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Greek Odyssey character development
Literary analysis on pride
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The Greek myths, Phaethon and Daedalus and Icarus, have characters that exhibit pride as well as disobedience, which lead to their downfall, both figuratively and literally. Literary elements are used by the authors of both myths in order to describe and develop characters and events, and to teach a lesson. Through the use of characterization, imagery, and conflict, the mythical protagonists, Phaethon and Icarus, demonstrate a common theme that a prideful disregard of the warnings from those who are older and wiser is likely to lead to disastrous consequences. In both myths, the characters’ traits help to teach the theme. Phaethon would rather lie than lose an argument with his friend Epaphus, showing that he is prideful. When asked by Epaphus …show more content…
In Phaethon, the image of the sun chariot’s horses shows that they are huge, uncontrollable and wild. The image is shown with a metaphor and vivid adjectives. On page 52 of Phaethon, Phaethon saw “giant fire - white horses being harnessed to the golden chariot. Huge they were… with golden manes and golden hooves and hot yellow eyes… their breath was flame.” The depiction of the horses shows that they are dangerous and uncontrollable. Consequently, the image foreshadows that Phaethon will not be able to control them and that his ride will yield devastating outcomes. This proves to be true because at one point, the horses gallop much too quickly, the earth is severely damaged and Phaethon is killed. Another example of imagery is the scene in which Icarus’ wings fall apart. Page 62 of Daedalus and Icarus states that “The wax softened. The wax trickled. The wax dripped. One feather came unstuck…” The vivid verbs and repetition enhance the details of the scene and serve to slow down the pace leading to the instant in which Icarus’ wings fall apart. This technique is used to increase tension for the reader, leading to a state of apprehension because of the sense of inevitability of Icarus’ fall from the sky. At this point, Icarus’ fate has already been decided, and no one can stop it. The wild, uncontrollable horses and molten wax show the reader that one will suffer dreadful results if an …show more content…
Phaethon has many conflicts, one of which is himself against Earth, because he kills many people and destroys much of the earth before finally being killed by Zeus, king of the gods. Page 53 of the myth states that trees burst into flame and that people burned while running in a panic. Page 54 tells how every liquid on the earth froze, and described how people died from cold. The destruction caused by this conflict shows that the disastrous consequences caused by one’s pride do not only affect one. Phaethon did not think about his own safety when he decided to drive the chariot, much less the safety of others. His arrogance caused him to overlook the possible results of his actions. Another conflict is shown when Icarus can either listen to his father, Daedalus, or be overcome by pride in being the first boy to fly. He chose to disobey his father and fly close to the sun. Icarus is “so determined to outfly the sun” that he disobeys his father and flies too high, causing his own death. Based on the event in which the conflict takes place, Icarus is foolish for being in a dangerous situation and not listening to his experienced father. Obviously, the wax holding the wings together would melt with too much heat, but Icarus foolishly gets closer to the sun because of his pride. Pride causes conflicts and the outcome of giving in to pride has terrible effects not only for a
Another way one can understand hubris is by seeing acts of hubris as transgressions that are punishable by Gods. In which case, Xerxes committed an act that could be seen as a transgression. Once hearing that the king and commander of the Lacedemonians was none other than Leonidas, Xerxes, out of rage, called for the mutilation, and crucifying of King Leonidas. By doing so, Xerxes disrespected a nation’s customs and religion (7.238). Furthermore, the hubris of Xerxes seeped into his subordinate Persians who plundered a temple and set fire to all of Acropolis (8.53-54). The gods typically punish a sign for hubris directly or indirectly and a divine wind punished the Xerxes and his forces obliterating a large portion of his fleet off Sarpeis (7.189-191). In the end Xerxes’ hubris led the Persian empire into destruction because he campaigned to extend the reach of his power and failed to heed to advice just as king
That the main thing is there was a struggle for power in both stories. That the main thing is there was a struggle for power in both stories. Myth do matter because they are fun to read and teacher wants to help students pay attention and learn and why not have fun doing it. The book is about Greek mythology and it should have another Greek myth in the book so it can make people learn about Greek myth and learn the characters from Greek myth and in the
The choices we make define the destiny of our lives. Since the beginning of time, man has always been an imperfect being full of flaws. Man is faced with different situations that can end up bringing disgrace to himself and his family if the situations are not well handled. In the texts Book II of the Aeneid by Virgil, Antigone by Sophocles, Oedipus the king by Sophocles, and Book XXII from the Iliad by Homer; Creon, the Trojan people, Hector, Achilles, and Oedipus embody what can lead to a man’s downfall through their own choices. Through these texts we are able to learn from the mistakes people made in the past and lead good moral lives. The texts illustrate how pride, lack of empathy, and ignorance lead to the destruction of man.
In all three texts, it is the act of analysis which seems to occupy the center of the discursive stage, and the act of analysis of the act of analysis which in some way disrupts that centrality. In the resulting asymmetrical, abyssal structure, no analysis -- including this one -- can intervene without transforming and repeating other elements in the sequence, which is not a stable sequence.
Since the days of mythological origin to the origin of pop culture, various mythological stories have been adopted and presented to newer generations. Some of these presented adaptations of mythological stories have significantly been modified in order to be deemed entertaining by audiences in a pop culture generation. Thus, my study will seek to compare mythological hero's during their time to how they have been depicted in modern day. Moreover, my study will analyze the similarities and differences between the Greek hero Heracles and his replica character, Hercules, depicted in Disney's adaptation of this myth. Although there are few similarities between the two versions, the differences between Heracles and Disney's Hercules are prominent. These differences help modern day audiences relate more easily to the characters in the story. Furthermore, the alterations have enabled a new aspect of heroism to emerge since Disney tailors it's movies towards youth who can seek valuable lessons from animated movies. Disney's choices through these alterations will be determined by focusing on the main plot, characters presented in the movie, peripheral details, and the notion of being a "true hero" that Disney presents.
The strengths and weaknesses of the Athenian character traits laid out in the “Funeral Oration” are exemplified by the character of Creon in Sophocles’ Antigone, and suggest that Athenians held certain concerns in the Golden Age of their empire.
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
By examining the clash of the two primary values found in Sophocles’ Antigone, one can infer that the citizens of ancient Greece were heavily conflicted in their views regarding the importance of loyalty to the state. Some felt that the loyalty to the state trumps all other values, while others maintained that this is not necessarily the case for every situation. Sophocles clearly supported the latter idea and chose to use the value of loyalty to one’s family in order to illustrate an example. At the same time, he used the conflict of these two values to demonstrate the challenges faced by individuals in positions of power. The story depicted by Sophocles provides insight into a point of contention within the society of ancient Greece and displays the potential damage that results from irrational leadership.
Through these examples of hospitality, pride and fate, one can learn of many important Greek principles. Hospitality was an extreme point throughout the epic, it was greatly emphasized for many different reasons and gestures. Also, As a quality that was shown, pride was key to respect but could lead to problems too. Lastly, fate was in the power of the god, which is shown to be true, and not only on chance. These values that the Greeks present help maintain a social rule of the culture, and provide a basis for personal growth and morals.
On the other hand, Zeus is a strong, albeit authoritarian leader for both the other gods and mortals. Zeus is required to rule, sometimes absolutely, and when someone under his rule commits an act of treason, he is required to address the issue. When Zeus the leader acts forcefully, the rest of those under his reign will get the message. Prometheus’s act of handing o...
Greek mythology is a beloved part of literature that has given humans thousands of stories to tell. From stories about deadly quests, powerful deities, to the even more famed aspect of Greek Mythology, its epic heroes. One of the many authors who took inspiration from Greek Mythology, and will serve as reference for this paper, is Hamilton, Edith. Mythology. 1988. The most well known epic heroes from Greek Mythology which Edith Hamilton writes about in her book are Hercules, Jason, Perseus, and Theseus, but the debate lies in which of these heroes is the best. To which the answer is, Theseus is the better epic hero because he possessed superior strength, intelligence, and courage, he was the most just from all other heroes,
The Odyssey is an epic that shapes and defines the roles of many great leaders. These leaders are made up of mortals, alive and dead, and immortals. The trip taken by Odysseus is not only a journey of a war hero back to his homeland, but is a journey in all of the characters lives, which develop a better sense of personal identity and selfhood as the epic goes on. It is the many disguises that each character uses that uncover their true identities from their experiences. The revelations of each characters identity are what teach the lessons that Homer is trying to portray to his audience, and what lead to each character’s success in their personal journey. Each character’s identity is constructed by the courage and morality that they reveal, through disguise, by their actions to help or prevent bring Odysseus home. These actions are what make each character who he or she is, whether god or human. Homer uses Odysseus and Athena as the principle identities developed throughout the poem to send his messages.
The conflict between Antigone and Creon in Sophocles’ Antigone brings to life a battle that we all have within us. Many times it is written that this play portrays a conflict between pride and morality. However, it can also be seen that Antigone isn’t a show of pride versus something else, but pride versus itself. With the two main characters we are shown two different sides of pride, a passionate pride and an authoritative pride. The pride of the characters ultimately leads to their deaths. Reading this play from the surface level, it, along with many other works can cause one to say that pride is an all around negative characteristic, but pride is much more two-faced than that, being both beneficial and destructive. Some may be quick to argue that pride is evil and deadly, but it could also be argued that it is the exact opposite. It all depends on how it is used and to what extent it is being used. The goal of this paper is to use the conflict between Antigone and Creon to examine the two types of destructive pride and discuss how pride, when used in a right way, is absolutely essential to who we are as humans.
Greek politician and playwright, Sophocles, in his play, Oedipus the King, depicts a series of chronological events of the consequences of Oedipus’ downfall caused by his excessive pride. Sophocles’ purpose is to instruct readers that too much pride can dismally lead to unfortunate events. Sophocles illustrates an effective tone in order to inform the readers of the negative outcomes of stubbornness and denial.
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.