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Race in media
Gender inequality in the film industry
Gender inequality in the film industry
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According to statistics diversity shows in Hollywood is at the worst it could be. Studies show that Hollywood does a bad job of representing gender, race, ethnicity, or sexual cultures in many of their productions. "Just 28.3 percent of characters with dialogue were from non-white racial/ethnic groups, though such groups are nearly 40 percent of the U.S. population" (Deggans). These statistics show that many of the characters in movies and TV shows are people who make up half the U.S. that only a quarter of them are used. Hollywood does not completely show different minorities other than white. There are studies that have stated that Hollywood movies are doing worse than regular television shows. "Overall, the study found half the films and …show more content…
They tested out on TV shows and movies and it shows that many of the characters are all from different racial group although Hispanics fall short from TV productions. After researchers examined 100 films and 305 shows it showed that only a good amount of 10 production industries show people of color. In the years that have passed there has not been any kind of change in the Hollywood Productions. There are a couple of shows that can be named that show this lack of diversity. One show that can be put into example on this is the show from the 1990's "Friends." Friends is a show that has six main characters who are all best friends. New York is said to be made up of more than two quarters of non-Hispanic white people. In the show, all six of the characters are light skin none of any other tone. The show did not only have their main characters white but statistics show that even many of their sub characters were also, light skin. As times has passed you would have thought so did television diversity although hit show "Girls" show that they have not. This show also takes place in New York City and once again their characters are all …show more content…
Many of the characters are known to be white rather than any other race. This helps show that many shows and movies are not equally divided when it comes to racial backgrounds. Many directors choose to hide the true identity of the character by placing a white minority in its place. "Over a dozen times, Hollywood has taken source material (everything from real life to novels to Japanese anime) that featured people of color and turned it into movies starring white people"(Simons). This information helps backup the argument over how white people are usually the ones selected to play a certain character. An example that shows this problem is when Joseph Fiennes was selected to play the role of Michael Jackson in a movie that was aired on television. Michael Jackson was an African American man who had a white man play his role in a movie which shows that they basically do not care for racial backgrounds. Another example would be with the new movie that came out for kids which was "Avatar: The Last Airbender." All these characters are Asian and Inuit yet when the TV producers selected the characters all of them were none of the same race. The actors
Depiction of Latinos in 20th Century Film Graphs Not Included Over the course of this past century, the depictions of assimilated Latino characters has improved a great deal. Early portrayals of Latino assimilation generally proved to be a montage of unrealistic caricatures which seemed to convey the filmmaker's creativity more so than true representations. This formed the manner in which the American people at large viewed not just Latino characters attempting to assimilate, but also those who were not. As Cine-Aztlan puts it, film "manipulates the human psychology, sociology, religion, and morality of the people, in a word the ideological super-structure of modern capitalist society" (pg.275, Chicanos and Film).
The majority of today’s films starring Asian actors and actresses often contain numerous stereotypes. They cater to the biased views that most non-Asians have of Asian ethnicity and culture. What they do not know they make up for in ignorance and ridicule in one of today’s top forms of mass media. By using a widespread style of media in today’s pop culture, more and more people are being displayed the fabricated stereotypes of Asians.
In the latest Disney film, a live action rendition of Beauty and the Beast, there will be a character who is gay. I personally am excited for this, I think that starting to include a diverse range of characters to show to younger children and create new ways of teaching open-mindedness to children when they are young is very important. However, I am just curious and wondering if, given Disney’s track-record, a statement like this is actually true:
"Race and Ethnicity in Entertainment." Issues & Controversies On File: n. pag. Issues & Controversies.
A Nielsen report found African-Americans favor programming with diverse casts. According to the report, African-Americans watch 37 percent more television than other demographics, and their consumption proclivities are equally influential. Every year for the past half-decade, the average white American has bought a ticket to fewer films than the average black, Hispanic or Asian moviegoer, industry data shows. Though 37 percent of the U.S. population, minorities bought 46 percent of the $1.2 billion in tickets sold in the United States last year.
To begin, racial or ethnic stereotypes on certain television programs provide false information about groups of people. The characters illustrated in these programs are formed by what writers believe. When a show is created, the writers take the basic features of a character and expand based on what they think viewers will enjoy. Yet these creations can be biased due to how hard the writer is willing to work.
In Shohat and Stam’s article, Unthinking Eurocentrism: Multiculturalism and the media (2013), they discuss the issue of racism within the media and entertainment industry, such as Hollywood films. More importantly, Shohat and Stam’s discuss the assertion of racial politics in casting within the Hollywood films industry. The interesting idea to their argument is that they suggest that for a film to become financially successful, the casting of the protagonist must consist of a white star as they are seen to be ethnically universal (Shohat & Stam, 190). They further suggest that the ethnic minority have been limited to designated roles which ultimately perpetuate their ethnic stereotype (Shohat & Stam, 190). They concern this issue by critically analysing and contrasting western Hollywood films against other ethnic films.
In addition, due to negative feelings about Asian Americans prevalent in American culture, Hollywood’s attempt to expand its target audiences is constrained, and despite the increasing market values of Asian Americans, Hollywood is possibly unwilling to portray successful Asian characters for fear of provoking its mainstream audiences who hold prejudice against Asians. There is a dominant white preference over the effects certain stereotypes may have on Asians and Asian Americans (Park, 2005).
Racial stereotypes have always invaded films, from the earliest silent film, to the most modern film production. Stereotypes in early America had significant influence over how other viewed African Americans, Latinos, Asians etc. The most stereotyped race in history is the black male. In most early films, they were portrayed as simple minded and careless individuals, but when African Americans started to stand up for themselves films portrayed them as more savage and bloodthirsty.
Although we have taken monumental strides in the past fifty years towards racial equality and diversity, it is still commonly argued that popular culture lacks some sort of racial representation. In the United States, the people who live here are vastly diverse when it comes to race and culture, yet in the media people of color get marginalized and stereotyped everyday in film, music, and etc.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
The cast members of each of the shows were put into situations that were constantly enforcing racial stereotypes, done on purpose by the producers. In the essay, the author argues that media makes the viewers have a struggle in what they choose to believe. She also states that society participates
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
Literature Review- Most of the research came from the internet which had numerous cases of discrimination against race. Also, there were many laws that are in place to prevent these actions from happening, these laws have stiff penalties already set up for those who still commit an act of discrimination. Places like Fox News had many articles containing incidents of racial discrimination, as well as preventive way to handle this.