Double Indemnity Walter Relationship

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Double Indemnity is a film noir directed by Billy Wilder and was released in 1944. The film follows Walter Neff (Fred MacMurray), an insurance salesman, and Phyllis Dietrichson (Barbara Stanwyck), a housewife who is unhappy with her marriage, as they carry out a plan to kill Phyllis’ husband, set it up as an accident, and collect $100,000 worth of insurance money to keep for themselves. While many viewers would say the primary relationship in the film is between Walter and Phyllis, there is a unique, less-obvious relationship between Walter and his boss, Barton Keyes (Edward G. Robinson). Throughout the film they have peculiar conversations, light one another’s cigarettes, and share a heartfelt breakup at the end of the film. The relationship …show more content…

No longer is he this big, tall, smart man. He is now sweaty, hunched over in a chair, knowing that he has lost and plans to run away. Much like a husband on his death bed telling his wife to take care of his kids, Walter begs Keyes to protect Nino and Phyllis’ daughter, Lola (Jean Heather), after he is gone. This final sequence now shows Keyes dominating much of the frame, he is now the bigger figure, he has the power. Walter is slouched in the chair looking up to him now, completely opposite of their roles throughout the bulk of the movie. Though obviously stunned that Walter is a killer, Keyes still pities him. He does not try to physically restrain Walter nor does he call the police on him, he knows with the bullet wound, Walter will not make it to his destination of crossing the border. Walter struggles to the door and finally collapses, indicating his complete failure. Keyes follows him and kneels next to him, still dominating the frame. While we only see Walter’s face and torso, we can see pretty much Keyes’ entire body looking down to him. We get a almost flirtatious final conversation between the two as Walter explains the reason why Keyes could not figure out it was him, because they were too close, sitting across the desk from each other. Keyes responds by saying they were “closer than that”, indicating the depth of their relationship. Walter repeats a line he said earlier in the film, “I love you too”, before struggling to light a cigarette. Although it was Walter’s job to light Keyes’ cigarettes throughout the entire movie, everything has come full circle, the power has shifted, and Keyes lights Walter’s cigarette and the film ends. Keyes realizes his “lover” is gone and he must step up to run things now. He cannot be helpless and not be able to light his cigarettes now; he must help Walter light

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