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The character of Medea in Medea
The character of Medea in Medea
The analysis of medea's revenge
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If a person commits a sin against you should they be punished or should you just let the sinner go without acknowledging what they did wrong? Will the sinner commit truly feel sorry from his mistake and learn from it if the sinner has not been punished? In this piece of literature, Medea plots revenge on Jason for committing a sin against her. Medea is a strong, smart, and skilled woman of her society. She is protagonist of this story, because of all the tasks she does for Jason while he returns the favor by betraying her. Medea is considered a dynamic character because she goes from being completely devastated to raging for revenge. She is very complex and is very obsessed on revenge which makes her a round character. Medea is a princess and sorceress, she is very good with potions and figuring out things.These helps her get revenge on Jason that he deserved. Many people of her society do not like her because of these characteristics that she has, many are jealous and afraid of her. As a modern readers, we like these traits in Madea and is glad that she can take care herself and won’t let anyone use her. Neither of the characters is completely right …show more content…
In the beginning, Medea helps Jason to secure the golden fleece, leaves her home for him, and murders Pelias for him. All these things and more Medea does for Jason not herself, this shows how unselfish Medea was and how loyal she was to Jason. Even though Medea has been a thoughtful and hard- working wife, Jason repays her by betraying her to marry another woman, the princess. By marrying the princess Jason has increased his chance at royality and for more money. His second marriage is a selfish act and he did not consider his first wife Medea who had him many priceless favors and has stayed loyal to him. We do not feel sympathetic to Jason because he only cares about himself. He also deserves punishment for betraying and hurting someone who did so much for
Jason and Medea are both responsible for Jason’s success in his quest for the Golden Fleece; however, Medea seems to be more responsible rather than Jason himself. Although it may be Jason who accepted the quest himself, Medea has helped Jason throughout the whole story. She’s provided gifts, tactics/advice, and assistance, so it’s difficult to give most of the credit to Jason. Without Medea Jason wouldn’t of been able to complete the task. This means that he wouldn’t of been able to return to rule the throne over Pelias.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
In Euripides Medea, Medea is the morally ambiguous character. In part, Medea can be seen as good because she wanted to live with Jason and her two children in Corinth as a family and enjoy a happy life. So it is understandable that Medea becomes devastated and an emotional wreck after Jason leaves her for the princess. He claimed by marrying the princess, he could bring the children up in a well-being and make more royal children. Medea became a distressed. Hateful, and a bitter woman at Jason. Medea mentioned, “we women are the most unfortunate creatures.” Medea acknowledges that the women don’t have much choice in the marriage and if they want a good life, they need a man to control them. And that woman would be much better off if they had
Standards that women are held accountable and judged for while men it is acceptable for this behavior. In Medea 's situation, to prove her love to Jason she did whatever she needed to do to be with him and did not let anyone step in her way. She gave birth to two boys which would continue Jason 's bloodline however, that was not enough for Jason as he left Medea for his new Glauce. Jason 's main priority was to gain higher social status that leads to title, money, and land as well as having children as his legacy. Within Sappho she states, “Why am I crying? Am I still sad because of my lost maidenhead?” (Sappho, 36). After losing her virginity, she lost insight of her vision which she wanted her future to be as she received mistreatment from society including her relationship with her lover changing. In that result, within their situations they were incapable of maintaining their relationship with their lovers as well as love and sex not being enough to endure life
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
Medea is outraged that she sacrificed so much to help Jason, only to have him revoke his pledge to her for his own selfish gain. She asks him whether he thinks the gods whose names he swore by have ceased to rule, thereby allowing him to break his promise to her. Medea vows to avenge her suffering by destroying Jason's new family and his children. When Jason curses his wife for her murdering at the end of the play, she says to him, 'What heavenly power lends an ear / To a breaker of oaths, a deceiver?
In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways. One of the things she does to help their cause is bring about the death of her own brother. Certainly this is a woman who would sacrifice anything for her husband. Weigel records the fierceness of Medea's passion in his critique: "As a woman of passion, Medea is wholly committed to Jason as the object of her emotional life, whether in love or hate. When she loved Jason she did not hesitate to kill her brothe...
Betrayal has been a problem for mankind for as long as mankind has existed, but what exactly is betrayal? Many authors, psychologists, and philosophers alike have tried to answer that very question with no success. Certain types of betrayal can be beneficial, but more often than not betrayal causes an unfortunate series of events to follow it. One of the greatest examples of this comes from Greek Mythology and the story of Jason and Medea. Jason and Medea lived together as a married couple and had children together, Jason then betrayed Medea by throwing her aside and claiming they were never married. As revenge Medea then killed their children and fled. There are several different types of betrayal. There is betrayal of/by society or the exectutives of the country, betrayal of/by those close to you, and betrayal of/by yourself.
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The problem set at the beginning of the play is that Jason has decided to marry another wife, Glauce. Medea is angered and will not let Jason off without punishment. The loss of Jason is not only a matter of passion; Medea has been completely humiliated by Jason's decision to take a new bride. Her pride shows again when she refuses Jason's aid. Though her situation is difficult, she would rather destroy all than accept help from one who has wronged her so horribly. Living as a barbarian among Greeks has made her more defensive, more full of hurt pride. To punish Jason, Medea had her children deliver poisoned gifts to the new bride, to kill her children, Glauce, and Creon. . Medea is not without feeling, nor is she a sociopath. She comprehends the difference between right and wrong, but chooses to follow the dictates of rage.
Medea has been cheated on at this point in her story, all she does is cry. “Friends talk to her, try to give her good advice; she listens the way a rock does, or an ocean wave.” Ignorantly ignoring her friends, she comes to the realization that she doesn’t like her children and that leaving her homeland was a bad idea in the first place. Although she is no longer blindly in love with Jason, she has just become blinded by the rage that has buil...
After Jason left Medea for Glauce, Medea’s “entire world [had] turned to enmity” (Medea 15). He claimed that is was in the children’s best interest, setting up a much better life for them because he had the potential to eventually become king and provide for them even better than before. This sparks a huge emotional shock from Medea because she is in love with someone who only cares about bettering their own life and putting them self in a better position to succeed rather than caring for others. She is left with unrequited love and is ambivalent about how to deal with the betrayal. Euripides’ psychological insight suggests that victims of strong emotional injuries not only go against those who inflict said injuries, but against thei...
These actions helped Jason in the best way possible while slowly destroying her. While on the Argos, being chased by a large fleet, “Medea saved them again, this time by a terrible deed. She killed her brother,” (pg 132). She not only betrayed her family, but greatly wounded them as well. Her obsessive love over Jason completely separates her from her happy royal life in Colchis, destroying something she valued in the past.
Medea is a female figure who does not passively sit back and accept the injustice of what has been dealt to her. She stands up for herself, maybe a tad bit rashly, and gets her revenge as she so thinks she deserves. Being presented as a weak female figure is something that Medea rather not portray. Medea is cunning, strong, and not silent in the fact of patriarchal injustice, which leads her to have the upper hand. She swore that Jason and the royal family would pay, and she did not disappoint. Medea, though seeming heartless and rash, did care about her family, but she cared about Jason meeting justice more. “[Medea]: What will I do? My heart is not in it, women, when I look at the gleaming eyes of my children. I could not do it (Euripides 26).” The tender side of a harsh character is often overlooked, especially with a character such as Medea. Knowing that Jason would ache for his sons forever, Medea killed them both as the harshest punishment she could create. In most plays, the female characters tend to sit back as minor roles, but this is one act that cannot be considered minor. Though Medea was a strong female lead in such a tragic way, she stood firmly for what she believed in and let nothing deter