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Essay Examining The Culture Of Caribbean Literature
Caribbean literature essay
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The instructor that I choose to interview was Dr. Jennifer Donahue. She was my instructor last semester for my African Studies course. Dr. Jennifer Donahue is an Assistant Professor with a Ph.D. in Literature from Florida State University. Donahue research and work focusses in present Caribbean literature with an emphasis on the connection between history, suffering, and sexual political beliefs. For her exposition, she expanded her research into a volume script designated Trauma, Shame and Silence in Caribbean Women’s Writing. The writing in it disputes that body and sexual politics behave as systems of micro trauma that stimulate circumstances fluctuate from shame to psychosis. Donahue investigation and educational interests comprise of Caribbean
and post-colonial works, Anglophone African writing, as well as gender and women’s studies. Some of the work she’s done has emerged in The Journal of Commonwealth Literature and Restoration, Studies in Gothic Fiction, and Eighteenth-Century Theatre Research. Another book length project that she’s doing investigates body alteration and sexual suppression in twenty first century Afro-diasporic works. The reason I decided to interview Donahue was because her course taught me a lot about the main ideological, political, and environmental challenges that are handled by individuals of African, and the development of those trials through history. Like rising population, poverty, a big issue on the African continent directs to a bigger corruption of natural resources and this deteriorates the environmental difficulties with the deprivation of agriculture and usable areas and mishandling of obtainable water resources. Energy use in sub-Saharan Africa contrasts intensely and overlooks fuel intake. The consumption of lumber for petrol is prevalent in both the countryside and city settings and creates a large amount of the overall energy use, which eventually brings another issue, which is deforestation. The progression of deforestation has not only added in diminishing the ozone layer, but furthermore enhanced the course of global warming.
Castro “[has] learned not to back down” (Castro 269) in the face of a differing opinion; this is unlike many other writers. It is for this reason that Castro’s writing inspires me to resist the idea that the type of writing that belongs in “the academy” is not for others to necessarily see, but for the people fortunate enough to read it themselves. The power of words and information is universally essential in all its forms, and this type of communication is vital for any sort of improvement or awareness. The passage about Castro’s feminist professor who writes about the Violence Against Women Act is a perfect example of what Castro depicts as one of the downsides of “the academy.” The essay her professor writes could potentially “help protect thousands of women,” but instead it is categorized as an “academic journal” (Castro 266) and most likely will not be accessed by those in need. Lastly, Castro inspires me by emphasizing the need to broaden the origins of authors that are read and interpreted to those who were actually affected by heavy issues. Writing that belongs in “the academy” should be eye-opening and not full of common
Laurence Hill’s novel, The Book of Negroes, uses first-person narrator to depict the whole life ofAminata Diallo, beginning with Bayo, a small village in West Africa, abducting from her family at eleven years old. She witnessed the death of her parents with her own eyes when she was stolen. She was then sent to America and began her slave life. She went through a lot: she lost her children and was informed that her husband was dead. At last she gained freedom again and became an abolitionist against the slave trade. This book uses slave narrative as its genre to present a powerful woman’s life.She was a slave, yes, but she was also an abolitionist. She always held hope in the heart, she resist her dehumanization.
When I first read “We Are Ugly, But We Are Here,” I was stunned to learn how women in Haiti were treated. Edwige Danticat, who was born in Port-au-Prince, Haiti, in 1969 and immigrated to Brooklyn when she was twelve years old, writes about her experiences in Haiti and about the lives of her ancestors that she links to her own. Her specific purpose is to discuss what all these families went through, especially the women, in order to offer the next generation a voice and a future. Danticat writes vividly about events that occurred in Haiti, leading up to an assertion about the strength of Haitian women. Her essay is powerful in large part because of how she manages tone.
The ocean is what connects the people of the Caribbean to their African descendants in and out of time. Through the water they made it to their respective islands, and they, personally, crafted it to be temporal and made it a point of reference. The ocean is without time, and a speaker of many languages, with respect to Natasha Omise’eke Tinsley’s Black Atlantic, Queer Atlantic. The multilingualism of the ocean is reminiscent that there is no one Caribbean experience. The importance of it indicates that the Afro-Caribbean identity is most salient through spirituality. It should come to no surprise that Erzulie, a Haitian loa, is a significant part of the migration of bodies in Ana Maurine Lara’s Erzulie’s Skirt. Ana Maurine Lara’s depiction
Karenga, Malauna. Introduction to Black Studies. Los Angeles: University of Sankore Press Third Edition, 2002.
Situations or moreover things that occurred throughout this story seemed to affect or better yet impact the African Americans depicted in this reading differently. Rape being one of them. Particularly this left a lo...
Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge, 1994. 171-220.
Although the institutionalization of the fields of Black and Women’s Studies were still years away, the aforementioned black women, along with many others, were essential to the development of the epistemological and theoretical concepts that would later become the foundation. We can clearly see gaps in the literature in the area of Black Women’s Studies, as the writers discuss these women from the standpoint of either the Africana or Feminist Tradition. Some make mention of the intersection of racial and gendered oppression, but only in passing
Head, Bessie. “Snapshots of a Wedding.” Unwinding Threads: Writing by Women in Africa. Ed. Charlotte H. Bruner, et al. London: Heinmann Books, 1983. 157-161.
Medicine, medical supplies, and medical treatment are multi-billion dollar industries crucial to the wellbeing of the public. Doctors and other members of the health-care industry do their best to provide excellent care for the nation’s sick and injured, while scientists and researchers work to develop new drugs and technologies to fight disease. We often view medical care as a basic human right; something that all persons, rich or poor, should have access to in times of need. But despite our notions of what healthcare should be, those who make a living in this industry, specifically owners of firms, must contend with the same economic questions facing businesses in any industry. To learn more about this vast service industry, I interviewed Dr. Martin Slez, a dentist/oral surgeon and owner of a medical practice that provides both general care and specialized treatments for oral diseases. Of the topics discussed, firm goals, pricing, costs, and technology stood out as particularly interesting and unique facets of the organization, as they differed considerably from those in other industries.
...talism, discourse, and patriarchy. After watching her female family members and taking note of everything they experience, and using the opportunities she earns and gains from an education, Tambu is able to educate herself with the critical awareness and strength to emancipate herself and overcome the burdens of gender and alienation of colonization of Zimbabwe. After reading the novel, Nervous Conditions and doing research, I have learned that the colonization of Zimbabwe forced the women of Zimbabwe into very hard roles to play. I have learned that through these processes of colonization, capitalism, discourse, patriarchy, and as a result alienation, women were, as Maria Mies puts it, "externalized, declared to be outside civilized society, pushed down, and thus made invisible as the under-water part of an iceberg is invisible, yet constitute the base of the whole."
In her short novel Wide Sargasso Sea, Jean Rhys critiques the patriarchal structure of 19th century Jamaica through the story of the novel’s main antagonist, “madwoman” Antoinette. Living in a world where her European and indigenous heritage are clashing due to political events, Antoinette faces a crisis in choosing which culture to pursue and please. The Emancipation Act of 1833 destroyed the livelihood of many slave owners such as Antoinette’s father who drank himself to death shortly after the Act was passed. In her early childhood, Antoinette is ostracized by both her European heritage as her family’s fortune has crumbled, and her indigenous heritage as their servants maintain their distance from the failing family. Raised by a mother who makes no attempt to properly nurture her children, Antoinette lacks a strong female role model to guide her through adolescence. Taking after her mother, Antoinette is often faced with intense feelings of intimacy and embraces her sensuality. These feelings are often suppressed by European culture, especially for women. Yet, although convention discouraged her sensuality Rochester, her eventual husband, lusts after the Caribbean women, which only deepens Antoinette’s moral crisis. As the novel draws closer and closer to its final pages, Rochester fights to keep Antoinette’s sensuality suppressed and attempts to become the dominant
Nnoromele, Salome C. "Representing the African Woman: Subjectivity and Self in The Joys of Motherhood." Critique 43.2 (2002): 178-190.
Barrington M. Salmon. “ African Women in a Changing World.” Washington Informer 13 March 2014: Page 16-17
In Chigumadzi’s early school days Chigumadzi desires to be referred to as “Gloria” (Chigumadzi, 2015) her second English name instead of her first African name of “Panashe” (Chigumadzi, 2015) Chigumadzi illustrates the lack of identity politics which exists within a portion of black youth in South Africa. This is a struggle which many black youth experience if attending traditionally white schools as the differences between a black student and a white student become clear as a result of cultural differences in the classroom and the prejudices which an educator could possess and which could be demonstrated in dialogue or actions. (Chigumadzi, 2015) As Chigumadzi’s educator possessed prejudice views such as the articulation of the following judgment “apartheid had good intentions behind it. It was just that it was badly executed!” (Chigumadzi, 2015, p. NA) An identity crisis amongst black youth has raised according to Chigumadzi as a result of the unaccommodating atmosphere which exists around race in South Africa in a modern context post-Apartheid. (Chigumadzi, 2015) The coconut culture states that black diamond youth strives for whiteness. These individuals are often referred to as ‘Uncle Toms’ (Chigumadzi, 2015, p. NA) or additionally ‘agents of whiteness’ (Chigumadzi, 2015, p. NA) This dilemma of the lack of