The rapid development of technology over the past few centuries has certainly left an impact on the world of halacha¸ or Jewish Law. Poskim, the formulators of the halacha, have had to make decisions on a variety of topics to accommodate fast-paced advancements in areas ranging from travel (When does one crossing the International Date Line celebrate a holiday?) to home appliances (Under what circumstances may one use a refrigerator on the Sabbath?). One issue that has been particularly relevant in recent years is that of digital piracy. The ubiquity of personal computers, the Internet, and the spread of peer-to-peer programs like Napster and BitTorrent have made a never-ending stream of media accessible to many Orthodox Jews. Naturally, this has kindled an interest in the matter of copyright. Does Jewish Law provide any protection to the author of an original work? What are the halachic implications of violating a copyright?
These questions were particularly troubling to me, as I am an avid pirate, regularly sharing gigabytes of music, movies, and software a week. Of course, as a practicing Orthodox Jew, I wanted to be sure that I was not violating any halachic prohibitions. Thus began my voyage through the vast sea of Jewish Law for clarity on this issue.
Soon after starting this project, though, it became clear that there would be no simple answer to these questions. Most of the rabbinic literature on the topic of intellectual property rights deals with physical media such as books and audio tapes. How these rulings apply to digital piracy is not always obvious. Furthermore, many of the responsa are terse and cryptic. This is increasingly frustrating when the rabbis, as they often do, disagree with each other. F...
... middle of paper ...
...on the intangibility of the scent. Similarly, Rabbi Bleich argues, the bits of data travelling between two computers are intangible and therefore not subject to the laws of theft (Reichman).
Since Rabbi Bleich is the only source dealing directly with the case of digital piracy, he is difficult to refute. It should be noted, though, that he omits, like Rabbi Wosner, a discussion of dina d’malchuta dina. Presumably, this principle could apply even to cases with intangible property.
Conclusion
Often, the greatest of halachic deciders end their responses with the words tzarich iyun, meaning that further study is required before a clear-cut conclusion can be drawn. I have seen how a modern question can branch out into so many areas of halacha. Since I have yet to become an expert in all of these fields, I cannot confidently choose a side of the debate. Tzarich iyun.
In Charles W. Moore’s essay, “Is Music Piracy Stealing?” Moore uses great statistics of the people who are concerned and not concerned about music piracy. He gives many examples of the facts he has researched and gives an ethical appeal to his audience. “This week the Motion Picture Association of America (MPAA) launched an ad campaign using the slogan ‘copying is stealing,’ attempting to convey the message that digital copying is as serious and criminal as stealing a CD from a record shop or a DVD from a video shop” (Moore 242). However, throughout Moore’s entire essay he has a weak introduction and conclusion paragraph, repetitive examples, examples that do not apply to his topic and he uses many logical
Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling.
Over the past decade the societal view of creative society has greatly changed due to advances in computer technology and the Internet. In 1995, aware of the beginning of this change, two authors wrote articles in Wired Magazine expressing diametrically opposed views on how this technological change would take form, and how it would affect copyright law. In the article "The Emperor's Clothes Still Fit Just Fine" Lance Rose hypothesized that the criminal nature of copyright infringement would prevent it from developing into a socially acceptable practice. Thus, he wrote, we would not need to revise copyright law to prevent copyright infringement. In another article, Entitled "Intellectual Value", Esther Dyson presented a completely different view of the copyright issue. She based many her arguments on the belief that mainstream copyright infringement would proliferate in the following years, causing a radical revision of American ideas and laws towards intellectual property. What has happened since then? Who was right? This paper analyzes the situation then and now, with the knowledge that these trends are still in a state of transformation. As new software and hardware innovations make it easier to create, copy, alter, and disseminate original digital content, this discussion will be come even more critical.
Theodore Roosevelt once said, “ No people is wholly civilized where a distinction is drawn between stealing.” This quote can relate to the problem that has been going on against the piracy that has been occurring for many years. It has been occurring more now since it has been becoming easier to get access to certain files online. Personally, I think that people should be prosecuted for piracy because it is illegal, morally not right, and it causes many problems for composers.
It is first beneficial to know the definition of piracy. Piracy has been characterized multiple ways from multiple disciplines. For the purpose of this paper, I will apply the definition of piracy from the 1982 United ...
Music Copyright is a very important aspect of the music industry. The Copyright law was established to preserve the creativity and rights of authors, composers, performers of expression. Copyright is the law that protects the property rights of the creator of an original work in a fixed tangible medium. (http://dictionary.reference.com/browse/copyright) A fixed tangible medium is something substantial like copying lyrics on paper or putting a song on tape or CD. Copyright can be seen every where in the music industry. Many music artist of our culture today have been involved in copyright issues. Recently, on MTV news it was stated that, "As the music industry becomes increasingly concerned about protecting the integrity of artists copyrights in the age of MP3. Prince has now filed a motion in New York federal court aimed at shutting down several websites offering free downloads of the Artist's songs." (http://www.mtv.com…19990304/prince.jhtml) In addition, in recent music news, "Nine Inch Nails lead man Trent Reznor copyright infringement suit was dismissed. Another artist claimed that the Reznor had stolen material for his last album." (http://www.mtv.com…19991202/nine_inch_nails.jhtml) The copyright law has become an important legal aspect to know our music generation.
Copyright, in its first form, was first introduced in 1710 with a British statute of Anne. Since this time copyright laws have changed to remain current, and have grown into an international agreement by many countries around the globe.
The United States of America is a free country, then why shouldn’t the internet be free? Why should we have restrictions placed on what we can and cannot do on the internet? Every day, millions of users share files on the internet through numerous online sources. Whether they download music, movies, or software, online file-sharing can give people access to a plentiful amount of information. These files are often free and easily accessible by anyone. The practice of distributing or providing access to digitally stored information represents file sharing (Peer-to-Peer File-Sharing and Copyright Infringement: Are You Vulnerable?). Conversely many people see file sharing as unlawful. The reproduction or distribution of any copyrighted digital media or information defines internet piracy. Many people see downloading copyright files such as music, movies, books, and software as illegal. Music files, some of the first types of files to be reproduced and distributed through internet sources, contain the file extension .mp3. Several popular file sharing programs were developed in the 1990s and facilitated internet piracy. Big industries try to combat file sharing to help increase their revenue, however internet piracy actually increases revenue of industries and has numerous other benefits (What Is Internet Piracy?). The copy and distribution of digital files increased due to technology (Torr). Internet piracy, considered a problem all over the world, stands as difficult to stop along with other kinds of piracy (What Is Internet Piracy?). Anything can be digitalized and once something becomes digitalized it will be shared all over the internet (Torr). Canadian and European laws allow for the downloading of copyright files for personal us...
Piracy is primarily a problem for the entertainment and software industries, and therefore piracy most often involves violations of copyright law. Copyright is a legal right that protects creative works from being reproduced, performed, or disseminated without permission of the copyright owner. Essentially, a copyright gives its owner the exclusive right to make copies of the material in question.
With the popularity of the Internet, sales for CDs, DVDs, Movies, and many other products have increased. Along with the increase of sales has brought forth an ever increasing problem of illegal media being downloaded. Programs such as Bittorent, Kazaa, and other direct-connect networking programs have allowed the transferring of such illegal media. Downloading song files from the Internet over a free peer to peer network is the moral equivalent of shoplifting music CDs from the local mall.
Online piracy is a huge problem, one which costs the U.S. economy between $200 and $250 billion per year, and is responsible for the loss of 750,000 American jobs. These numbers seem huge: $250 billion per year loss would be almost $800 for every man, woman, and child in America. And 750,000 jobs – that’s twice the number of those employed in the entire motion picture industry in 2010 (Freakonomics). In 2010, the Government Accountability Office released a report noting that these figures “can be substantiated or traced back to an underlying data source or methodology,” which in English means these figures are legitimate and that piracy really does hurt our economy.
In its simplest terms, copyright is the U.S. government’s way of protecting the rights of anyone creating an original work, such as a play, song, poem, book, or artwork. Only the work’s original author or creator can make copies, distribute, sell, perform or adapt that work. Originally passed into law 35 years ago, the Copyright Act of 1976 has undergone many changes in the wake of advancing technology, including such changes as categorizing any work on the Internet as “published” (Copyright Act of 1976). Of
All around the world people connected to the internet are downloading free digital content through P2P file sharing software.
Many people who use the Internet regularly have downloaded some kinds of copyrighted materials such as music and movies. However, should it be illegal to protect copyrighted materials more strictly? Today, downloading and sharing copyrighted materials is illegal in many countries such as Japan and the United States. In fact, people who share copyrighted materials get fines or jail sentences. For example, according to Yahoo Movies, a man from Gunma Prefecture in Japan was arrested for uploading a movie, the Wind Rises, in 2014. Nevertheless, downloading and sharing copyrighted materials should be legal for the economic growth and for artists.
However, in recent years, it is not uncommon to see copyright in the possession of a third party other than the creator. These companies make use of copyright as an investment and financial tools to gain profit. In this case, the use of copyright loses its original purpose of protecting the creator, but used as a mean for financial gain. This could possibly hinder creativity as innovation becomes a financial tool catered to the tastes of the general public, while the less marketable new ideas goes unnoticed by the general public under the copyright laws. It is crucial to note that online platforms such as blogs, Facebook and Youtube, and people making their music/works available online for free shows the rapid surge in the number of people willing to sacrifice their copyrights to market themselves to the world. In this highly saturated market, copyright laws can become less relevant as marketing and business is placed on higher