first stanza of `Song [2]' of `the poetical sketches':
In this essay I am going to be looking at two poems from the Songs of innocence and experience works. These poems are The Lamb and The Tyger written by William Blake. Both these poems have many underlying meanings and are cryptic in ways and both poems are very different to each other. In this essay I will be analysing the two poems, showing my opinions of the underlying themes and backing them up with quotes from the poems. I will compare the poems looking at the similarities and differences between them and also look at each one individually focusing on the imagery, structure and the poetic devices William Blake has used. Firstly I will look at the Tyger a poem about experience.
"A Little GIRL Lost" from Songs of Experience is one of Blake's most important poems. Though judging the aesthetic value of a poem is nearly impossible, I would contend that "A Little Girl Lost" is "better" than "The Little Girl Lost" found in Songs of Innocence. Perhaps because "A Little Girl Lost" was composed as an afterthought to its original counterpart, having been first written in "Innocence," it acts as a conclusion to the original poem. The two poems both observe a young girl as she encounters a world filled with innocence (in "The Little Girl Lost") and a world of experience ("A Little Girl Lost"). In first poem, a young seven-year-old girl named Lyca falls asleep in the wilderness under a tree. While her parents worry about her, she sleeps innocently in the woods with a lion prancing around her while she slumbers. The poetic vision seems to be a portrayal of young love--of innocence unprotected in the passion-haunted forest. In the second poem, found in "Experience," the feeling shifts from innocence to suggest a subversive course of love exploration. The young girl, Ona, discovers passion only to find that her father has a negative view on the very love she has just been introduced to. "A Little Girl Lost" seems to be much deeper in thought than "The Little Girl Lost." This depth in content begins with the title, which gives the poem an aura of uneasiness. A feeling that it is dangerous or sinful stems from word "Little" ...
William Blake, one of the infamous English romantic poets, is most known for his romantic views on conventional scenes and objects, which were presented in his works The Songs of Innocence and The Songs of Experience. The first collection was published in 1789, and addresses subjects such as suffering and death from the innocent and optimistic perspective of a child. The later collection addresses these same issues, but is told from the perspective of an experienced bard. The poems contained in The Songs of Innocence often have a counter part in the second collection that reflects a darker or more corrupted take on the same subject. For example, the purity presented in the creation of “The Lamb” is dramatically contrasted with its shameful counterpart “The Tyger”.
In Songs of Innocence and of Experience, Blake differentiates between being experienced and being innocent. In the poem "Spring," the speaker focuses on the coming of spring and the excitement surrounding it which is emphasized by the trochaic meter of the poem. Everyone, including the animals and children, is joyful and getting ready for the new season, a season of rebirth and a new arrival of nature’s gifts.
Although both Blake and Wordsworth show childhood as a state of greater innocence and spiritual vision, their view of its relationship with adulthood differs - Blake believes that childhood is crushed by adulthood, whereas Wordsworth sees childhood living on within the adult. In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults is placed in opposition to one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I am happy, Joy is my name.’” (Line 4-5).