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Now and then character analysis
The stronger character analysis
Now and then character analysis
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Duke Orsino’s Unsuccessfulness in the Twenty-first Century
In today’s society, one’s personality plays a very important part of their reputation and respect they receive from others. In Shakespeare’s play Twelfth Night, the character’s status and respect has nothing to do with their personality, but more with their family background. This is demonstrated in many of the characters, especially Duke Orsino, who uses his social status to get what he desires most, which is love. Duke Orsino’s difficult and self-indulgent character would not benefit him to have a successful life in today’s society. Considering Duke Orsino’s lack of control over his emotions, his stubbornness, and his self-indulgence, his character would prevent him from being successful in recent times.
Duke Orsino’s lack of control over his emotions is not beneficial to him in becoming
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It is first demonstrated in Act 1 when Duke Orsino is introduced. He talks about his uncontrollable obsession with love. He exclaims, “ If music be the food of love, play on/ Give me excess of it, that, surfeiting” (1.1.1-2). Here, Duke Orsino is comparing love to food. He is listening to love songs, considering them to make him love the feeling of love more. So, by saying “ give me excess of it”, he indicates he wants to love. This displays the fact that when he has feelings about someone, his feelings are extreme, to the extent where he needs love as much as he needs food to survive. In the last scene, when Duke Orsino finds out about Olivia having feelings for Cesario, also known as Viola, he gets extremely mad. He threatens Viola, saying, “ But this your minion, whom I know you love/ and whom, by heaven I swear, I tender dearly/ Him will I tear out of that cruel eye” (5.1.121-123). Here, Duke Orsino is telling Olivia that he knows she loves Cesario, and because of it, he will torture Viola. Even though Viola is very
On September 4, 1958, Dollree Mapp’s was convicted in the Cuyahoga County Ohio Court of Common Pleas (Mapp v. Ohio - 367 U.S. 643 (1961)). On March 29, 1961, Dollree Mapp v. Ohio was brought before the Supreme Court of the United States after an incident with local Ohio law enforcement and a search of Dollree Mapp 's home (Mapp v. Ohio 367 U.S. 643 (1961)). In the Bill of Rights, the Fourth Amendment protects and prohibits all persons from unreasonable searches and seizures. However, can evidence obtained through a search that was in violation of a person’s Fourth Amendment rights still be admitted in a state criminal proceeding? This is the issue that will be thoroughly examined in the landmark case of Dollree Mapp v. the State of Ohio (henceforth
Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
...volio declares revenge on the lot before exiting, giving the floor to Orsino. He speaks to Viola, before Feste, Olivia’s Jester, sings to signal the ending. “Cesario, come – For so you shall be while you are a man; But when in other habits you are seen Orsino’s mistress and his fancy’s queen.”
Orsino too realises his love for Viola and so Orsino and Viola are, at last, joined together. However, because Viola has done this, Olivia now realises that she has, in fact, married Sebastian rather than Viola or Caesario as she first thought. This, at first causes a problem, but then Olivia and Sebastian realize that they really do love each other. Viola then explains that her women's clothes are with the captain that brought her ashore and helped her after the shipwreck.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Orsino is seen to be very much in love with Olivia. He seems to be so
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
RISING ACTION: Cesario, which is Viola, was asked by Orsino to court Olivia for him: Once Viola is hired to work for Orsino she automatically falls in love with him. Since Orsino thinks of Viola to be a man, he has no clue she is in love with him. Olivia is not impressed with Orsino’s poetry that Cesario reads to her, yet she is attracted to t...
Orsino sends Cesario expresses his affection for Olivia, which Cesario/Viola is not thrilled about. with.
that Olivia has emotional power of nobleman Orsino when in Act I Scene I he declares, "O, she
The opening soliloquy of Act I Scene I, given by Duke Orsino, is another perfect example of Shakespeare using music to show the upcoming storyline of the play. At first, Orsino is using music as a metaphor that feeds the appetite of love. He speaks for a minute about his love for the music playing, and then changes abruptly by saying, “Enough; no more” (7). Already Shakespeare is foreshadowing Orsino’s fickleness when it comes to music which in turn stands for love. Of course, further into the play, it is shown that Orsino truly is fickle when it comes to love. As soon as he finds out that Cesario is in fact the woman Viola, he instantly forgets all the passion he had for Olivia and marries Viola.
Viola disguises herself as Cesario, a male eunuch, and goes to work for the Duke Orsino. Unaware that Cesario is not what he seems, the Duke Orsino becomes very friendly with Cesario after just three of having known each other. Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain her affection for him because he thinks she will be taken in by Cesario's youth. Viola, dressed as Cesario, falls in love with the duke Orsino but ... ... middle of paper ... ...was but a toy, For the rain it raineth every day' There are other songs sung by Feste which reveal a darker side to the plot such as songs with lines: 'Come away, come away death, And in sad cypress let me be laid'.