Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A farewell to arms by hemingway essay
How are women portrayed in literature
A farewell to arms by hemingway essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: A farewell to arms by hemingway essay
"All good books have one thing in common - they are truer than if they had really happened," Hemingway wrote just five years after publishing A Farewell to Arms, a novel written about the war in Italy, which is ironic because A Farewell to Arms can be seen as a semi-autobiographical novel, as some of the events that occur in the novel are based off of Hemingway's own life. The parallels from the novel and Hemingway's life are evident-- the protagonist, Lieutenant Frederic Henry, is an ambulance driver in the Italian army, just as Hemingway himself was an ambulance driver for the Red Cross, serving in Italy. Hemingway also fell in love with a nurse, however her name was not Catherine Barkley, as it is in the novel, it was Agnes von Kurowsky. Hemingway and Kurowsky's love has been described as both "a passionate love affair" and "a simple romantic interlude." Hemingway seems to have based his protagonist's love interest on Agnes, as well as one of his wives (Mellow, 47-68). Even though Hemingway seems to have based his characters on real people, some argue that his female characters are one-dimensional and flat, and the male characters other than the protagonist are stereotypical and base. Ernest Hemingway, in his novel A Farewell to Arms, characterizes males and females in several ways, typically sticking to the stereotypes he is known for, the virile, strong male, and the passive, weak female; the main female character, Catherine Barkley seems to adhere to this stereotype for the entirety of the novel, but the protagonist, Lieutenant Frederic Henry evolves, sometimes playing this role, but in other instances opening up in ways Hemingway's male characters typically do not.
Hemingway has often been criticized for being a sexist an...
... middle of paper ...
... New York: Scribner Paperback Fiction, 1995. Print.
BookTagsEditDelete
Hemingway, Ernest. The Old Man and the Sea. London: Arrow, 1993. Print.
BookTagsEditDelete
Hemingway, Ernest. The Short Happy Life of Francis Macomber. New York, 1936. Print.
BookTagsEditDelete
Mellow, James R. Hemingway: a Life without Consequences. Boston: Houghton Mifflin, 1992. Print.
BookTagsEditDelete
"The Portrayal of Women in Hemingway’s Short Stories–Jennifer Harris." THE QUATRAIN. 08 Feb. 2009. Web. 8 Nov. 2011. .
WebsiteTagsEditDelete
Recla, Amy K. The Development of Hemingway's Female Characters: Catherine from A Farewell to Arms to The Garden of Eden. Diss. University of South Florida, 2008. Print.
DissertationTagsEditDelete
Traber, Daniel S. "Performing the Feminine in A Farewell to Arms." The Hemingway Review 24.2 (2005): 28-40. Print.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
Following the surprise attack on Pearl Harbor, both the American and Japanese propaganda machine spun into action, churning out dehumanizing propaganda materials about each other that instills fear and anger onto the civilians of the two respective countries. John Dower’s book, War Without Mercy, depicts the changing perceptions of the protagonists in the pacific theater. From the Japanese perspective, the Americans were the antagonist, while the American counterpart will view the Japanese as the antagonist. Therefore, the central premise was that racial fear and hatred, perpetuated by demonizing propagandas, was the determining factor on how both sides look at the “inferior” other. Dower asserted, “In this milieu of historical forgetfulness, selective reporting centralized propaganda, and a truly savage war, atrocities and war crimes played a major role in the propagation of racial and cultural stereotypes. The stereotypes preceded the atrocities,
Above all, Hemingway wants to make the reader understand how one person’s selfishness and needs can manage to manipulate another one by pretending to care. He also proves how women at times can be easily influenced by the people they love. They are tricked into believing they are everything to them. He shows a couple’s different point of views and their inability to understand and listen one another. For the most part, Hemingway send the message that everything is possible. A woman does not need a man’s approval for anything. Women are successful, strong and can overcome the biggest things in life.
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
Ernest Hemingway’s The Sun Also Rises is an interesting piece of literature that has been analyzed and reviewed by many scholars throughout the years. Something that is often brought to attention are the gender roles. In The Sun Also Rises, Hemingway makes a stronger woman and a more feminine man, this is something that had not yet been seen in literature. A few authors had made female and male characters in their novels that were different than the norm, but none to the extreme of Hemmingway. In Hemingway’s novel, his female character, Brett, does not care about obeying the societal gender role set forth for her during the time period she lives.
Throughout the Nick Adams and other stories featuring dominant male figures, Ernest Hemingway teases the reader by drawing biographical parallels to his own life. That is, he uses characters such as Nick Adams throughout many of his literary works in order to play off of his own strengths as well as weaknesses: Nick, like Hemingway, is perceptive and bright but also insecure. Nick Adams as well as other significant male characters, such as Frederick Henry in A Farewell to Arms and Jake Barnes in The Sun Also Rises personifies Hemingway in a sequential manner. Initially, the Hemingway character appears to be impressionable, but he evolves into an isolated individual. Hemingway, due to an unusual childhood and possible post traumatic injuries received from battle invariably caused a necessary evolution in his writing shown through his characterization. The author once said, “Don’t look at me. Look at my words” (154).
Baym, Nina, and Robert S. Levine, eds. The Norton Anthology: American Literature. 8th ed. New York: W.W. Norton & Company, Inc., 2012. Print.
Wolff, Cynthia Griffin. "Un-Utterable Longing: The Discourse of Feminine Sexuality in The Awakening." Studies in American Fiction 24.1 (Spring 1996): 3-23. Rpt. in Twentieth-Century Literary Criticism. Ed. Janet Witalec. Vol. 127. Detroit: Gale, 2002. Literature Resource Center. Web. 19 May 2014.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
A Farewell to Arms, by Ernest Hemingway, is a story about love and war. Frederic Henry, a young American, works as an ambulance driver for the Italian army in World War I. He falls tragically in love with a beautiful English nurse, Miss Catherine Barkley. This tragedy is reflected by water. Throughout the novel Ernest Hemingway uses water as metaphors. Rivers are used as symbols of rebirth and escape and rain as tragedy and disaster, which show how water plays an important role in the story.
The media had an immense effect on many individuals during the war. The public were informed about the war's progress through the media, television, and newspapers. Consequently, much of their opinions and beliefs about war and American soldiers were shaped by how the media viewed the war. Photographers were very influential in forming, changing, and molding public opinion. Some photographers were interested in showing the suffering and anguish of the soldier, whereas others wanted to emphasize the dignity, strength, and fearlessness of the American soldier. Those at home had no experience of how the soldier lived or what he had to deal with during the war. The media built up a stereotype of the soldier's life. These stereotypes are
“A Farewell to Arms Essay – A Farewell to Arms, Ernest Hemingway.” Twentieth Century Literary Criticism 115 (1929): 121-126. JSTOR. Web. 19 Feb. 2014.