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Much ado about nothing in the present
Much ado about nothing
Much ado about nothing in the present
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How do people define the hero of the story? In some books, plays, or even movies, acknowledging the hero can be the hardest part of one of these topics to find. Throughout Shakespeare’s plays Much Ado About Nothing, most realize that there is not a clear hero. However, the character that is the biggest hero in this story is in fact Don Pedro because he is the one that brought everyone to Messina while he played the role of cupid during the story.
Why is Don Pedro the hero of this story? The first reason he is the hero is because he is the person that brought some of the main characters for example, Claudio and Benedick, to Messina. For example, “I learn in this letter that Don Pedro of Aragon comes this night to Messina” (Shakespeare 1). In this quote, the messenger of the story is speaking to the leader of the town Messina that his friend, Don Pedro, is coming to the town after a war that has just occured. Also, “A victory twice itself when the achiever
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brings home full numbers” (Shakespeare 1). This quote is showing how Don Pedro is bringing every member of his group to Messina because he has won the war and has lost no men. Why is this hero important to the story?
The second point of why Don Pedro is the true hero is because throughout the story he acts like the cupid and matches Claudio with Hero and Benedick with Beatrice. For example, “If thou dost love fair Hero, cherish it, And I will break with her and with her father, and thou shalt have her…” (Shakespeare 11). This quote is showing how Claudio has an affection for Hero and Don Pedro is saying that he will tell Hero and her father that Claudio will marry her. So in a way, Don Pedro is cupid because he is matching theses two characters together. Another example towards why Don Pedro is the largest hero of the story is “... I will in the interim undertake one of Hercules’ labours, which is to bring Signor Benidick and the Lady Beatrice into a mountain of affection th’ one with th’ other…” (Shakespeare 29). This quote is showing how even though Benedick and Beatrice don’t truly love each other, Don Pedro is going to trick both of them into loving each other so they aren’t
lonely. After all, Don Pedro rules over all of the other characters for the hero spot because he was the god of love throughout the play and brings everyone to the Italian town, Messina. He brought people that didn’t love each other into loving one another. If Don Pedro didn’t bring the people to Messina, this story would have never happened.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
Evidence to support this reason says, “How you know he loves her? I heard him swear his affection. . . But hear these ill news with the ears of Claudio. ‘Tis certain so; the prince woos for himself. . . trust no agent; for beauty is a witch. . . Farewell, therefore, Hero” (Shakespeare pg. 23). This quote shows how Claudio was easily convinced to believe that Don Pedro loves Hero for himself, even though there wasn’t anything to prove of this, and how he doesn’t even try to ask Don Pedro if this is true or not. Another piece of evidence says, “If I see anything tonight why I should not marry her tomorrow, in the congregation where I should wed, there will I shame her” (Shakespeare pg. 50). This quote shows how again, Claudio was easily convinced by Don John that he will not wed Hero if he sees her being disloyal towards him. This quote also shows how he’s easily convinced to do something due to someone telling him to do so. To sum this all up, Claudio’s manipulation is his second most major tragic
Don Pedro and his men return from the war and visit the house of Leonato and his brother, Antonio. This sudden meeting reunites Beatrice with her archrival, Benedick, and it is here that Claudio and Hero fall in love.
William Shakespeare, one of the greatest writers of all time, uses Hercules as a persona of excellence throughout his play, "Much Ado About Nothing". Hercules, in Greek mythology, is a hero known for his strength, courage and legendary adventures. This gives the impression that Shakespeare liked the tales of Hercules.
One of Claudio’s symptoms of his tragic flaw is being gullible ultimately guided the story from beginning to end. In the beginning, when Don Pedro wooed Hero for Claudio, Don John took advantage of Claudio and tried to turn him against Don Pedro, telling him that Don Pedro wooed Hero for himself. Hearing this news, Claudio bid off Hero… Without even checking if what Don John said was true. Claudio responded to something somebody else told him, without having an opinion or even evidence to back it up. Conversely because Claudio fell for that trick so easily, Don John saw an opportunity to form an evil plan involving
When he arrives in Messina with the Army he sees hero and falls in love with her instantly. He plans to make hero fall in love with him and marry her. In the play he convinces Don Pedro to woo hero in his name at the Masquerade Ball. At the end of the ball Claudio and Don Pedro’s plan works and Claudio plans on marrying Hero. Claudio himself says that “Would it even be possible to buy a jewel as fare and precious as hero.” He says this when he is talking with Benedick about Hero when he first sees her. This shows the influence of Don Pedro’s actions on Claudio. Alongside Don Pedro and Leonato, Claudio helps them try to convince Benedick that Beatrice is in love with him. They enter the orchid when Benedick is there and they tell lies about Beatrice in order to convince him of her love. Claudio says that “Once the music has ended, we’ll give him more than he bargained for.” This quote shows that when the music ends they will put the plans into action and fool Benedick. However later on in the play Don John brings Claudio and Don Pedro with him to try to ruin Claudio’s marriage. He has one of his friends Borachio sleep with Margret in the name of hero so it looks like Claudio will be cuckolded if he marries Hero. Therefore, Claudio
Tricking her to believe that Don Pedro himself has feelings for Hero: ‘I will assume thy part in disguise, and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. Then after, to her father will I break: and the conclusion is, she shall be thine.’ - Don Pedro. o (Act I, Scene I: Lines 276 - 282). It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
Macbeth would not be the best first choice of literary character to use as an example of a hero. He is a hero in the beginning of the play and arguably a hero in the end, it is in the middle where his heroism falters. In Act One Macbeth is showered in compliments after defeating the Thane of Cawdor, he is noted as a “brave”, “valiant cousin, and “worthy gentleman” (1.2.17-26). He is of noble status and gains the title Thane of Cawdor for his victory over Macdonwald. Macbeth is a remarkable war hero.
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,
Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.
Hamlet the Hero There are various ways to define a hero. There is an endless amount of people who are heroes. A hero can be, "one who exhibits courage and/or daring," a hero can be, "one who is supremely noble or self-sacrificing," a hero can be a champion or a winner. A hero can save the day, or even save your life.
Throughout the play Much Ado About Nothing, Don Pedro had an extremely active role as matchmaker for the other characters. He designed the plot at the masquerade party to make Hero fall for Claudio, and he orchestrated the garden scene to make both Beatrice and Benedict believe that the other was deeply in love. Despite Don Pedro’s commendable skill with matching other people, he ends up without a partner at the end of the play after having been denied by Beatrice. When the whole misconception surrounding Hero’s unfaithfulness has been cleared, the music starts up, the characters pair up, and everyone begins to dance in a grand celebration.
Shakespeare’s tragedy Othello treats the audience to considerable heroism, not only from the hero and heroine but also from unexpected characters.