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Patriotism in war
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Wilfred Owen’s “Dulce et Decorum Est” and E. E Cummings’, “next to of course god america i” are poems that critique patriotic propaganda. Both poems use words and images to effectively depict the influence that patriotic propaganda has on war. “Dulce et Decorum Est” uses descriptive words to create realistic images of the horrors soldiers are faced with during combat, whereas “next to of course god america i” uses sarcasm to inform readers that the abuse of propaganda can be used to manipulate others. The attitudes they convey are quite similar; both suggest that propaganda is a lie; it is not sweet and fitting to die for one’s country.
It is ingrained in soldier’s minds that to die for ones country is a great and honourable sacrifice. However, in the poem Dulce et Decorum Est the speaker uses powerful words and images to portray that patriotic propaganda is an “old lie” (Owen 27). In the first stanza, the speaker explains the effects that war has on young soldiers: “Bent double, like old beggars under sacks/ Knock- Kneed, coughing like hags, we cursed through sludge” (Owen 1-2). Propaganda portrays soldiers as being young heroes, those who are strong, healthy and vigorous. However, based on the evidence expressed in the previous quotation soldiers are not all what propaganda
portrays them to be. The speaker chooses words such as “bent double, like old baggers” and “knock-kneed” (Owens 1-2) to expose the discomfort and effects that war has on young soldiers. The soldiers are discreetly compared to crippled old men which emphasizes just how badly war has affected their bodies, stripping them of their health, making them weak and helpless like “old beggars” (Owen 1). Furthermore, the speaker expresses his experience as a sold...
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...upport of patriotic propaganda. The speaker may be worried because of the fear of what he is saying will cause him to being labelled as unpatriotic. Cumming could have incorporated this line into the poem to enforce personal beliefs and protect national pride.
Both poems would agree that patriotic propaganda is a method used to alter nation’s values and ideas. Although both poems differ in the portrayal of the patriotic message they both
criticize the affects of propaganda. For those who believe that it is sweet and fitting to die for one’s country, any man who has experienced war first hand would admit that patriotic propaganda is a lie. It would be interesting to further analyze the poems and consider how historical usage of propaganda and modern media by politicians compare, as well as to analyse if propaganda today is still using and abusing patriotism.
Similarly, Wilfred Owen’s poem “Dulce et Decorum Est” describes a soldier who witnesses the death of his comrade from poisonous gas. Using imagery and irony, Owen presents a blunt contrast between the propaganda practiced for recruitment and the truth behind the suffering endured by the soldiers. While presented in different formats, both literary works criticize the romanticism of war, arguing that there is no glory in the suffering and killing caused by conflict.
Both Stephen Crane's "Do Not Weep, Maiden, For War Is Kind" and Wilfred Owen's "Dulce et Decorum Est" use vivid images, diction rich with connotation, similes, and metaphors to portray the irony between the idealized glory of war and the lurid reality of war. However, by looking at the different ways these elements are used in each poem, it is clear that the speakers in the two poems are soldiers who come from opposite ends of the spectrum of military ranks. One speaker is an officer and the other is a foot soldier. Each of the speakers/soldiers is dealing with the repercussions from his own realities of the horror of war based on his duty during the battle.
In contrast, ‘Dulce Et Decorum Est’ gives us the complete opposite. It takes away the lie that describes the war as a place of pleasure and vividness. When in reality it is a...
Irony of War Exposed in Dulce et Decorum, Regeneration, and Quiet on the Western Front. Many of the young officers who fought in the Great War enlisted in the army with glowing enthusiasm, believing that war was played in fancy uniforms with shiny swords. They considered war a noble task, an exuberant journey filled with honor and glory. Yet, after a short period on the front, they discovered that they had been disillusioned by the war: fighting earned them nothing but hopelessness, death and terror.
The Poem “Dulce et Decorum Est” attempts to make war seem as repulsive as possible. The author’s goal is to discourage people from joining the war or any future conflicts by shattering the romantic image people have of the fighting. The setting of this poem helps
Both Wilfred Owen’s “Dulce et Decorum Est” as well as “next to of course god america i” written by E.E. Cummings preform critic on war propaganda used during the first world war. Besides this the influence war propaganda has on the soldiers as individuals as well as on war in more general terms, is being portrayed in a sophisticated and progressive manner. By depicting war with the use of strong literary features such as imagery or sarcasm both texts demonstrate the harshness of war as well as attempt to convey that war propaganda is, as Owen states “an old lie”, and that it certainly is not honourable to die for one’s country. Therefore, the aim of both writers can be said to be to frontally attack any form of war promotion or support offensively
Although war is often seen as a waste of many lives, poets frequently focus on its effect on individuals. Choose two poems of this kind and show how the poets used individual situations to illustrate the impact of war.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
The famous works written in 1917 by poets Wilfred Owen and Siegfried Sassoon cast aside the conventional inspiration for content, patriotism, and delve into the horrific journey that is war. Two poems in particular, Sassoon’s “Suicide in the Trenches” and Owen’s “Dulce Et Decorum Est”, speak boldly against life in the trenches in efforts of evading the lies and illusions of a clean and righteous war. In doing so, readers are presented with tales that conjure up powerful and far-from-picturesque images that harbor the ability to shake the very core of a human through impactful language as crafted by these poets. While both poems allow the reader to come to the same conclusion that war is not clean, their approaches differ and therefore create a difference in weight of impact. Wilfred Owen’s “Dulce Et Decorum Est” is more impactful in that the gruesome imagery is more explicitly defined through dark, evoking diction, and the message of the poem is satirically approached through the strategic title to target a specific audience, while Siegfried Sassoon’s “Suicide in the Trenches” offers a similar message, but is presented in a fashion that relies on heavy contrast of tone to convey the resentful message.
Owen as a young soldier held the same romantic view on war as majority of the other naive soldiers who thought that war would be an exciting adventure. The documentary extract illustrates how markedly Owen’s perspective of the war changed, as noted in a letter to his mother while he was still in the front lines: “But extra for me, there is the universal perversion of ugliness, the distortion of the dead ... that is what saps the soldierly spirit.” In ‘Dulce Et Decorum Est’, Owen’s change of heart is evident through the irony of the poem title and the ending line “The old Lie; Dulce et Decorum est, Pro patria mori.”, an allusion to the Roman axiom made famous by Horace, which translates to “The old Lie; It is sweet and right to die for your country.”. The line depicts Owen’s realisation that the horrific nature of war through human conflict is not sweet and right at all, rather, it is appalling and “bitter as the cud” as death is always present on the battlefield. Additionally, Owen indirectly responds to Jessie Pope’s poetry, a pro-war poetess, through the reference “My friend, you would not tell with such high zest… The old lie…”, further highlighting his changed perspective towards the war which has been influenced
The message he conveys at the concluding of the poem addresses the propaganda as an unjust campaign.
Wilfred Owen’s poem “Dulce et Decorum Est” makes the reader acutely aware of the impact of war. The speaker’s experiences with war are vivid and terrible. Through the themes of the poem, his language choices, and contrasting the pleasant title preceding the disturbing content of the poem, he brings attention to his views on war while during the midst of one himself. Owen uses symbolism in form and language to illustrate the horrors the speaker and his comrades go through; and the way he describes the soldiers, as though they are distorted and damaged, parallels how the speaker’s mind is violated and haunted by war.
In Wilfred Owen’s poem “Dulce et Decorum Est” the speaker’s argument against whether there is true honor in dieing for ones country in World War I contradicts the old Latin saying, Dulce et Decorum Est, which translated means, “it is sweet and honorable to die for the fatherland”; which is exemplified through Owen’s use of title, diction, metaphor and simile, imagery, and structure throughout the entirety of the poem.
Wilfred Owen's poem "Dulce Et Decorum Est" was written during his World War I experience. Owen, an officer in the British Army, deeply opposed the intervention of one nation into another. His poem explains how the British press and public comforted themselves with the fact that all the young men dying in the war were dieing noble, heroic deaths. The reality was quite different: They were dieing obscene and terrible deaths. Owen wanted to throw the war in the face of the reader to illustrate how vile and inhumane it really was. He explains in his poem that people will encourage you to fight for your country, but, in reality, fighting for your country is simply sentencing yourself to an unnecessary death. The breaks throughout the poem indicate the clear opposition that Owen strikes up. The title of the poem means "It is good and proper to die for your country," and then Owen continues his poem by ending that the title is, in fact, a lie.
Owen’s most recognized works were written in a span of 15 months while he was in the army, where at times he fought on the front line. Dulce et Decorum Est specifically was written during his stay at Craiglockhart Hospital, October 1917 (Bloom). As a witness to World War I’s style of warfare, his credibility is already embedded into the poem, not only in the scenes depicted, but also in the voice of the speaker. He’s not protesting war as a human function, or the military as an institution, but expressing his loathsome feelings for the embellishment and deception that leads many young men to the battlefield seeking honor or glory.