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What is fiction and drama
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There are many different structures in which writers decide to articulate their literary works. The three most common forms are fictional, dramatic and poetic literature. Dramatic literature can be defined as “a work to be performed by actors on stage, radio, or television” (Dramatic Literature). Fictional literature is most commonly defined as a “literary work invented by the imagination” (Fiction). Yet, both genres are comprised of their own limitations and downfalls. Although, a fictional work can explore the depths of a reader’s imagination, a work of dramatic literature allows the words and characters to come alive before the reader’s eyes. Since dramatic literature is intended to be preformed it is set back by economical support and time constraints, causing some writers to articulate their plot in a more condensed timeframe. Whilst a work of fictional literature can be hundreds of pages long in order to properly communicate the writer’s vision. The use of human senses, the capability to leap from assorted scenes, and the voice used to articulate the plot also, assist in separating the different avenues that divide a work into dramatic or fictional literature.
In a dramatic piece of literature, the viewer lacks the ability to cohesively jump from scene to scene. Since, a work of dramatic literature is usually intended to be performed on a stage, the detail that is expressed in describing the initial scenery of a play is essential because it insures that the writer’s vision is correctly being displayed. In Henrik Ibsen’s literary work, A Dollhouse, the scenery is described in the beginning of each act. “A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entranc...
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...enery is better utilized in fictional works because it does not require construction of them on a set. Yet, even with the best description a writer can provide their readers, it does not compare to the actual sounds, smells, or observations that a reader is able to experience in a dramatic work. Although, all of these different items divide these two works into two different genres, they still are comprised of the same ideology.
Works Cited
Dramatic Literature. 26 03 2011 .
Fiction. 26 03 2011 .
Ibsen, Henrik. "A Doll House." Literature: An Introduction to Reading and Writing. Upper Saddle River: Pearson College Div, 2011. 1191-1237.
Poe, Edgar. "The Masque of the Red Death." Literature: An Introduction to Reading and Writing. Upper Saddle River: Pearson College Div, 2011. 234-237.
Ibsen, Henrik. A Doll House (1879). Trans. Rolf Fjelde. Rpt. in Michael Meyer, ed. The Bedford Introduction to Literature. 5th edition. Boston & New York: Bedford/St. Martin's Press, 1999. 1564-1612.
Fiction often imitates life, as well as life imitates fiction, as we will see in the following comparison between a newspaper article in the Philadelphia Inquire in 1987 and a short story written by William Faulkner in 1930. Although there are some differences such as the time, place and circumstance, the two studies are chillingly similar.
Ibsen, Henrik. A Doll's House. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 916-966.
2. All references to A Doll's House are from Henrik Ibsen, Four Major Plays, trans. James McFarlane and Jens Arup (Oxford and New York: Oxford UP, 1981).
Ibsen, Henrik. The Project Gutenberg EBook of a Doll's House. [EBook #2542]. The Project Gutenberg, 13 Dec. 2008. Web. 14 Mar. 2011. .
Generally speaking, the two most frequently used genres in literature are fictional and non-fictional. Having said this, fictional and non-fictional literature are distinct regarding their purpose as well the literary devices they use. Literary devices are specific language methods which writers use to form text that is clear, interesting, and unforgettable. Fictional literature, for instance, is something that is made up; however, non-fictional is factual. Furthermore, non-fictional works of literature such as literary essays usually convey a message using literary devices that differ than those used in fictional literature such as short stories, which are meant to amuse its readers. Literary essays uses literary devices such as description,
Ibsen, Henrik. “A Doll’s House.” Literature for Composition. Ed. Sylvan Barnet, William Burto, and William E. Cain. 9th Ed. New York: Longman, 2010. 792-841. Print.
From the title alone, Henrik Ibsen’s, A Doll’s House, carries an adolescent connotation, with dolls holding immediate association with young girls and youth. In this controversial playwright, Ibsen portrays his Danish protagonist as an ignorant juvenile. Set in Copenhagen, Denmark, during the 1880’s, Nora’s childlike character suggests what the lifestyle of many women during that time may have been. Ibsen reveals Nora’s innate, childlike nature incorporating strategic set placement and direction, significant symbols, an array of revealing dialogue, and elaborate description, healthy in detail.
Ibsen, Henrik. A Doll House. Lives Through Literature: A Thematic Anthology. Ed. Helane Levine Keating et al. 2nd ed. New Jersey: Prentice Hall, 1995. 782-838.
Ibsen, Henrik. A Doll's House. Trans. William Archer. Boston: Walter H. Baker & Co., 1890. Gleeditions. Web. 12 April 2014
Henrik Ibsen’s, A Doll’s House, took a very different outlook on society in not showing
In Henrik Ibsen’s play, A Doll House Ibsen describes the perfect family and the conflicts within. Ibsen examines the normal lives of the Helmer family through the eyes of the wife, Nora Helmer. She goes through a series of trials as she progresses through the play and with each trial she realizes something is missing in her life. Ibsen examines the struggles within the house.
Literature is an essential part of society in the present day and enables the communication between multiple parties in a written form. Texts can provide a vast knowledge on subjects dependent on content whereas novels are often seen as being purely for leisure and enjoyment. However it can often be seen that prose
Ibsen, Henrik. A Doll's House. In Four Major Plays. Trans. James McFarlane and Jens Arup. Oxford: Oxford University Press, 1981.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.