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Emotional intelligence and how it affects essay
Emotional intelligence and how it affects essay
Emotional intelligence and how it affects essay
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“The greatest poets are those with memories so great that they extend beyond their strongest experiences to their minutest observations of people and things far outside their own self-centeredness.” This quote said by Stephen Spender depicts a great poet as someone who utilizes their past observations to increase their knowledge about people, nature, love, and life. Like a great poet, E.E. Cummings employed his past experiences in his poetry and life. Known as one of the preeminent poets of the 20th century, E.E. Cummings poetry has received an array of both positive and negative criticism. Nonetheless, Cummings’s poetry has inspired many poets and authors with his liberal views on love, nature, and religion along with his modern writing style. Although many criticized his contemporary style, E.E. Cummings modernized the traditional views of love, nature, and religion in poetry by emphasizing his contemporary beliefs, while incorporating a uniquely modern writing style.
As a strong advocate of individualism, E.E. Cummings ignored biased critics throughout his career and developed a contemporary writing style. From the beginning of his career, Cummings emphasized imagination and individuality in his poetry. He believed that humans had the ability to think for themselves and imagine beyond what was rational (Kidder 7). In believing so, E.E. Cummings refused to take advice or criticism on his lifestyle and poetry. Cummings also disliked organization, but rather believed in allowing the mind to imagine (Thompson 4). He saw imagination as the greatest tool for writing and rarely threw out bad poems because he did not see the waste basket as his ally (Webster 4). He firmly believed that with imagination anything was possible....
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...ury Poetry. New York: Wiley-Blackwel, 2003.
Thompson, William E. "Intensity: An Essential Element in e. e. cummings' Aesthetic Theory and Practice." University of Windsor Review. 16.2 (Spring-Summer 1982): 18-33.
Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 137. Detroit: Gale, 2003. 18-33. Literature Resource Center. Gale. OLD TAPPAN HIGH SCHOOL. 16 Mar. 2015.
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Webster, Michael. "E. E. Cummings: Romantic Ideology and Technique." Reading Visual Poetry After Futurism: Marinetti, Apollinaire, Schwitters, Cummings. New York: Peter Lang, 1995. 111-140. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 137. Detroit: Gale, 2003. 111-140. Literature Resource Center. Gale. OLD TAPPAN HIGH SCHOOL. 16 Mar. 2015.
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Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
...Chrie, D., (ed.), Nineteenth Century Literature Criticism. Detroit, MI: Gale Research Company, 1986. Vo. 13, pp. 53-111.
in Twentieth- Century Literary Criticism. Ed. Janet Witalec. The. Vol.
Abbey, Cherie D., ed. Nineteenth-Century Literature Criticism. Vol. 14. Kansas City, MO: Gale Research, 1987.
The definition of poetry, instead of becoming more selective and exact, has become a much more broad and open minded classification of literature. From It's beginning's in romanticist Puritan literature, to its more modernistic function on present society, poetry has become a way to blend the psychological side of human intellect, with the emotional side of human intuition and curiosity. Emily Dickinson and Walt Whitman were two early poets from the late 19th century. Unlike Walt, Emily liked to write at home, she was a more secluded author who enjoyed to look out the window for inspiration. Walt on the other hand loved to travel. He found inspiration through nature and the diversity of thriving cultures throughout the world. Although these writers found inspiration from two different methods, their poems have distinct similarities in theme, images, and main ideas.
For some individuals, poetry is a form of freedom and expression. It is one of the many creative ways to release feelings of anger and happiness from the human mind. The intensity of every rhythm and word, and style of each poem allows readers to uncover deeper significance to the context. The rich variety achieved by mixing a combination of human imagination and reality to tell a story with deeper meaning is remarkable. This concept of combining poems and human imagination together was popularized by Edgar Allan Poe. Living an impoverished life, Poe penned stories of horror and mystery into collections of poems and short stories. He expressed his thoughts on paper with great thrill and excitement. Known for his wild imagination that included suspenseful, dark tales, he posed as a literary figure and inspired many across the world.
Edgar Allan Poe was not your typical poet. He had a very depressing life, and that has influenced the majority of his works. He was in the military, had his wife die prematurely, and had the constant struggles of life crashing down on him. Edgar Allan Poe was a great writer who used mystery and lost love as popular themes to intrigue many readers to pose questions regarding death and romance. His parents supported him, allowing him to be educated, but that would eventually lead to failure.
Heller, Joseph. The Chelsea House Library of Literary Criticism. Twentieth-Century American Literature Vol. 3. New York. Chelsea House Publishers, 1986.
Although difficult and challenging, I have compared and contrasted the works of two American Poets, Edgar Allen Poe and Emily Dickinson, based on literary elements used in their writings. Their differences both in style and subject are contradictory to the fact that both Poe and Dickinson are writers/poets of the same personal nature. The use of literary elements showcase the iconic statuses of the writings created by such reserved yet fame dependent poets such as Poe and Dickinson. To an extent, their chosen elements are what create their uniqueness. Further, it establishes a uniform perception that they are similar yet different poets of the personal essence. Through their writings, readers are able to grasp the concept that they are rarely drawn to the fact their lives were perfect. Dickinson seemed to be a writer of distinct but subtle characteristics. Poe, on the other hand, was considered to be a writer filled with a dependancy on fame and fortune.
Century Literature Criticism. Ed. Jay Parini. Vol. 14. Detroit: Gale Research, 1987. Literature Resource Center. Web. 24 Jan. 2012.
Cummings' peculiar method of using syntax to convey hidden meaning is extremely effective. The reader does not simply read and forget Cummings' ideas; instead, he must figure out the hidden meaning himself. In doing this, he feels contentment, and thus retains the poem's idea for a more extended period of time. Cummings' ideogram poems are puzzles waiting to be solved.
...number of visual effects in his poetry. He combined the lack of punctuation, capitalization, and creative spacing with his topics, such as the seasons, to convey his messages. Some readers find the visual effects in his poems disconcerting and feel that they are meaningless because of it. However, others find his visual effects helpful in gaining a deeper understanding of his poems and the messages he was trying to convey. Cummings' poems were definitely meant to be viewed rather than simply listened to so that the reader can benefit from the full effect of them. His poetry does not follow traditional rules and is very unpredictable. As a result, they leave more room for your imagination to soar.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Twentieth Century Literary Criticism 115 (1929): 121-126. JSTOR. Web. 19 Feb. 2014. "Dictionary.com."