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More handpicked essays just for you.
Gothic literature and culture
Themes in gothic fiction
Importance of gothic themes in literature
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Bram Stoker’s novel Dracula is composed of many journal entries and even though they are in chronological order, when writers switch, the times will overlap. This allows Stoker to hide the truth of situations and make the novel more mysterious. It also allows the reader to experience events as the characters themselves experience them. The diary entries begin in May and end in early November so in five hundred pages, the book covers seven months. With this short time period Stoker includes a lot of detail into his characters and their stories. Stoker writes in a straightforward way displaying an everyday style of writing. This follows his epistolary style and makes the diaries more convincing. These diaries not only keep track of everything …show more content…
the characters go through but also provide evidence against vampires. All the characters are tied together with their sole purpose of defeating Dracula. They all experience his terrors first hand and their entries often cover the same story with different authors. The characters feelings and tied experiences make the plot a complex one. The reader sympathizes with the characters and like the characters, wish for Dracula’s downfall. Stoker writes this novel in first person with the narrator's constantly switching. Writing in this style allows Stoker to make his characters believable, which allows the readers to sympathize with them. Each entry contains personal information and feelings that characters sometimes do not want each other to know. The narrator's writing in the present make their experiences more real. They allow for multiple narrations on the same event, which lets the reader decide whom they wish to believe or whether or not the character’s actions are justifiable. Each entry is a piece of the whole and everyone of them is imperative to the novel. Through the use of the epistolary style Stoker makes this story's tone personal. The reader's experience events with the characters and connect with certain characters that draw out their own emotions. Since diaries provide a way for feelings to be expressed, Stoker easily displays personal thoughts. Due to the horror genre, Stoker’s tone is also dark. Many events throughout the novel are grim and scary. Lucy sleeps walks during the night and escapes her house during a thunderstorm. This leads to a frightening encounter with Dracula. Stoker uses Dracula to provide the story with horror and mystery. Because Stoker does not give Dracula any thoughts or diary entries, he remains frightening and inhuman. His powers far exceed those of humans and he feeds on human blood. Turning into mist, he seeps into rooms and leaves Renfield lying in a pool of his own blood. Most of the action takes place during the night due to Dracula’s nocturnal instincts which makes the novel creepy. Throughout the course of the book, the readers sympathize with all of the characters because of their believable personalities and unfortunate troubles. Mina Harker marries Jonathan Harker and strives help him in anyway possible. While she is good looking, her looks do not define her. Instead, Stoker displays her intelligence and makes her the pillar of support for the men. Because of her purity and intelligence, Dracula fails to turn her into a vampire. She does everything she can to keep the men ahead and organized even though they have her stay away from most of the immediate danger. This does not stop her from retyping every document and memorizing the train routes to Transylvania though. Time and time again she proves to her importance to the group, when they are beaten down, she lifts their spirits and returns their hope. She thinks outside the box and provides options that the men would not have thought of without her push. While comforting Arthur she thinks to herself, “We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked” (304). This thought displays her true personality. Even in hard times she is kind, intelligent, and determined to do the best she can. Van Helsing understands her true value and often times rejoices in her brilliance. He is a wise old doctor and got pulled into the group by his former pupil John Steward. Helsing acts as the leader and father figure in the group of men and possess all the knowledge on vampires. He displays tough love with Arthur and does not hesitate to speak his mind when frustrated with the stubborn men. He has a strong sense of justice and feels that it is their job to rid the world of Dracula. Helsing does not change at all during the course of the book and retains his righteousness. While trying to convince Arthur staking Lucy is necessary, he exclaims, “My Lord Godalming, I too, have a duty to do, a duty to others, a duty to you, a duty to the dead, and by God, I shall do it!” (273). Lucy Westenra’s main characteristic is her beauty. Stoker uses her to contrast Mina and to become sexual. Before she turns into a vampire all men find her attractive, but after she turns her beauty increases. To show her sexual desires she walks toward Arthur, “with a languorous, voluptuous grace,” and said, “Come to me Arthur. . . . My arms are hungry for you” (280). Describing her as wanton, Helsing decides that her death will save the lives of many children. After Arthur stakes her, she turns human again and therefore her innocence returns. Dracula portrays the monstrous antagonist in this novel. As the story proceeds, his many supernatural powers come to light. He can shape shift, control animals, and possesses inhuman strength. While he has all these amazing abilities, he does have major downfalls that prove to kill him in the end. He seeks to gain family power that declined over time and to experience human life. Living in Transylvania caused him to lose modern ways which he tries to make up for through reading. During his discussions with Harker Dracula says, “I long . . . to be in the midst of the whirl and rush of humanity, to share its like, its change, its death, and all that makes it what it is” (27). Even though he has great ambitions his downsides prevent him from his true almighty potential. He represents ambition a lack of modernization, and sexual desires. To keep with the “present” idea, Stoker strives to make the setting fit with the time period, 1897. He goes into explicit detail of Harker’s journey to Dracula’s castle and of Transylvania at the time. Harker’s observations of Transylvania are creepy and mysterious. They speak an odd language from his normal English and he makes it a point to point out their superstitious habits. Upon arriving at the castle Harker observes the, “frowning walls and dark window openings”, of the castle (20). Later he finds out that most of the doors and windows are locked. Stoker uses these details to make the castle more prison like and Dracula more mysterious and ominous. Little technology is used while in the castle but back in London, Stoker provides many forms of technology that were used back in 1897. The telegrams, trains, and phonograph make the readers feel that the story is happening in their present time and not some far away unrealistic world. Throughout the novel, Stoker provides symbols that represent power, lust, and life. Vampires use blood as a food source but for humans it keeps them alive. For both humans and vampires blood represents life but for humans it means family. After Dracula drains Lucy’s “life”, the men perform a blood transfusion to save her life. Arthur bravely submits himself for the transfusion and tells the others later that, “he felt since then as if they two had really married” (231). In this case blood means family but in Dracula’s case it sometimes represents sexual desires. Dracula takes the blood of Mina and Lucy during the night and makes Mina drink some of his so he can control her. He drinks their blood to elongate his physical life in a parasitic way. This in turn can be compared to the symbol of the communion wafers used to keep Dracula at bay. Christians eat the wafers and drink the “blood of Christ” to cleanse their soul and gain spiritual strength. Drinking blood and only strengthening the physical body contradicts the religious aspect, which causes him to be harmed by religious items. In the Victorian age, women were supposed to posses traits of purity and innocence. The three vampire women were sexual and beautiful. They symbolize men’s desires and imagination but in the end are vanquished because of man's intelligence and strength. Stoker emphasizes good versus evil through his themes and their similarities.
He displays evil through the vampires and Dracula as the main evil. Darkness is synonymous with bad or ominous events and this happens to be the time when Dracula is active. Even though the guys hate Dracula and condemn him, they display similar action as Dracula. Like Dracula, the men attack at night and murder people. The difference is that they can justify their actions with their entries and thoughts. They use Dracula’s weaknesses, religious items, against him to destroy him. Crosses, wafers, and holy water represent God and goodness. Through these details a clear barrier is drawn between good and evil. The guys seek to rid the world of Dracula, to stop him from harming any more people. With Dracula’s death Stoker shows that good conquers evil, even though the road proved to be difficult. While modernization improves the lives of many, Stoker shows the negative sides to it. Through Van Helsing he shows that knowledge is power. When Lucy was ill, John could not figure out the cause of her illness even with his technology. Helsing with his wisdom and open mindedness figures out her problem quickly after seeing the bite marks. Upon learning the cause of her illness, he returns to his hometown to gain more knowledge on vampires so they can defeat Dracula. Stoker shows that without knowledge of the past some problems cannot be
solved.
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
The diary entries or notes used in ‘Dracula’ are fragmented and have an epistolary structure ‘Jonathon Harker’s Journal’. This emphasises each of the character’s feelings of isolation and loneliness, adding to the appeal of the reader. During the entries, Stok...
It is precisely the point that Hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience. In the task of comparing and contrasting the novel of "Dracula" to film extracts of "Bram Stoker’s Dracula", values, meaning and context discovered lie between discrepancy and similarity. The change from differing mediums, novel and film, reveal characteristics and possibilities of narratives. Through the advancement of technology, modern writers have gained a cinematic approach to their writing. However Dracula, written in 1987 by Abraham Stoker, where the introduction of technology was gradual, forging inventions such as the typewriter and phonograph, made reference to in the novel, had no anticipation of what technology would have an effect on such writings. With society’s fascination with the supernatural, and love of technology, Dracula’s many adaptations, film, stage, have ensured its survival through the passage of time.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide an attraction into the novel. Looking first at his appearance, personality, and behaviour at the beginning of the novel, we can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and so we must look at how he interacts with the outside world to genuinely understand him.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels written in the nineteenth century. The term “epistolary novels” refers to the novels composed of different types of documents, such as journals, letters, newspaper clippings and so forth. One of the effects created by using an epistolary format is providing the characters’ inner state throughout the story, which “focuse[s] on a broader exploration of the insights that made up the conscious self by and [the broader context]” (Ştefan 73). Consequently, Stoker’s use of fragmentary narratives delivers the main characters’ emotions and thoughts in more picturesque ways. In Dracula, the epistolary format of the novel increases terror and suspense, which derived from tension when the story alters after alluding characters’ insecure future and immense power of Dracula affecting not only the main characters, but the third parties who are irrelevant to them.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.