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Morality in antigone essay
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Sophocles’ Antigone is a Greek tragedy that portrays a conflict between two ancient Greek values. Creon, the king of Thebes, touts the importance of loyalty towards the state, and Antigone, his niece, shows the willingness to sacrifice her life for the ultimate purpose of shining light on the importance of loyalty to one’s family. In Sophocles’ Antigone, Sophocles uses the clash between Creon’s value of loyalty to the state and Antigone’s value of loyalty to family in order to demonstrate not only the potential damage that could result from placing too high of an importance on loyalty to the city-state, but also the challenges involved with being a leader in ancient Greece.
In the beginning of Sophocles’ Antigone, Antigone defies Creon’s decree by conducting a burial for her deceased brother Polyneices. Antigone’s act of burial signifies the onset of her resistance against the leadership of Thebes. When the Sentry captures and subsequently escorts Antigone to Creon, Antigone does not hesitate to take responsibility for the peppering of soil over Polyneices’ corpse. Antigone firmly believes that all humans possess a religious right to a burial and that Creon’s refusal to allow for the burial of her brother constitutes as a rebellious act against the Gods. She holds that she had acted in favor of true justice and concludes that she has not committed any crime. Antigone is willing to sacrifice her life because she feels that allowing her brother to go unburied would cause her more suffering than death itself. Based on her actions and words in the play, one can gather that Antigone places the concept of family on a pedestal. One can draw the same conclusion about Antigone’s sister Ismine. Although Ismene refuses to help her sister b...
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...pletely uncompromising and being an indecisive pushover.
By examining the clash of the two primary values found in Sophocles’ Antigone, one can infer that the citizens of ancient Greece were heavily conflicted in their views regarding the importance of loyalty to the state. Some felt that the loyalty to the state trumps all other values, while others maintained that this is not necessarily the case for every situation. Sophocles clearly supported the latter idea and chose to use the value of loyalty to one’s family in order to illustrate an example. At the same time, he used the conflict of these two values to demonstrate the challenges faced by individuals in positions of power. The story depicted by Sophocles provides insight into a point of contention within the society of ancient Greece and displays the potential damage that results from irrational leadership.
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Antigone is the niece of a king and goes against her uncle’s command when he says that Polyneices isn’t allowed to have a soldier’s burial and his body must be left in the desert to rot. Antigone decides to bury him anyway because she values god’s law of burial over her uncle’s rule. Antigone tells her sister “Ismene, I am going to bury him. Will you come?... He is my brother. And he is your brother, too… Creon is not strong enough to stand in my way” (Sophocles 694). Antigone values her brother over her uncle & she believes in god’s law over Creon’s decision. King values equality and common law. He dictates “It is unfortunate that demonstrations are taking place in Birmingham, but it is even more unfortunate that the city’s white power structure left the
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play, Antigone, two brothers are killed in battle. One of them, Polyneices, is considered to be a rebel by the new ruler of Thebes, Creon. The corrupt and prideful king, Creon, created an edict that states that nobody could bury Polynices’s body because he was a traitor to Thebes and his family and denies the sanctification and burial of Polyneices's body because of his rebellion and intends to leave him to become the meal of wild animals. Polyneices's sister, Antigone, defies Creon by giving her brother a proper burial, no matter the consequences. Both King and Antigone sought to do what they thought was the right thing to do, even if it was against the law. Though King and Antigone are two completely different people from two completely different times, they were actually quite similar in that they both were minorities at a disadvantage, and lacking power and credibility among those in control. King and Antigone both fought for injustice and what they believed in, however, not necessarily in the same
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
At the start of Antigone, the new king Creon has declared the law that while Antigone’s brother Eteocles will be buried with honor for his defense of Thebes, however the other brother, Polynices will be left to rot in the field of battle for helping lead the siege of the city. Antigone discusses with her sister Ismene that she shall go and pay respects to her now dead brother, and give him the burial that she feels that he deserves. Her sister tries to persuade her otherwise, but Antigone claims she is going to follow her determined fate, not the law of ...
The play Antigone opens up with the dialogue of two sisters, Antigone and Ismene, with two completely different opinions. Antigone believes that as Polyneices' sisters, they are responsible for burying him properly, according to the god's rules. On the contrary, Ismene feels that they should not get involved, they are "women born, unapt to cope with men." (Sophacles, p.3) Antigone disregards this statement and still adamantly insists that they must bury him. She feels that by burying him, she will be following the gods, which is more important than following the ruler. As she says on page 3, “Loving and loved, I will lie by his (Polynices) side. Far longer is there need I satisfy those nether Powers, than powers on earth; for there for ever must I lie.” She believes that in afterlife she ...
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Summing up, Antigone decides to express her discontent with what she considers to be the unethical new regime of King Creon by burying her brother's body. By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis. In the end, Antigone resolves to sacrifice her own life in the service of a greater justice. It is this kind of formidable resolve that changes the course of history, and that is something that we can respect equally in the 5th century B.C. and the 21st century A.D.
The strengths and weaknesses of the Athenian character traits laid out in the “Funeral Oration” are exemplified by the character of Creon in Sophocles’ Antigone, and suggest that Athenians held certain concerns in the Golden Age of their empire.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
...assistance, resolves to give their brother a proper burial. Ismene feared helping Antigone bury Polyneices but offers to die beside Antigone when Creon sends her to die. Antigone, however, refuses to allow her sister to be killed for something she did not have the courage to stand up for.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.