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Influence jazz in american history
African American influences on jazz
Jazz influences 20th century music
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Duke Ellington
When Ellington was seven years old, he took piano lessons. Ellington was a kind- hearted person growing up. Ellington childhood friends noticed that his casual, offhand manner and his stylish clothing gave him a nice looks. He earned his nick name “Duke” because of his gentleman ways. Ellington went to Armstrong Technical High School in Washington, D.C. In 1914, Ellington wrote his first composition, “Soda Fountain Rag”. When he wrote that composition he worked as a soda jerk at the Poodle Dog Café. When he created that composition piece he didn’t really learned how to read and write music around that time.
At the age fourteen, Ellington sneaked into the Fran Holiday’s Poolroom and listened to the pianists played in the
poolroom. He listened to many piano players such as, Doc Perry, Lester Dishman, Louis Brown, Turner Layton, Clarence Bowser, and many more piano players. He started to listen to and watched ragtime pianist in Washington, D.C, Philadelphia and Atlantic City. When he was in High School in continued taking private piano lessons in harmony and learned how to read sheet music, and project a professional style. He was inspired by a pianist James P. Johnson and Luckey Roberts. He started to play gigs in cafes and clubs in around Washington, D.C. He had a very strong connection towards music and around 1916 he turned town an art scholarship to Pratt Institute in Brooklyn.
One way fletcher henderson influenced the Harlem renaissance is by leading one of the most successful jazz bands of the 1920s. Though he developed into a skilled pianist, Henderson did not intend to pursue a career in music, opting instead to study chemistry and math at Atlanta University( biography.com). After graduating from college, Fletcher Henderson planned to work with his chemistry degree, but racism restricted his chance. So Henderson turned to the musical world.
Eventually in 1937, Dizzy Gillespie decided to head out to New York to carry out his dream of becoming a famous jazz player. During his time at New York he talked with many different bands and earned a job with Teddy Hill’s band. Hill was very impressed with Gillespie’s unique playing style. The group went on a tour from Great Britain to France shortly after Gillespie had joined the band. After getting back from the tour G...
After a while his friends started beginning to notice his politeness and his dapper style and gave him the nickname “duke.” When Ellington was seven years old he started taking piano lessons and found his love for music, although his love for baseball was more potent at the time. Ellington recalls President Roosevelt coming by on his horse at times and watching the boys play baseball. Ellington wound up getting his first job selling peanuts at baseball games. While working at the Soda Jerk in the Poodle Café in the summer of 1914, Ellington wrote his first composition and called the piece “Soda Fountain Rag”, he created it by ear because he had not yet learned how to write or read the music.
Duke Ellington, named Edward Kennedy Ellington at birth, was born on April 29, 1899, in Washington D.C. to James Edward Ellington and Daisy Kennedy Ellington. Both of Ellington’s parents were talented, musical individuals. Edward Kennedy was later nicknamed Duke by his childhood friend, Edgar McEntire and this name has stuck with him throughout his life and career. Duke Ellington was one of Jazz and Big Band’s most influential icons. He was known for famous recordings such as “Sophisticated Lady”, "Take the A Train," "It Don't Mean a Thing If It Ain't Got that Swing," and "Satin Doll," Duke Ellington started taking piano lessons at age seven and became more serious about his piano lessons after hearing a pianist who worked at Frank Holiday’s poolroom. He was fourteen and had started sneaking into the poolroom. After listening to the poolroom’s pianist, something was ignited within and he fell in love with the piano. Ellington was known for his ability to choose members for his band who possessed very unusual talents while playing their instruments. These talents included Bubber Miley, who used a plunger to make the "wa-wa" sound, and Joe Nanton, who was known for his trombone "growl." It was for this quality to find such unusual players and his ingenious ability to compose beautiful music that lead to Ellington’s huge success. Duke Ellington composed over 1,000 compositions right up until the day he died, May 24, 1974. Although Ellington was known as a huge figure in Jazz, his music spanned beyond the Jazz genre; it stretched into blues, gospel, popular, classical and film scores. Through his efforts and achievements, he has made Jazz more accepted as an art form and genre. Ellington had received 12 Grammy awards from 1959 to 2000...
On February 17th, I attended the “UIC Jazz Ensemble” at 7 in the evening. The concert was located at the Illinois room in Student Center East. The concert director was Mr. Andy Baker, and he is one of the music professors at UIC. Besides, he is a lead trombonist of the Chicago Jaz Ensemble, co-leader of the sextet BakerzMillion. He is also a first-call theatre and studio musician. The lights in the room were pretty dim, and the room was filled with audiences. I noticed that there were a total of nineteen musicians performing that evening, and a lady jazz singer accompanied the musicians throughout the concert. There were sixteen members playing the wind instruments, including the trumpet, trombone, saxophone, flute, and French horn. Some of them were standing, and some were sitting. Besides wind instrument, the concert also included a guitar, drum and piano into the performance. They were played by Edwin Garcia, Aaron Gorden, James Wenzel and Will Gingrich respectively.
Ragtime, by E.L. Doctorow, was originally published in 1975, and later became a musical that premiered at the Toronto Centre for the Arts in 1996. The story illustrates three families’ journeys in the changing society of America during the 1920s. Each family is in a different position of society. One family is rich and white and lives in the exclusive upper class neighborhood of New Rochelle, NY. Their lives are sheltered and privileged. Another family is African American. They live in Harlem, which was populated only by African Americans at the time. The main character in this family that we follow, Coalhouse, is a Ragtime piano player. The next family represents the immigrants of that time. Tateh, a Jewish immigrant, arrives at Ellis Island and faces the challenges of achieving the American dream. Although they dream of riches, they begin life in America in poverty. The fictional story of Ragtime accurately depicts history. The story gives a realistic picture of what New York City was like at that time by using fictional and real people and describing events in the book that mirror real life. "Based on the bestseller by E.L. Doctorow, "Ragtime" artfully blends historical events (immigration, the industrial revolution, the birth of the civil-rights movement, women's suffrage and the invention of motion pictures) and historical figures (Henry Ford, Booker T. Washington, Harry Houdini, Emma Goldman, Admiral Perry) with fictional characters to paint a nation in the making in the early 20th century" (Jim Ruth).
Eli Whitney was the inventor of the cotton gin and a pioneer in the mass production of cotton. Whitney was born in Westboro , Massachusetts., on Dec. 8, 1765, and died on Jan. 8, 1825. He graduated from Yale College in 1792. By April 1793, Whitney had designed and constructed the cotton gin, a machine that automated the separation of cottonseed from the short-staple cotton fiber.
Wayne Shorter was born on August 25th, 1933 in Newark, New Jersey. His musical introduction came through the clarinet at the age of 16. Shorter attended Arts High School and later graduated from New York University with a major in music education in 1956. It was while in New York that Shorter started to play the saxophone and gained exposure to some of Jazz’s most influential artists. After a two year interruption in the military, Shorter kickstarted his professional career in 1958 with a band led by pianist Horace Silver. The band showcased Shorter’s talents and led to his invitation to join the Maynard Ferguson band and later Art Blakey’s Jazz Messengers. After 4 years with Blakey, the Vee-Jay label endorsed Shorter as one of their lead artists and he released his first three solo albums (Second Genesis, Blues A La Carte, and Wayning Moments). In the 1960s, he continued to win attention from audiences and recorded another 9 albums with Blue Notes label (check album information links). In 1964, Miles Davis invited Wayne to play with his quintet composed of Herbie Hancock, Ron Carter and Tony Williams. The band was successful in shaping the direction of jazz music during a difficult social time. In 1970, Shorter started his own band, the Weather Report with Joe Zawinul and Miroslav Vitous. This band helped innovate jazz by integrating a rock, classical and jazz forms into a hybrid that would later be called fusion. During the Weather Report years, Shorter won the first of three career grammies. Shorter’s influence has continued through the present day. Last year, at the age of 69, he toured the Wayne Shorter Quartet and showcased his first acoustic album, Footprints Live.
Interview footage of her colleagues, fellow musicians, and friends such as Annie Ross, Buck Clayton, Mal Waldron, and Harry “Sweets” Edison look back on their years of friendship and experiences with the woman they affectionately call “Lady”. Their anecdotes, fond memories, and descriptive way of describing Holiday’s unique talent and style, show the Lady that they knew and loved. The film also makes interesting use of photographs and orignal recordings of Holiday, along with movie footage of different eras. With the use of these devices, we get a feel for what Holiday’s music meant for the audience it reached. The black and white footage from the thirties of groups of people merrily swing dancing, paired with a bumptious, and swingin’ number Billie Holiday performed with Count Basie called “Swing Me Count”, makes one wonder what it might have been like to actually be there. To wildly swing dance to the live vocals of Billie Holiday must have been an amazing experience, as this film demonstrates.
The 1920’s were about change and expressing yourself. It was also a time where African-Americans were able to finally express themselves and have people enjoy it. Duke Ellington is a great example of this because he was able to transcend race, age, and promote a new 19th-century mindset, bringing us into the 1920’s. As he transcended race, he took part in the Harlem Renaissance allowing others to enjoy African-American music. “Ellington arrived in New York just when jazz emerged as the dominant musical style of the Harlem Renaissance” (Butler). Ellington’s power to make music that was popular and catchy helped him and his band become famous. The Harlem Renaissance and
This piece was not written by Ellington, but by American composer Billy Strayhorn, who became Ellington’s musical collaborator. This piece is very jumpy and light, making you feel like tapping your feet and following the beat. In the background is a piano in stride style that accompanies the brass instruments. Ellington often wrote evocative music, such as "Caravan" (1936), which he intended as a portrait of an exotic locale. The piece is a cross between Latin jazz and music that is Aladdin-like.
this paper I will discuss Gershwin’s life as a child and his upbringing and how his music
Hughes started writing poetry when he was in Lincoln (“Langston Hughes”). After graduating from high school, Hughes spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he acquired menial jobs but, when he moved to Washington D.C. in November 1924, Alfred A. Knopf, published his first book The Weary Blues.... ... middle of paper ... ...
Langston Hughes is the author of the poem ‘trumpet player’ among other poems that weaves in the contemporary ideas relating to racial issues, past memories and jazz music (Alexander and Ferris 55). Essentially, his themes centered on African- American made him an important figure in the Harlem Renaissance of the 1920s. The poet was born in Joplin, Missouri in the year 1902. His first work on poetry was published in the year 1921 (Baird 599). From there on, he wrote innumerable works of poetry, plays as well as proses (Baird 599). The poet died in the year 1967 out of prostate cancer complications. The trumpet player is one of the most important works done by Hughes. The title of the poem introduces the scene but it is quite figurative. At its face value, the title
Bill Evans was an impressionist piano player, influenced by his earlier age of classical music. He learned piano when he was a child and also attended Southeastern Louisiana University majoring in music (Pettinger 14). His educational background on classical music allowed him to improvised and explored the depth of jazz. As Leonard Feather's Encyclopedia of Jazz suggested, "The most personal characteristics of his work were his uniquely delicate articulation, his oblique harmonic approaches and manner of voicing chords, his occasional use of the left hand in rhythmic duplication of the right-hand line, and the ability to create a warm, beautiful mood within the framework of a popular song, a jazz standard or an original work". According to Professor Harrison’s lectur...