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The impact of absent fathers
Gender Issues In Literature
Gender Issues In Literature
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Recommended: The impact of absent fathers
Morgan Belforti
Prof. Ainsworth
Literature
23 April, 2016
Drown Compare and Contrast
“The absence of the father figure and the perpetual reality of abandonment which accompanies this absence oblige the generation of fatherless boys to construct their own vision of masculinity based, not only on the island’s remaining men, but also the hollow remains of what the fathers have left behind” (Riofrio, 26). In “Auguantando” and “No Face”, Ysrael and Yunior, both construct imaginary masculine versions of themselves in order to adapt to the challenges that come with living in the “Fatherless Generation; however, while Yunior struggles to ever find his true sense of self throughout his life, Ysrael is forced to adapt to his lonesome childhood brought
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on by his face deformity that ultimately places him on the path towards a successful future. Forced to cope with the absence of their fathers, and the hardships that plagued their lives as a result, Ysrael and Yunior both construct imaginary, masculine versions of themselves.
Ysraels childhood is not only characterized by an “absent, uncaring, and abusive father… who rejects [his] son” (Kevane, 3), but also by the loneliness and solitude that is brought on by his face deformity. Bullied and tormented by most he comes in contact with, Ysrael is forced to wear a mask and conjure up a superhero version in which FLIGHT, INVISIBILITY, and STRENGTH make him untouchable by life’s harsh realities. His imaginary, comic book self gives Ysrael senses of masculinity that his face deformity constantly threatens, and allows him to courageously deflect the daily attacks he counters. For instance, as Ysrael is attacked by boys with the intentions of unmasking him, they scream, “We’re going to make you a girl” (Diaz, 156). However, Ysrael successfully escapes the attempt “to feminize him” (Riofrio, 31) using his superhero alter ego’s strength. The mindset in which Ysrael believes he is faster and stronger than his attackers, although conjured up in his head, is what allows him to be fearless in standing up for himself and ultimately prevents his “weakness, disfigurement, and non-conformity” (Riofrio, 31) from being exploited. It is through his fictional persona that Ysrael is able to protect his masculinity, and preserve through his lonely and difficult …show more content…
childhood. Similarly, Yunior invents an imaginary, masculine, alter ego for himself in order to escape harsh realities brought on by his fatherless life. Gone to pursue work in the Unities States, Yunior and Rafa’s father leaves the family to live in extreme poverty. Their mother, while attempting to provide for Yunior and his brother, “puts in ten-, twelve-hour shifts for almost no money at all” (Diaz, PAGE) at a local chocolate factory, however the boys are forced to live with close to nothing. The absence of a father figure, main provider, and macho role model, prompts Yunior to invent an imaginary version of himself that encompasses what he believes to be macho culture. While playing with his friend Wilfredo, Yunior notes, “I called him Muhammad Ali and he called me Sinbad; these were our Northamerican names” (78). In Yunior’s idealized world, he chooses to escape his own identity and identify as Americans who embody not only the American dream, but also values of macho culture. While Sinbad- a rich and famous comedian- represents the prosperity, success, and wealth that Yunior imagines the United States brings, Muhammad Ali- a physically tough, champion boxer- represents the ideals of macho culture, and embodies the characteristics of physical strength and mental toughness that Yunior conjured up in his head as signifying a true man. Because he lacks a masculine, father figure of his own to look up to, Yunior creates an idealized version of himself in his head, allowing him to escape his harsh realties and cope with his lack of guidance and a role model. While Ysrael’s face deformity forms an environment in which he lives a majority of his life in solitude and is forced to create an imaginary source of protection and masculinity, it also directs Ysrael towards a positive role model and successful future.
As Ysrael looses his true father as a masculine role model in his life due to his deformity, he also gains Padre Lou who positively shapes his character and future. Just as Riofrio argues in his article, Ysrael looks up to Lou in order to create his “own vision of masculinity based… on the island’s remaining men” (Riofrio, 26). Through Lou, Ysrael ultimately finds the self-assurance and positivity he needs in order to persevere, and is able to develop his sense of self based on his healthy male relationship with Lou instead of his father. Additionally, Ysrael’s fictional superhero persona serves as another catalyst that places him on the path towards a successful future. Utilizing his childish superpowers of FLIGHT, INVISIBILTY, and STRENGTH, Ysrael teaches himself how to perceiver and acquires life skills- such as gathering coins from the street so he can afford food- that allow him to fend for himself and survive on his own. His mastery of survival skills that he will need for the rest of his life is a direct result of the childish superhero persona he creates as a child, and points towards a future in which Ysrael will be able to successfully thrive on his
own. In contrast, Yunior, lacking a catalyst that pushes him towards independence like Ysrael and his face deformity, profoundly struggles with finding his sense of self or a positive role model in his life.
Just as nobody wants to be criticized and underestimated, so does Quoyle. While his family considers him as a root of failures and doesn’t give enough love to him, Quoyle also thinks about himself that he is not part of his family and wants to leave for somewhere. He is always despondent and not confident about his family, his appearance, and his life. However, through the picture, he finds out that he has something in common with his father. The author uses various dictions, imagery, and figurative language in order to vividly illustrate how Quoyle feels about himself and his family.
The novel El Sonador is about a boy that finds beauty and wonder everywhere he goes. Neftali is the type of boy who is really shy and likes to spend most of his time alone reading, writing, and daydreaming. When he grows up, Neftali wants to help others that do not have the power of expressing themselves. His father mocks his dreams because he has already planned his son's future.
By reminiscing on his upbringing from living in Lima, Peru, a third world country. Father would constantly recall his biographical anecdotes to share with the family. Some stories were beyond gruesome in detail. Going in depth to the painful memories that still lingers around like a scar, my father told us how our grandfather, his own father, was abusive for even the most minute things. For instance, when my father would wore outfits that did not meet my grandfather’s standards, or looked into his father’s eyes fearfully when he was being punished, and even when he did not walk my grandmother to and from the grocery store. The mistreatment had reached the end of father’s patience when he became a rebellious son, breaking curfews and refusing to return home at the end of the day. In Junot Díaz 's short story Fiesta, 1980, narrated by an son, Yunior, who describes the hardships he and his Dominican family shared as they drove to a party in the Bronx in New York City. At the age of twelve, Yunior loses his innocence as a result from the never-ending verbal, emotional, and physical abuse his father, Papi, had taunted him with. This lost innocence was caused by what he had said, did, and did
Papa, the father of the first chapter’s female protagonist in “Children of the Sea”, strengthens the bond between
Young Yunior has a crush on his older brother, Rafa’s, girlfriend in Nilda,by Junot Diaz. Running from an alcoholic mother, Nilda often spends the night in the brothers’ shared bedroom, unbeknownst to their unsuspecting mother. Forced to keep the mother from becoming suspicious, Rafa and Nilda engage in sexual intercourse while the infatuated Yunior is pretending to sleep in the same room. The conflict occurs as Yunior tries to reconcile the innocent girl he became infatuated with to the new Nilda she becomes through her promiscuous sexual explorations. The conflict resolves itself as Yunior becomes aware that Nilda’s sexual explorations have led her down a self-destructive path which has changed her both physically and emotionally.
In a restaurant, picture a young boy enjoying breakfast with his mother. Then suddenly, the child’s gesture expresses how his life was good until “a man started changing it all” (285). This passage reflects how writer, Dagoberto Gilb, in his short story, “Uncle Rock,” sets a tone of displeasure in Erick’s character as he writes a story about the emotions of a child while experiencing his mother’s attempt to find a suitable husband who can provide for her, and who can become a father to him. Erick’s quiet demeanor serves to emphasis how children may express their feelings of disapproval. By communicating through his silence or gestures, Erick shows his disapproval towards the men in a relationship with his mother as he experiences them.
Upon returning to the Dominican Republic after many years, Yolanda decides to take a trip across the island––something her family views as ridiculous. “‘This is not the states’ . . . ‘A woman just doesn’t travel alone in this country.” (9) This quote highlights the sexism inherent in Dominican society. Yolanda’s family is asserting that women are not individuals capable of taking care of themselves. On another hand, Yolanda’s close friendship with Mundín causes tensions as their mothers confront them about crossing gender lines. “My mother disapproved. The outfit would only encourage my playing with Mundín and the boy cousins. It was high time I got over my tomboy phase and started acting like a young lady señorita. ‘But it is for girls,’ . . . ‘boys don’t wear skirts.’” (228) This is an example of how Dominican societal norms and gender roles have impacted the sisters. Yolanda and Mundín were the only boy-girl playmates out of all the García children, yet this was frowned upon by both of their parents as to not impede the seemingly inevitable growth of Yolanda’s femininity, and conversely, Mundín’s masculinity. Moreover, this shows how societally-prescribed gender roles were instilled in Yolanda at a young age. However, this is not the only way in which women’s freedoms are
Firstly, one’s identity is largely influenced by the dynamics of one’s relationship with their father throughout their childhood. These dynamics are often established through the various experiences that one shares with a father while growing up. In The Glass Castle and The Kite Runner, Jeannette and Amir have very different relationships with their fathers as children. However the experiences they share with these men undou...
Jackson Katz is the founder of Mentors in Violence Prevention which is an education program that has been focused on military and sporting organizations in attempts to put a halt on gender violence. Other than being an educator, Katz is also an author and filmmaker. In 2013, he produced the film Tough Guise 2. In this film, Katz reviews the normalization of male jurisdiction in America. The film looks at the messages of gun violence, sexism, and bullying that are sent to men throughout their entire life. Tough Guise 2 argues the statement that male brutality is a rooted back to our cultural standards of manhood. A pivotal point of the film is that a male’s masculinity is not just handed to them, it must be earned. During the course of the film, this point is supported by examples such as gun violence, homophobic messages and mass shootings.
According to Junot Diaz’s short story "No Face", it’s sort of a reimagining of Ysrael’s life as a superhero narrative. Diaz explores how a man’s mental growth is stunted by his community’s perpetual scrutiny of him for reasons beyond his control and he relates the story in a very masculinity way which makes the story a powerful and strong with the character named No Face. He’s created a fantasy world in which to live, separate from the world that is so cruel to him. The story function here as the introduction of hope and revelation that such hope is fanciful. The influence of masculinity supports No Face’s goal and motive through his story.
All played a major role in the man and as a result, Yunior did what others told him or expected him to do, at the cost of his own ambitions. He became just like Rafa and Ramon! “Sucios of the worst kind and now it’s official: you are one, Diaz closes the book with a tragic ending with the last chapter “The Cheaters Guide to Love,” Yunior’s life and progression from young immigrant learning English from Sesame Street to a middle aged man reflecting on an empty life and deteoriating health. At this point he is on the journey from boy to man and realizes the error of his womanizing ways. Karma, has finally come back around and the pain from Yunior’s heart break sends him into depression and emotional rock bottom. “When realizing that in your lying cheater’s heart that sometimes a start is all we ever get.” (Diaz, pg.
George Orwell quotes, “He wears a mask, and his face grows to fit it.” The documentary, “The Mask You Live In”, directed by Jennifer Siebel Newsom, shows different ages of males who struggle to be themselves while battling America’s limited meaning of manliness. George Orwell quotes, “He wears a mask, and his face grows to fit it.” Influenced by the media, among their age group, and the grown-ups in their lives, adolescents dissociate their emotions, disrespect women, and are aggressive. Society gender stereotypes affect young males to change to fit into the societal norm as they characterize “real” men.
Thomas Jr.’s issues are mainly related to having an absent father throughout his life, as well as the impact it left on him. Due to Thomas Sr.’s absence, Thomas Jr. acquired several fixations which are shown through his explanation of the story of “The Sixth Borough”. As mentioned in Absent Fathers, Lost Sons by Guy Corneau, the term “absent fathers” refers to both the psychological and physical unavailability of fathers and it implies a spiritual and emotional deficiency. Thomas Jr. had an non attending father throughout his life, therefore he had a fixation on missing what he never had, a present paternal figure. Throughout the analysis of Thomas Jr., we can see that he relates his story about “The Sixth Borough” to himself as a child with
The narrator's life is filled with constant eruptions of mental traumas. The biggest psychological burden he has is his identity, or rather his misidentity. He feels "wearing on the nerves" (Ellison 3) for people to see him as what they like to believe he is and not see him as what he really is. Throughout his life, he takes on several different identities and none, he thinks, adequately represents his true self, until his final one, as an invisible man.
The short story “No Face” by Junot Diaz is a beautiful representation of determination and strength, in the form of a boy named No Face. No Face is presented as being, or possessing powers, similar to those of a superhero. The extended metaphor of him being a superhero shows that No Face doesn’t only have physical strength, but obtains the emotional strength to deal with the constant torment of his community because of his disfigurement, through his belief of being a superhero. No Face is obviously discriminated against because of his unfortuitous deformities, but when he puts on the mask he feels powerful, he feels as though he has inhuman powers, when in actuality these are the devices by which he gains his mental strength. No Face faces insurmountable amounts of prejudice from his community, resulting in them ignoring, or disregarding his