Dylan Thomas
"There is in the Welsh bardic tradition much that is absolutely fundamental to Thomas' writing: its highly lyrical qualities; its strict formal control and an essentially romantic conception of the poet's function in society." (Selby 98) These traits parallel the three themes that will be belaboured in this essay: the aural/oral appeal of Dylan Thomas' work; his meticulous obscurity; and the role of the poet in society.
I: One of Thomas' more controversial and distinctive characteristics is his musicality. It is surprising that anyone would bring this up as a complaint; music is considered by many to be the purest art, and the highest poetry that which approaches nearest to music. Perhaps it is understandable that those critics who would limit meaning and contextualise art would also be aesthetically oriented such that they would find it offensive that a form for the eyes and mind should be so solicitous of the lips and ears.
It is also suggested that Thomas may be sacrificing meaning to sound, but this is hard to swallow when one considers the amount of effort he puts into codification (showing attention to meaning) and the fact that his poems simply aren't nonsense.
While attention to sound is considered a minor matter in many modern critical streams, it has always played a privileged part in Romantic aesthetics:
Sounds as well as thoughts have relation both between each other and towards that which they represent, and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts. Hence the language of poets have ever affected a certain uniform and harmonious recurrence of sound, without which it were not poetry, and which is scarcely less indispensable to the communication of its influence, than the words themselves, without reference to that peculiar order. (Shelley 92)
Even if it is true that the sound in some way detracts from the meaning, it is only in a temporary fashion, and is calculated. Stewart Crehan suggests: "Thomas' obscurity is calculated to foreground sound and its pleasures before the meaning sinks in." (Crehan 42) The sound has a hypnotic quality which opens up the mind and makes it more susceptible to the subtle suggestions of murky metaphysical musings.
Therefore , Day’s ‘The Life and Crimes of Harry Lavender’ and Duffy’s poem ‘Stealing’ indicate how the creation of distinctive voices in texts are crucial. Both texts exhibit how composers are able to shape and affect the individual through significant life experiences.
Sound Devices help convey the poet’s message by appealing to the reader’s ears and dr...
Holbrook, David. Llareggub Revisted: Dylan Thomas and the State of Modern Poetry. Cambridge: Bowes and Bowes, 1965. 100-101.
In the year of 1934, when Thomas was twenty, he moved to London, and won the Poet’s Corner book prize, where he published his first book, 18 Poems (The Fortune press). The book came from a coll...
Thomas' poem made more of an impact on me because it is so much more
In the most general sense, the setting of Hamlet is one of complete turmoil, a direct result of a series of festering vengeances, which dominates the majority of the play. The kingdom of Denmark faces a very real threat outside of the internal power struggle between Hamlet and his untrustworthy family. The king of Norway, Fortinbras, wishes to take over the Denmark in an act motivated purely by revenge. Hamlet’s father killed Fortinbras’ in a battle, which took place before the time of the play. This, of course, is the threat of vengeance, which becomes a constant throughout. Even outside of the immediate famil...
To solve the foreclosure crisis we must take a multi-pronged approach that tackles the issues making the situation worse and that caused the problems in the first place. Our goal is to do this in an efficient and time conscious manner. Any solution is going to have its positive and negative aspects but we must try to maximize the former and minimize the latter.
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
Pop. Traditional. Classical. These are all genres of music. These all serve a purpose. These are all important. Pop music has been used to help inform and motivate the general public during movements like environmental protection and gay rights. Traditional music has helped to guide us by telling us stories of the past from the church to the fields. Classical music has been played for royalty and help dancers spin a story. Some can be considered art while others can’t, but it often differs because the definition of art is in constant motion. The definition of art is a subject philosopher’s debate because it can be defined strictly or loosely. For the purpose of this essay, let art be defined as anything that can be touched or heard, and it causes a mental and physical reaction. Classical music is truly an art form because it invokes a mental and physical reaction from both the audience and the performers, and it has contrast to make it more dynamic.
“An eye for an eye leaves the whole world blind,” Ghandi said, in an attempt to show how revenge will not end once it has begun. Throughout Hamlet this theme is addressed, extremely clearly, and the conclusion, the death of so many characters, many due to revenge, shows how a world filled with extensive revenge cannot exist as a world at all. Hamlet is a deep philosophical story, however, the theme of revenge lies just below the surface, if you look at all of the deaths, you may see that there was a high degree of hatred, bitterness, and anger throughout Denmark.
When discussing the different aspects of New Criticism in Dylan Thomas’s poem “Do Not Go Gentle into The Good Night”, the impression that comes to mind is death. The use of imagery was a necessity for Dylan Thomas to express the different techniques of writing which involved a mixture of surrealistic and metaphysical tones. His ability to change a words meaning to incorporate symbolism is noticeable in circle of unity from life to death and renewed life.
“Those who plot the destruction of others often fall themselves” (Phaedrus). This quote was said by a Roman fabulist and it depicts the entire concept of revenge in Hamlet. The nature of revenge causes someone to act upon anger rather than reason. Hamlet takes place in Denmark and is about Hamlet’s uncle who kills his dad to gain power of Denmark. After the killing, Hamlet seeks revenge on his uncle. In the play, there are several characters wanting vengeance like that of Hamlet. Throughout the play, Hamlet, Laertes, and Fortinbras all had a tragic death of a family member which caused their decision for revenge. Consequentially, these revenges caused the demise of two characters and the rise of power of another. The retaliation shown by the Prince of Denmark, as well as Laertes led to the downfall of their government.
"I do not in fact see how poetry can survive as a category of human consciousness if it does not put poetic considerations first—expressive considerations, that is, based upon its own genetic laws which spring into operation at the moment of lyric conception."
Undoubtedly, the most essential theme in the development of Hamlet is revenge and question ‘Does revenge pay?’ Revenge is a frighteningly bloodthirsty emotion, which causes people to act blindly and without reason. Revenge is a theme that is cleverly built upon throughout the extent of the play; with it being the driving force behind two of the main characters in the play.
Much earlier stories focus on a theme of either birth or death. Because of this, Thomas’s early period has been called his “womb-tomb” era (Gunton and Harris 358). As Thomas’s writing style evolved, he would begin to experiment with new techniques. He started using vibrant images and using sound as “verbal music”, creating his own poetic style (Gunton and Harris 358). However, many times Thomas will try to convey emotions that are too complex for any lyrical treatment. Other times the opposite can be true and he gives too intricate an elaboration to simple feelings (Olsen 366). These elements of Thomas’ style are evident in his poems and stories, such as “The Followers”.