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The Digital Music Distribution Revolution
How piracy affects the music industry
The Digital Music Distribution Revolution
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The rise of the internet has caused a great shift from the traditional way music was first obtained and hear. From CD records to music streaming, the internet has provided consumers with new and fast ways to listen to music. Social media and other media outlets have changed the way music is distributed and marketed. People now have more options as to how they would like to get their music. Digital downloading, piracy, buying physical copies, and streamings are some ways to obtain music. The way people get music can influence the music industry tremendously. Piracy can create the greatest loss in profit for the industry as it is not an exchange of currency for the product during that process. Digital purchasing of music gives the consumer more …show more content…
New music was first discovered by word of mouth, radio plays, and other traditional means. Music can be quickly shared via Facebook, Twitter, and other digital media formats, thus making prompting and disturbing music simpler and faster. However, this altered gaining music through traditional formats such as CDs and physical record sales. In 2016, there was about a 7 percent decrease in reverence for physical sales (IFPI, 2017). The start of this shift into a digital age for music can be traced back to services like Napster and LimeWire. Services like these made music downloadable and people could now share the actual song opposed to just recommending other to listen to it later (MIS Quarterly, 2014). This marked a huge strike in music piracy. People can now pick and choose which songs they want for free opposed to buying the whole record just to listen to those few songs. This has greatly impacted music companies, and in turn, affects the artist. To combat that, labels began to use lawsuits against these illegal downloads. However, this was short-lived as the lawsuit became expensive and the labels suffered criticism from the public because of these legal suits (Tyler, 2014). Since, music companies have kept the same business model to demand more revenue and royalties, leading to more independent artists. According to the RIAA, the industry loses about 13 billion in output (in the United States) from music …show more content…
Instead of ripping music straight from sites like YouTube, consumers can purchase music, from services such as iTunes. Consumers have the option to legally buy which songs they want or the whole album if they choose to. These cheaper alternatives help with aiding in the battle against internet piracy. The rise in music streams has also helped to discourage and deter fans from illegal downloading and conversion. Spotify, Apple Music, Pandora, and other streaming services offer users songs whenever an internet connection is available. People can choose to use these services for free via an ad-based service, or get more out of the service through a paid subscription. Getting songs through these services do not add them to people’s music libraries. The music from these streams are not permanent and are not retained. Though not retained, based on the type of streaming service the customer has, songs can be saved to personal stations and playlist, as well as replayed whenever desired (Tyler, 2014). Streaming has gained a steady increase in popularity and preference for music lovers. As of the end of 2016, there were around 112 million users who have paid for premium streaming memberships. Combined with users who paid for their streaming, there was a combined total of 212 million users for both premium members and ad-based members. This accounted for a 60.4 percent increase in streaming revenues for the end of 2016
Singers and songwriters need to make a living somehow. They know that downloading music is a way to get their voice heard, but they also know that it is significantly hurting the business. "When your product is being regularly stolen, there comes a time when you have to take appropriate action," said RIAA president Cary Sherman (RIAA 1). There are a lot of people involved in the music scheme when it comes to who needs to get paid by the revenue. From the sale of one CD, singers get one small fraction of the cost, another fraction goes to song writers, musicians also get some of the profit along with retailers, engineers, technicians, warehouse working, and ever...
Big time record companies and artist are losing billions of dollars due to people illegally downloading music files. The
The music industry has changed in more ways than we could imagine. At first we started with artists just selling singles, then it transformed over to people buying albums, and then on iTunes started to sell songs for just cents. In the year 2005, Pandora was launched on the Internet and later they created a mobile app. Most of the artist’s music can be found on YouTube. Free downloads have affected this industry as well.
Before the 1990’s, if people want to listen to music, they just visit a music store and pick up a CD and then put it into a stereo equipment. However, the development of MP3 file format gradually changed the way people listen to music. This format lets everyone download music easily and it can be converted to CD as well. But, there is still a problem: searching MP3 files on the internet is maddening and people seldom can find the music they want. Therefore, the birth of Napster solved this problem, creating a virtual music community in which music fans could use the Web as a “swap meet” for music files. More importantly, Napster is easy to use and it’s free, which expands the range of audience in age. Bandwidth also contributed to Napster’s success. The greater the bandwidth, the faster the file can be transferred. So, Napster really changed the way people listen to music, discover music and interact with music.
The Internet—as it did for almost everything—has radically changed the way people get music. The Internet has cut into the music industry's profits. It reduced the demand for CDs, increased the interest in singles and let people decide whether they want to pay for the new Prince album. This alone could be offset if all of the people pirating music would go to their favorite artists' shows. However, the hard economy has rapidly cut into people's ability to spend on luxury items and concerts rank right up there with sports in terms of practicality.
Throughout time, people have resorted to stealing in order to obtain items instead of buying them. It became a problem so consequences were made. Even dating back to the Ten Commandments there were laws against stealing. Recently, theft has become a problem over the internet. Musicians and music companies have lost millions in revenue. Websites such as Napster, The Pirate Bay, and Pandora have made it extremely easy for people, specifically teens, to illegally download and or listen to music for free. Pirating music has become a problem especially because “91 percent of all new music was downloaded illegally over the Internet instead of purchased,” says Logan Lynn from Huffington Post (Lynn). Many, such as the RIAA claim that music piracy is “an ongoing and evolving challenge,” (Who) while others suggest that it is “keeping the music industry alive,” (Issacson).
Recently, there has been a series of copyright infringement litigations against Internet businesses that are involved with unauthorized distribution of music files. The US recording industry claims to lose three million dollars per year because of piracy. A report predicted an estimated 16 percent of all US music sales, or 985 million dollars would be lost due to online piracy by 2002 (Foege, 2000; cited from McCourt & Burkart, 2003) Even though this claim has to be taken with caution, as it is based on false assumption that if copyright laws were strictly enforced, audio pirates would become buyers, it is apparent that audio piracy grew to a worrisome level for the record industry. (Gayer & Shy, 2003)
Spotify is an on-demand music streaming service that provides a two tiered service to its users. The free service allows users to listen to any song on demand within the application’s music catalogue, but with the presence of ads. The premium service, however, is completely ad free. Launched in 2008 in Sweden, Spotify has grown and currently has over 24 million active users. (Sisario, B) As a result of several deals struck with EMI, Sony, Universal, and Warner Music Group, Spotify currently holds a music catalogue of roughly 20 million songs.
One important change that has occurred is the distribution of music digitally. Music now in our society is purchased through the Internet. The simplicity of having an entire library of music on one device has been adopted versus having stacks of CD’s or tapes. The emergence of the Mp3 file has changed how we listen to music. Mp3 are digital songs that are portable, provide high quality sound, and are less expensive. Essentially by eliminating middlemen, digital music took control of music away from the major record companies and put the power in the listener’s hands. Major companies such as Apple’s iTunes created the distribution of digital music. CNNMoney mentions, “iTunes is currently responsible for 63% of all digital music sales” (CNNMoney). They set the standard of 99 cents for a single song, which was quickly adopted by major music companies. Selling songs by singles provided more control ...
Consumers rely on their smartphones and laptops to listen to music on-demand. Although there are many music streaming companies, Spotify was one of the first to let consumers access millions of artist without buying individuals songs or albums. With Spotify, consumers pay for a premium subscription that allows access to every artist, album, and song within their library of
Development in computer technology has also made a big impression on music. Many things within these fields have enabled artists to connect with their fans in ways they couldn’t before, and on a lower budget. In this paper, the discussion will be about all of these topics, and about the factors that help transform the music industry into something altogether easier for new people to contribute to. History: Back in the early 1980’s, record labels controlled what people could hear through airplay, record distribution and manufacturing, and selective promotion of music based on their judgement of their audience.
When it comes to the music industry, an artist makes a song, the label sells the song and then the listener buys it? In the world today, the music industry is knowledgeable of digital downloads, music videos, file sharing, and now social media. Social media is the voice of an individual and captures joy, emotions or thoughts in pictures, tweets or status updates. It is a reachable space that is used to keep in touch and to reach out. Social media allows listeners to shares their favorite artists, post their favorite songs and really created a genuine connection with the artists. The music industry has changed because social media is a tool needed to connecting with the listeners. Social media is necessary to maintain a career in the music business.
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.
"The mass production of free, high-quality re-recorded music became a serious threat to the music industry" ("Music Industry"). This mass production is costing artists and producers money that they would have made from people buying their music. Listeners have turned to streaming services as a cheaper alternative to purchasing to songs they love. Streaming services have increased the availability of music, which one may think is a good thing but is in fact a fulmination to the music industry because artists are not making as much money as they would have if songs were being purchased individually. People who worked in the music industry had showered praise on to streaming services, considering them a savior that would help the music industry and increase revenue, but they instead had an adverse effect on music sales and artist salary (O’Brien). Streaming services have led to protests from artists on many different levels due to the amount of payment that artists are receiving. "Prince, Neil Young and Ms. Swift have withdrawn their music from some streaming outlets, and various musicians have called for greater transparency in how the music industry operates (Sisario).” While the protests have been successful, it is only when famous high-level artists bring attention to the issues. This controversy is one of the negatives of streaming services because
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...