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Style and themes of American literature
American literary esay
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Donald Barthelme has been called “probably the most perversely gifted writer in the U.S.'; As well as “ one of the best, most significant and carefully developing young American writers'; (Harte and Riley, 41). He was born April 7, 1931 to Donald and Helen Barthelme in Philadelphia, Pennsylvania.
Barthelme had a wide range of careers during his lifetime. He worked as a newspaper reporter and as a managing editor of Location, and art and literature review (Harte and Riley, 41). His other jobs included serving in Korea and Japan in the U.S. Army (Barthelme Bio, 1), Professor of English at the City University of New York, teacher of Creative Writing at the University of Texas in Houston, and of course author of short stories and novels (Anderson et al, 919). He is the author of a number of collections of short stories including “Come Back, Dr. Caligari'; (1964); “Unspeakable Practices, Unnatural Acts'; (1968); “ City Life'; (1971); “Sadness'; (1972); “Great Days'; (1978); “Overnight to Many Distant Cities'; (1983); and “Paradise'; (1986). He also wrote Snow White, a parody of the popular children’s fairy tale, the novel. He won the National Book Award for Children’s literature for the book titled “The Slightly Irregular Fire Engine: or, the Hithering, Thithering, Djinn'; (1971) (Marowski and Matuz, 3?). In 1976 he received the Jesse H. Jones Award from the Texas Institute of Letters for his book The Dead Father. His book Sixty Stories was nominated for the National Book Critics Circle Award, the PEN/Faulkner award for Fiction, and the Los Angeles Times Book Prize all in 1982. Barthelme also had the privilege of being widely regarded as one of the ablest and most versatile American stylists (Robert et al, 919). Donald Barthelme passed away July 23, 1989 from cancer in Houston Texas.
According to the Literature book Barthelme’s stories contain plots that are “unconventional episodic, a clutter of styles, absurdities, and slapstick.'; In his hands, “a myth is likely to turn into realism, and realism into absurdity.'; It is said that Barthelme’s characters are “two-dimensional parodies of themselves, rather than fully developed individu...
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...he actors get ready for the play they are putting on, what people think of the play, and finally how the playwright is getting ready for his next play.
Sindbad is a story about a substitute teacher that normally teaches at night, who takes a job during the day. The teacher keeps saying that the students keep asking him to leave. He reads a story about Sindbad to them, but it is a fake version that is about Sindbad owning a store and making everyone that comes into his store happy.
The last story I read was The Explanation. I did not understand what the story was about. It wasn’t really a story but a series of questions and answers with squares filled in with black on each page.
All of the stories that I read came from Barthelme’s book Forty Stories. He is “widely regarded as one of the ablest and most versatile American Stylist'; (Anderson et al, 919). Barthelme does write about a variety of different topics, which does make him a versatile writer. He is a writer that makes the reader think about what they are reading and wonder what he means by what is written.
the play. It looks at the person he is and the person he becomes. It
reach into the ideas and themes of the play so we will have a good
Hugh Wheeler was born on March 19, 1912 to parents, Harold, who was a civil servant in the Office of the Public Trustee and Florence Wheeler, whose parents were in truck manufacturing. He was born in Northwood, Middlesex, England, (Obituary) and lived there until he was 22 years old. He received his Bachelor of Arts degree from the University of London in 1932 (Gale). After receiving his degree, he decided to move to the United States and pursue his love of writing. He served in the American armed forces in World War II. He also became a naturalized American citizen in 1942. He remained in the United States until his death in 1987 (Obituary). There are few details of Wheeler’s personal life except that he never married and lived privately (Document). He was well respected in the literary world, in which he accumulated a variety of awards.
with what you feel are the main themes of the play that you want to
WORKS CITED Meyer, Michael, ed., pp. 113 Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin, John J., 2001. o Joan Murray, "Play-By-Play".
Litz, A. Walton. American Writers: A Collection of Literary Biographies, Supplement 2, Part 2. New York: Charles
Luebering, J. E, ed. The 100 Most Influential Writers of All Time. New York: Britannica
Now that the play, “Post-its (Notes on a Marriage),” could make the audience react to feel distanced and questionable of the actions of the characters, how can that relate to everyday life? traits of the play Post-its (Notes on a Marriage) through staging and conversation,
On September 25, 1897 in New Albany, Mississippi, a son was born to Murry Cuthbert and Maud Butler Faulkner. This baby, born into a proud, genteel Southern family, would become a mischievous boy, an indifferent student, and drop out of school; yet “his mother’s faith in him was absolutely unshakable. When so many others easily and confidently pronounced her son a failure, she insisted that he was a genius and that the world would come to recognize that fact” (Zane). And she was right. Her son would become one of the most exalted American writers of the 20th century, winning the Nobel Prize for Literature and two Pulitzers during his lifetime. Her son was William Faulkner.
The main portion of the book is about convict Shadow Moon. The story begins with Shadow learning that he will be released from prison early, but only because his wife Laura and best friend and employer, Robbie, have died in a car wreck. On the flight to his wife’s funeral, Shadow takes a very vaguely described job offered to him by a peculiar man named Wednesday. Events irreversibly take a turn toward the supernatural as Shadow realizes his boss is something more than human. As the story progresses, Shadow learns that he is actually working for Odin, an old god brought over by a group of Vikings in America’s distant past. He encounters many supernatural beings throughout his work for Odin and l...
reputation as one of the finest American writers of all time. A man of towering
Using techniques such as marking the moment, cross-cutting, role-play, hot-seating and various others I have been able to create pieces of drama based around the play Blood Brothers. This will help me in understanding and creating pieces of drama bases around the true explicit story but also around the metaphors, which surround and embrace the story. In the future, this will help me dramatize future pieces of drama. Creating a level of depth, which is simulated by someone who completely understands that piece of drama. Being able to watch a play and be able to create a piece of drama from
“Play” opens with three figures encased in large urns with only their faces visible. The urn as a prop is significant because it symbolizes the individuals’ being trapped by their own desires; doomed to repeat them. They can neither see nor hear one another. A spotlight, acting as a voiceless interrogator projected on the faces of the actors, swivels between them prompting each in turn to speak; when the light leaves, the faces fall silent. A man and two women (a husband, his wife and his mistress) are compelled by the light to recount the story of their love triangle. Through precise use of lighting, shadows, and props the audience is compelled to become fascinated with the story. As the bodies repeatedly recount their stories, various tones are used to describe/convey new details each time. “Play” begins with a humorous tone, but with each repetition the story becomes darker and wearier? However, the consistency of that single set makes for a powerful message and keeps the audience in tune and focused.
Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia. 6th ed. New York: Pearson-Prentice, 2010. 40-49. Print.
Chapter 3 talks about "the actor". I found this chapter very interesting. I found out that actors had to go to college too. I also found it compelling to learn that in the passage on page 76, under the picture, it talks about how playing "ordinary people" in a realistic play is often the biggest challenge for an actor.