Separation, transition and integration are the three mandatory phases one must go through during an initiation period. In the end story “Doe Season” written by David Michael Kaplan, the main character, Andrea transitions into a women when she denies the role of being a hunter. A role in which her father had expected her to fill. This essay will outline and discuss why Andrea didn't follow through on her fathers wishes and the consequences that followed her decision to do so, it will explain the use of setting and how the author used both the ocean and the woods to elaborate on the main character. And lastly it will explain how no matter what Andy does, she will always have a strong female frame of mind and though process.
Andy and her father
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had a close relationship, she would always be going out with hum, helping him do things; things that typically women do not do. Andy realizes that she does not want to be a hunter, she does not want to be called andy anymore, she wants to be called Andrea. A name that her father rarely calls her, a name that is feminine and delicate, a name that is not meant for a hunter. When Andy insists on being called Andrea, its her declining her role of a hunter. In doing this she has begun the vital process of initiation. In the story “Doe Season” the author uses juxtaposition to compare the words woods and ocean.
The woods and ocean are representative of two paths that Andrea is faced with. The woods being the path of a hunter and being surrounded by a male dominant setting. “That’s what the woods are all about anyway […] it’s where the woman don’t want to go.” Charlie said in paragraph 107. While the ocean is meant to represent a path filled with memories she had with her mother when she was a little girl. Andy saw that her mother’s swimsuit top had come off, so that her breasts swayed free, her nipples like two dark eyes. Embarrassed, Andy looked around (…) Her mother stood up unsteadily, regained her footing taking what seemed the longest time and she calmly refixed her top. (…) The sound of surf made her head ache.” In the this, Andrea shows signs of uncomfortableness when her mother has no top on. Meaning that she is afraid and slightly uncomfortable of having the same womanly parts as her mother. Being that they are two paths, Andrea must choose one. She allows her mind, and soul decide what path she is going to follow and thats when she chooses the path of the ocean. The path in which led her to accepting …show more content…
womanhood. When both Mac and Charlie are in the woods, they are comfortable, in their natural habitat.
They get a thrill and an adrenaline rush from killing in the woods. But when Andrea is in the woods, her feminine side is constantly coming through, she feels pain and sadness from killing. An example of this would be when she shoot the doe. ““I don’t like to think of it suffering.””[…] “She was almost in tears.” (160). If Andy were meant to chose the path of the woods, she wouldn't have the feeling of regret and pain when she killed but she does, therefore proving her choice of the ocean was the right path to take. Andreas father never forced her into hunting or killing, it was always her choice to try and become the son her father never had. So, when she killed the doe it was her choice allowing her to realize that hunting and killing and being in a masculine setting was not what she
wanted. In conclusion, Andrea chose the path of womanhood. She chose the path of the ocean instead of the path in which her father had always wanted her to follow. The path in which she would become the son he never had. She did this by first rejecting her name “Andy” and calling her self Andrea. She also did this by allowing her true self to come through, her purity and allowing her instincts to guide her in the right direction. This may have been totally different if her father were to force the path of the woods on her but in the end, he allowed her to do as she pleased believing that she was making the right choice, because it was her choice.
What would you do for love? Would you break up a marriage or assassinate an Archduke? In the short story “IND AFF” by Fay Weldon the narrator must make a choice on whether or not to continue her love affair while examining the Princip’s murder of the Archduke Ferdinand and his wife. The story is set in Sarajevo in Bosnia, Yugoslavia where the assassination took place. Through irony, symbolism and setting, Weldon uses the parallel between the narrator and Pincip to show that seemingly inconsequential actions of an individual can have great consequences.
The form of the novel’s initiatory journey’s corresponds to the three-stage progression in the anthropological studies of rites of passage. The novel begins with alienation from a close-knit and securely placed niche as Naomi Nakane lives in her warm and joyful family within Vancouver. Then, the passage proceeds to isolation in a deathlike state in which Naomi is stripped of everything. Her family is removed from its previous social niche and exiled into concentration camps. Naomi is forced to separate with parents and sent to live with aunt Obasan. Finally, the journey concludes with reintegration accompanied by an elevated status as the result of the second stage. Naomi accepts the surrogate family and develops a recognition of her past. When she gets her family’s documents and letters, Naomi finally shatters the personal and cultural veils of reticence and secrecy that have clouded her past, and reconciles herself with the facts. The three-stage initiatory journey helps to transform the protagonist from a victim of the society to a hero. The protagonist transformation illuminates the values such as redemption of sins, willing forgiveness of offenses, and so forth. Along with its motifs and symbols that allude to Christian rituals, thus, the heroic figure, Naomi, serves as a role model and gives meaning and guidance to the lives of readers thereby
In the short story “The Hunter” the author Richard Stark introduces Parker, the main character of this book. The main character is a rough man, he’s a criminal, a murderer, and even an escaped convict. He’s described as crude and rugged and though women are frightened by him, they want him. Parker is not the classic criminal, but rather he’s intelligent, hard, and cunning. In this story the author carefully appeals to his audience by making a loathsome criminal into a hero, or rather, an anti-hero. The author, Richard Stark uses ethical appeal to make his audience like Parker through the use of phronesis, arête, altruism and lastly the ethos of his audience.
Written by Katherine Holubitsky, Tweaked is a novel that shows the readers how dangerous drugs are to both the user and their peers. With the two year meth addiction, Chase continues to financially and emotionally drain out his family however; the problems becomes worse when Chase escapes from his dealer's house. Richard Cross, the man Chase attacked, died and as a result, Chase is charged with murder. His mother secretly proceeds to monetarily support Chase but when she was caught, the bond between the family members exacerbated. Time elapsed and Chase was finally caught when stealing a car however, he dies shortly after and overdose and becomes brain dead. Tweaked shows us the reality of how hazardous drugs can be through the physical
“They were the same woods that lay behind her house, and they stretch all the way to here, she thought, for miles and miles, longer than I could walk in a day, or a week even, but they are still the same woods “(Kaplan 470). These are Andy’s thoughts about the woods behind her house. The woods symbolize consistency and make Andy feel safety and security when thinking about them and the fact that they always remain the same. This is parallel to her relationship with her father and the life she has led up to now, as a tom boy. She is ambivalent about growing up which is why she feels the way she does about the woods that stay the
The story describes the protagonist who is coming of age as torn between the two worlds which he loves equally, represented by his mother and his father. He is now mature and is reflecting on his life and the difficulty of his childhood as a fisherman. Despite becoming a university professor and achieving his father’s dream, he feels lonely and regretful since, “No one waits at the base of the stairs and no boat rides restlessly in the waters of the pier” (MacLeod 261). Like his father, the narrator thinks about what his life could have been like if he had chosen another path. Now, with the wisdom and experience that comes from aging and the passing of time, he is trying to make sense of his own life and accept that he could not please everyone. The turmoil in his mind makes the narrator say, “I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear” (MacLeod 273). Once a decision is made, it is sometimes better to leave the past and focus on the present and future. The memories of the narrator’s family, the boat and the rural community in which he spent the beginning of his life made the narrator the person who he is today, but it is just a part of him, and should not consume his present.
As a member and supporter of the earth’s weak little peacekeepers (small humans with loud voices), I can say that despite Rick Bass’s honorable honesty, I found “Why I Hunt: A Predator’s Mediation” to be a threat to womankind. Not all women are vulnerable, but with weapons the hunter can make most anyone his prey. There are predators in the United States who hunt women the way Bass hunts elk. If Bass’s non-human targets are replaced with women and children, the essay has quite a different effect on the reader, though the arguments don’t change. When Bass describes his love of “sitting in some leaves, completely hidden and motionless—waiting, and waiting” (63), I picture him waiting in a park for an unattended child or an unaccompanied woman. My concerns about Bass’s instincts aren’t neurotic. I’m a loving woman who occasionally hugs trees and wants to feel safe in the world—not a card carrying member of PITA.
In the short story Doe Season, by David Michael Kaplan, the nine-year-old protagonist, Andrea, also known as Andy, the tomboy goes out on a hunting trip and endures many different experiences. The theme of coming of age and the struggle most children are forced to experience when faced with the reality of having to grow up and leave childhood behind is presented in this story. Many readers of this story only see a girl going hunting with her father, his friend Charlie, and son Mac, because she wants to be one of the guys. An important aspect of the story that is often overlooked is that Andy is going hunting because she doesn't want to become a woman because she is afraid of the changes that will occur in her body.
Many stories talk about relationships, especially the ones between man and woman as couple. In some of them, generally the most popular ones, these relationships are presented in a rosy, sentimental and cliché way. In others, they are presented using a much deeper, realistic and complicated tone; much more of how they are in real life. But not matter in what style the author presents its work, the base of every love story is the role each member of that relationship assumes in it. A role, that sometimes, internal forces will determinate them, such as: ideas, beliefs, interests, etc. or in order cases external, such as society. In the story “The Storm” by American writer Kate Chopin and the play A Doll’s house by Norwegian playwright Henrik Ibsen I am going to examine those roles, giving a special focus to the woman´s, because in both works, it is non-traditional, different and somewhat shocking, besides having a feminist point of view.
Many short story writers have written about the gender and role of woman in society. Some of these stories express what Barbara Walter calls, “The Cult of True Womanhood” meaning the separation of both man and woman in social, political and economic spheres. In order to be considered a “true woman” woman were to abide by the set of standards that were given to her. Women were expected to live by the four main principal virtues - piety, purity, submissiveness, and domestication. In Kate Chopin’s short story, “The Storm,” Calixta the main female character breaks away from “The Cult of True Womanhood” when she has a sexual encounter with her past lover Alcée. The storm goes through many twists and turns that tie with their adulterous actions. Although she breaks away from the four main principal virtues, she in the end is considered to be pure innocent of heart because the action in which occurred happened instantly, and as white as she was, she was taken away from her innocence.
...tionship has completely evolved and the narrator somewhat comes into her own a natural and inevitable process.
It is extremely hard for her to make the decision of whether or not to go with Frank because she only knows one way. Eveline understands that she has "a hard life,"(513) and she has the chance to go to a place where "it would not be like that" (513). However, it scares Eveline to change her setting. After thinking about leaving she did not find her present setting as "wholly undesirable" (513) as she previously did. The latter part of "Eveline" is set by the sea. This sea is a symbol of rejuvenation for Eveline. Much like in "The Awakening" by Kate Chopin, the sea is a way to escape life. "All the seas of the world tumble around her heart," (515) and Eveline is unable to flee from her life to go away with Frank. Eveline's mind has been subconsciencly designed by her environment, and she can't imagine living life any other way. Eveline is so confused and doesn't know what is holding her back, but something is.
Acceptance of who we are plays a large part in the overall theme of “rite of passage” in the story. The young girl is opposed to the thought of working for her mother at the beginning, but eventually comes to a realization that it is her pre-determined fate to fit the mould of the gender stereotype. Through the girl’s hardships, she accepts the fact that her younger brother, Laird, is now the man that his father needs for help, and she takes her place in womanhood. The story embodies gender identity and stereotypes, as a young child moves into adulthood. The fact that our rite of passage is unavoidable proves that we must all go through our own journeys to find our own true identity.
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.