While reading The Aeneid, a reader may wonder whether Aeneas has control of his own fate or not. The very large number of interactions of the gods and goddesses may sway the reader’s opinion one direction. Jupiter, Juno, and Venus are always interacting with Aeneas’s life. They were notorious for decisions that affected Aeneas’s life like: first arriving in Carthage, leaving Dido, burning down the Trojans ships, and much more. Throughout Virgil’s work The Aeneid, a reader wonders whether it was Aeneas who had any control of his fate because of the numerous interactions of the gods.
In the first book, Aeneas’s journey was intervened by multiple different gods and goddesses. Aeneas did not even want to leave Troy without “the pleading of his wife as well as a divine sign from heaven to persuade him, as well as his father, to flee the city” (Shen). Aeneas had to avoid the wraith of Juno at the beginning of this epic. Juno’s favorite city was Carthage and she knew of the prophecy that the Trojans will someday destroy Carthage. She calls upon Aeolus, the wind god, to attempt to destroy Aeneas. Neptune had to stop Juno’s attempt because “Power over the sea and the cruel trident/ Were never his [Aeolus] by destiny, but mine” (I, 188-189). Venus is worried for her Aeneas, so she tries to get Jupiter to end his suffering. Jupiter tells her this, “In Italy he will fight a massive war, / Beat down fierce armies, then for the people there/ Establish city walls and a way of life” (I, 355-357). Eventually, Venus tells Aeneas to go meet Dido and sends Cupid to make the queen fall in love with Aeneas. The summary of the first book just goes to show you, how little control Aeneas has of his fate. Jupiter telling Venus of the glorious futur...
... middle of paper ...
...inued Aeneas’s journey. Juno tried to complete stop Aeneas’s journey, which was his fate from book one. Jupiter kept him going causing Dido to kill herself, after Venus got Dido to fall in love with him. Each of these interactions makes a reader think that Aeneas he is only following the God’s predetermined fate for him.
Works Cited
Caldwell, Lauren. "Dido's Deductio: Aeneid 4.127-65." Classical Philology 103.4 (2008): 423-435. Academic Search Premier. Web. 3 Dec. 2013.
Gutting, Edward. "Marriage In The Aeneid: Venus, Vulcan, and Dido." Classical Philology 101.3 (2006): 263-279. Academic Search Premier. Web. 29 Nov. 2013.
Shen, Michael. "The Facets of Passion and Duty." Columbia University. N.p., n.d. Web. 28 Nov. 2013. .
Virgil. The Aeneid. Trans. Robert Fitzgerald. New York: Vintage Classics, 1990. Print.
The idea that one’s destiny is already determined is both comforting yet brings dismay because it leaves a feeling of powerlessness which is fine for the lazy but painful for the proactive. This idea is surely a failure among principles but even so the role of fate is not completely limited to these terms and ideas. Fate in the book was seen more as a mission that Aeneas had in life, and it would only happen on his obedience to his tasks. This type of belief that “actions determine fate” is actually quite healthy for a society to follow. During Aeneas’ journey there were several times that he faced difficult temptations that tested his obedience
The trials of Aeneas and Gilgamesh were very similar. Both led tragic lives and suffered from the wrath of the gods. Aeneas witnessed his family die, his home city burned to the ground, and was victim to the goddess Juno’s plots throughout his fated journey to Italy. Gilgamesh had seen his best friend die from the gods’ vengeance and was emotionally crushed by it.
In the Aeneid, love is depicted as an uncontrollable emotion. Venus and Juno promote the romance between Dido and Aeneas. Dido, the queen of Carthage, begins to fall in love with Aeneas, even though she has vowed to her late husband that she would set her “face against marriage” (Virgil 975). Aeneas falls in love with Dido and remains with her in Carthage, even though he knows that he must continue his travel to Rome. Love is a passion which consumes the soul in spite of its will. It is an “inward fire” (Virgil 976). Juno arranges it so that Dido and Aeneas consummate their love in a cave during a storm. Again, mortals have little or no control over their loves. The gods are the ones who cause people to fall in love.
Silvestris, Bernardus. Commentary on the First Six Books of Virgil's Aeneid. Translated by Schreiber and Maresca. University of Nebraska Press. London, 1979.
Aeneas was never held captive by any of the gods as was Odysseus. Aeneas got help from Venus (Goddess of love), his mother. She convinced him to stop fighting because she wanted him to rescue his family which was a lot more important. Jupiter also helped him because Aeneas’s wife told Jupiter that Aeneas was going to kill himself, so she wanted him to send Aeneas a sign telling him not to kill himself. Aeneas was going to do this because he found his father almost dead and decided to take his own life.
Aeneas is the son of Venus. This fact alone brings about much of the hero in him. Venus, a concerned mother, always looks out for her son. She does everything she thinks will help to ensure his safety and success. At the beginning of his journey from Troy, she prevents his death at sea. Juno has persuaded King Aeolus to cause vicious storms, rocking Aeneas' fleet and nearly killing all of them. Venus then goes to Jupiter and begs him to help Aeneas: Venus appealed to him, all pale and wan, With tears in her shining eyes:
In Book I, we learn that Aeneas will be facing many obstacles on his journey because Juno (Hera) “in her sleepless rage” does not favor him (1.7). An issue Odysseus also had to deal with. The difference here is, unlike Odysseus who has angered Poseidon by blinding his son, Cyclops, Aeneas has not done anything to provoke this rage. Juno holds a grudge against Paris for not choosing her in a beauty competition against Minerva (Athena) and Venus, “that suffering, still rankled: deep within her, / Hidden away, the judgment Paris gave” (1.39-40). She also knows what is to come of Carthage, “That generations born of Trojan blood [Aeneas] / Would one day overthrow her Tyrian walls,” a city “[Juno] cared more for…/ Than any walled city of the earth” (1.31-32, 24-25). We know that Aeneas is set to build Rome so she will try her hardest to make him fail on his journey. In the case of Odysseus, Athena interc...
“Am I to admit defeat/ Unable to keep these Trojans and their kings/ From Italy? Forbidden by the Fates, am I?” (1.50-52). Knowing the outcome doesn’t sway the decisions of Juno at all is overcome with rage. It is keen to note that rage is one of the most important themes of The Aeneid and is showed from the poem starts till it ends. Juno and Dido are the two major characters that are affected by this rage. It is Juno who allows Dido to believe that she and Aeneas are married; with hopes that Aeneas would not leave to the build the city of Rome. The intervention of the gods shows how they can easily sway the lives of their mortal men for their own personal desires. For example, when Juno incites rage on the Trojan women allowing them to burn their ships. Virgil clearly shows that aren’t no women of rationality all women are controlled by their emotions. It is clear from the start that Juno is on a man hunt to put an end to the Trojans reign; as result Aeneas becomes a subject of Juno’s rage. Virgil depicts Juno as vengeful Antagonist who tortures a pietious man,
In Virgil’s poem, The Aeneid, a picture is painted of a very virtuous roman hero who remains pious and loyal to his people. This is the picture of Aeneas’ life. It is shown in the poem, that the costs that come with holding these virtues greatly outweigh the rewards. The rewards, although small, are on the inside of the hero and the costs are large and are on the outside. It is critical to follow your destiny no matter what it is, but that is a virtue that not only Roman heroes, but also all Romans must possess.
We also see in the story what someone must sacrifice in order to fulfill their goals. Though Aeneas's destiny was much more grand than many of our own, we still must make choices that can sometimes hurt others. I really thought that Vergil captured our inner emotions with the affair between Dido and Aeneas.
... wife and home as well as his place in Carthage in the name of the gods, in the name of a quest that does not directly benefit him. From this pursuit, he does not stand to gain spoils, and the most that could be said of his fame would be drawn from his descendents. It is this moral stance, this understanding of universal placement, of purpose, that sets Aeneas apart from other heroes.
Book IV of the Aeneid can stand alone as Vergil's highest literary achievement, but centered in the epic, it provides a base for the entire work. The book describes Aeneas's trip through the underworld, where after passing through the depths of hell, he reaches his father Anchises in the land of Elysium. Elysium is where the "Soul[s] to which Fate owes Another flesh" lie (115). Here Anchises delivers the prophecy of Rome to Aeneis. He is shown the great souls that will one day occupy the bodies of Rome's leaders. Before the prophecy of Rome is delivered, Aeneis's journey through the underworld provides a definite ranking of souls according to their past lives on Earth. The Aeneid does not encompass a heaven, but the Underworld provides a punishment place where souls are purged of their evils and after one thousand years, regenerated to Earth. The ranking of souls in the Underworld warns of punishment for sin, and provides a moral framework for Roman life.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
As in Book I of "The Aeneid," Book II and Book III are authored by Publius Vergilius Maro, but the entirety of the books is written as exposition delivered by the character Aeneas. Aeneas could thus be considered the "author" of the piece, and his audience is Dido and her Phoenician people. Aeneas narrated the contents of the pieces as a response to Dido's request for his story, and his reluctance apparent in the opening lines suggests that he disagrees with the prospect of recalling such painful memories, but complies regardless. Therefore, Aeneas's motivation in relating his story (and, in a way, Virgil's as well) is to reveal what events transpired on his voyage from Troy to Carthage. His actions during the fall of Troy in particular lend
... attempts they do just the opposite. With Venus’ many interventions, Aeneas is prevented from making mistakes and is guided to his fate, from not killing Helen [book 2] to leaving behind the old and the weak for Italy [book 4] . He is shown enough times to be the puppet of their play: from obeying the will of the gods while enduring the wrath of other gods, all this in order to set the wheels in motion for the far off future Roman race. However, there are also times when he is also shown to be exerting his won free will. For example, in book 12, killing Turnus when he is begging for mercy, something not heroic and which Susanna Braund debates the positive and negative aspect of in her essay on Virgil and the Meaning of the Aeneid [1.17-18]. nonetheless, this act demonstrates that even the gods and the fates require his cooperation to fulfil his destiny.