Donatello's David Analysis

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David is a masterpiece of Renaissance sculpture created between 1501 and 1504 by Michelangelo. The colossal statue of the Old Testament hero stands over 17 feet tall. Commissioned by the city of Florence, the statue originally stood in the Piazza Della Signoria. The historical figure of David is the city’s patron saint and therefore a popular subject in Florentine art. The city gave Michelangelo a giant slab of flawed marble to work with that another sculptor had abandoned years before. David was the first colossal marble nude to be sculpted since classical antiquity. It is a civic piece representing Florentine pride. Michelangelo depicts David as a strong, heroic, nude male. Like the ancient Greek statues of athletes, Michelangelo represents …show more content…

Donatello's early Renaissance bronze David standard about five foot two and is mostly nude but is wearing a hat and boots; while sword in hand David stands upon Goliath's head. Donatello's David depicts that the battle is over in David won by decapitating Goliath. Understand the great symbolism in Donatello's David because it shows a semi 15-year-old boy slaying a great Giant with only a sword that looks dull. To me I feel like the age of the 15-year-old boy was more in for size in this sculpture to prove that the underdog can win and has. The age Factor was emphasized because Rome and Florence always feuded against each other and seeing that Rome was more of a bigger dominant sitting in Florence Florence so the story of David and Goliath as Inspirations to keep being more of a Republican City and always prevailing against …show more content…

Michelangelo turns unwanted stone into a beautiful masterpiece which kind of resembles the story of David and Goliath. he depicts David as a young early-twenties man with nothing but a small weapon staring down Goliath before he approaches. Michelangelo's David has a more anatomically correct figure to him and with us 17-foot statue you can see more details. Michelangelo's David has more of a facial expression of not a frightened more of a dominant facial expression and you can see its brow hairs which amplify the facial expression. Lasting at least Michelangelo's David is also completely moved with nothing on its body. being that she in a completely new figure was look down upon and their earliest centuries I can understand why Donatello had a semi completely nude figure compared to Michelangelo who had a fully nude

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