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Frankenstein influence in pop culture
Sin in the scarlet letter
Sin in scarlet letter essay
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The Merriam-Webster Dictionary defines sin as “an offense against religious or moral law”. People have many motivations to sin: greed, self-gain, and pleasure being prominent examples. In “The Scarlet Letter”, Hester Prynne is convinced that her husband is not coming to meet her at their new home in the colonies because she believes that he may have died. She then has an affair setting in motion the events of the story. In “Frankenstein”, Victor Frankenstein does not help his creation assimilate into society; this results in the deaths of several of Victor’s loved ones at the hand of his creation. In “Idylls of the King”, Pelleas becomes the Red Knight of the North after seeing the unfaithfulness of Guinevere to King Arthur and being rejected …show more content…
by Ettarre. By using examples from “The Scarlet Letter”, “Frankenstein”, and “Idylls of the King” I will make the case that the initial sin of a person creates situations which cause other people to sin and that the person who commits the original sin is also responsible for those sins committed by others. “The Scarlet Letter”, written by Nathaniel Hawthorne in 1850, is the story of Hester Prynne.
Hester gives birth to a daughter after an adulterous affair with the local pastor, Dimmesdale, and bears the shame for life. Hester struggles to create a new life for her and her daughter while still being an outcast in the community. When Hester is asked repeatedly who the father of the child is, she does not answer, prolonging the secret. “I charge thee to speak out the name of thy fellow-sinner and fellow-sufferer! Be not silent from any mistaken pity and tenderness for him; for, believe me, Hester, though he were to step down from a high place, and stand there beside thee, on thy pedestal of shame, yet better were it so than to hide a guilty heart through life. What can thy silence do for him, except it tempt him—yea, compel him, as it were—to add hypocrisy to sin?” (Hawthorne 62). Dimmesdale oddly enough encourages Hester to reveal the identity of her fellow sinner, fully knowing that he was that man. At this point, Hester continues to withhold the identity, even at Dimmesdale’s request. The perpetuation of the lie enabled Dimmesdale’s hypocrisy and deception to his …show more content…
community. When Hester’s husband quietly arrives in the town assuming the career of a doctor and a new name, he reveals his quest for revenge solely to her. “Yet fear not for him! Think not that I shall interfere with Heaven’s own method of retribution, or, to my own loss, betray him to the gripe of human law. Neither do thou imagine that I shall contrive aught against his life; no, nor against his fame, if as I judge, he be a man of fair repute. Let him live! Let him hide himself in outward honour, if he may! Not the less he shall be mine!” (Hawthorne 70). After discovering the letter A on Dimmesdale’s chest, Chillingworth began to mentally torture Dimmesdale. “He became, thenceforth, not a spectator only, but a chief actor in the poor minister’s interior world. He could play upon him as he chose. Would he arouse him with a throb of agony?… up rose a grisly phantom—up rose a thousand phantoms—in many shapes, of death, or more awful shame, all flocking round about the clergyman, and pointing with their fingers at his breast!” (Hawthorne 130). If Hester or Dimmesdale had confessed their original sin, Chillingworth would not have held power over Dimmesdale, nor had the pleasure of torturing him. “Frankenstein”, written by Mary Shelley in 1823, is a novel that recounts the story of a young scientist, Victor Frankenstein, who creates a human-like monster.
Victor idolizes science and in doing so neglects everything, including relationships with his family and basic necessities such as sleep. “From this day… particularly chemistry… became nearly my sole occupation. I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects… soon [I] became so ardent and eager that the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory” (Shelley 51). Frankenstein becomes so enamored with science that it becomes his obsession. When he finally creates his monster he considers himself a genius, advancing far beyond the masters of science. Yet, he is so excited and disgusted with his creation that he runs away from his apartment where he brought the monster to life. “The porter opened the gates of the court, which had that night been my asylum, and I issued into the streets, pacing them with quick steps, as if I sought to avoid the wretch whom I feared every turning of the street would present to my view. I did not dare return to the apartment which I inhabited, but felt impelled to hurry on…” (Shelley 60). Instead of acting responsibly toward his creation and teaching this creature how to assimilate into society, Victor instead decided to abandon it
entirely. After being neglected by its creator, Frankenstein’s monster murders Victor’s brother. After becoming the prime suspect in the investigation, Justine who is arrested. Victor decides not to admit to creating the monster for fear of people thinking of him insane. Justine falsely admits to the murder, is found guilty, and is executed leaving two dead. Victor speaks with his creation and it asks that he make a companion for him. "I expected this reception," said the daemon. "All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us… Do your duty towards me, and I will do mine towards you and the rest of mankind." (Shelley 101). In this dialogue, the monster indirectly draws a comparison between Victor and God, since God is the creator and Victor created him. He asks that he make him a companion similar to how God created Eve for Adam. At first Victor cooperates with his creations wishes, but during the process of making it, he destroys it. The monster proceeded to murder Victor’s best friend in anger and his wife leaving him alone, similarly to how the monster felt. In the process of trying to become famous, Victor created an abomination and did not fathom the consequences of his actions. After denying his creation help in learning how to be a functioning member of society, the monster murders several of Victors closest friends and family. The monster was not aware that his actions were wrong, only that they would hurt Victor. Ultimately, Victor is the one responsible and his actions are morally wrong in this scenario. “Idylls of the King”, written by Alfred Lord Tennyson in 1859, is a collection of twelve poems detailing the legend of King Arthur, his wife Guinevere, his knights, and the rise and fall of his kingdom. Included in Tennyson’s work is “Pelleas and Ettarre” a story of how a young, naïve knight is devoted to Ettarre, and how she rejects him. After rejection, Pelleas sees Guinevere’s unfaithfulness to King Arthur her husband. “He woke, and being ware of some one nigh, Sent hands upon him, as to tear him, crying, 'False! and I held thee pure as Guinevere.'” (Tennyson 245). After seeing the corruption and deceit, Pelleas leaves and becomes The Red Knight of the North. He sets up his own roundtable parodying King Arthur. Pelleas’s table is comprised of adulterers and prostitutes. Ettarre’s rejection of Pelleas combined with the sight of corruption led Pelleas to sin. Ettarre rejected him, which is not a sin, but Guinevere’s adultery was the proverbial final nail in the coffin. While Guinevere was not aware that her actions would have such dire consequences, she and Ettarre both played a major role in Pelleas’s downfall. In conclusion, the agents that are ultimately responsible for the consequences of actions that lead to sin are the ones who are morally wrong. Through their actions, Hester, Dimmesdale, Dr. Frankenstein, Guinevere, and Ettarre caused others to sin. The Red Knight, Frankenstein’s monster, and Dimmesdale’s suffering all could have been avoided if the ones who were ultimately responsible had taken different action. Works Cited Hawthorne, Nathaniel, et al. The Scarlet Letter. Barnes & Noble Books, 2003. Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, or, The Modern Prometheus. Penguin Books, 2007. Tennyson, Alfred Tennyson, and J. M. Gray. Idylls of the King. Penguin, 1983.
When Dimmesdale tried to confess his sin to his congregation, they saw the confession as if it were part of his sermon. “He had spoken the very truth, and transformed it into the veriest falsehood”. (Hawthorne 171) Instead of correcting their assumption, Dimmesdale went along with it, once more hiding his sinfulness. When Dimmesdale finally confessed his sin openly to the public with no doubt of his guilt, it was upon the spot where Hester served her punishment for their crime....
Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her, so the man can be relieved of his guilt, somewhat ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without.
Hester is a youthful, beautiful, proud woman who has committed an awful sin and a scandal that changes her life in a major way. She commits adultery with a man known as Arthur Dimmesdale, leader of the local Puritan church and Hester’s minister. The adultery committed results in a baby girl named Pearl. This child she clutches to her chest is the proof of her sin. This behavior is unacceptable. Hester is sent to prison and then punished. Hester is the only one who gets punished for this horrendous act, because no one knows who the man is that Hester has this scandalous affair with. Hester’s sin is confessed, and she lives with two constant reminders of that sin: the scarlet letter itself, and Pearl, the child conceived with Dimmesdale. Her punishment is that she must stand upon a scaffold receiving public humiliation for several hours each day, wearing the scarlet letter “A” on her chest, represe...
When being questioned on the identity of her child’s father, Hester unflinchingly refuses to give him up, shouting “I will not speak!…my child must seek a heavenly Father; she shall never know an earthly one!” (47). Hester takes on the full brunt of adultery, allowing Dimmesdale to continue on with his life and frees him from the public ridicule the magistrates force upon her. She then stands on the scaffold for three hours, subject to the townspeople’s disdain and condescending remarks. However, Hester bears it all “with glazed eyed, and an air of weary indifference.” (48). Hester does not break down and cry, or wail, or beg for forgiveness, or confess who she sinned with; she stands defiantly strong in the face of the harsh Puritan law and answers to her crime. After, when Hester must put the pieces of her life back together, she continues to show her iron backbone and sheer determination by using her marvelous talent with needle work “to supply food for her thriving infant and herself.” (56). Some of her clients relish in making snide remarks and lewd commends towards Hester while she works, yet Hester never gives them the satisfaction of her reaction.
In Volume 1 and 3 of Frankenstein, Victor’s reason for creating the “monster” changes drastically; however, ultimately leading to the same consequence of suffering and depression. Through this change in Victor, Shelley argues that all humans have an instinctive notation of right from wrong and learn from their mistakes. Victor left his friends and family to go to college; when there, he had no friends and social life. His top and only priority was his schoolwork; he read all he can about the sciences, especially chemistry and anatomy. When finished with his studies, Victor is ready to start his creation when he confirms his proceedings aloud, “Winter, spring, and summer, passed away during my labours; but I did not watch the blossom or the expanding leaves-sights which before always yielded me supreme delight, so deeply was I engrossed in my occupation. The leaves of that year had withered before my work drew near to a close; and now every day shewed me more plainly how well I had succeeded.
Hester thinks about the mercy of God herself in the story and comes to the conclusion that “man had marked [her] sin by a scarlet letter, which had such potent and disastrous efficacy that no human sympathy could reach her, save it were sinful like herself. God, as a direct consequence of the sin [...] had given her a lovely child” (86). Society decides to punish Hester by public humiliation and eternal shame, while God decides to let nature take its own path, and blesses‒or rather curses‒Hester with her own child. Although this is a more merciful consequence, children are still a large challenge in themselves. Young children are difficult, and Pearl especially seemed to be “a demon offspring; such as, since old Catholic times, had occasionally been seen on earth, through the agency of their mother’s sin” (95). Through having to raise Pearl, Hester is still being disciplined for her rash actions, but in a way that will better teach her the lessons she needs to learn from her mistake. When one observes the behaviors of both Hester and Dimmesdale, it becomes clear that Dimmesdale has failed to learn completely from his
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Victor Frankenstein, blinded by pride, remained unaware of how his experiment would affect not only him, but the world around him as he formed his new discovery. His secret to creating life only caused more life to be lost. Because of Victor’s reckless behavior, he caused the depressed and lonely world around his own creation, one who, in the end, Victor did not want to take responsibility for making, no matter how remarkable. The Creation, a being of unfortunate circumstance, exemplifies how knowledge has dangerous and everlasting effects if not used safely or for good intentions. Unfortunately, The Creation leaves his own damage behind as well, again showing how knowledge is harmful, by killing Elizabeth, Victor’s wife, Henry Clerval, his dearest friend, and other members a part of Victor’s family and friends. This demonstrates how knowledge, if not used wisely, can lead to death and suffering. The power of knowledge, in Mary Shelley’s writing, is a gift bestowed on those who can handle the power responsibly, as opposed to using it for selfish boasting. In contrast, she uses these two characters to show the importance of being knowledgeable in both science and responsibility and the unforgivable mutilation that comes if you fail to overcome
Upon first discovering how to make life, Victor is overwhelmed with excitement and pride, feeling as though he has unlocked the greatest power on earth. His imagination is “too much exalted” by this newfound ability, and thus determines there is no “animal as complex and wonderful as man” for him to attempt as his first creation (Shelley 43). Frankenstein does not contemplate how he will react to or interact with the human he gives life to, or that he has created an extremely twisted parent-child relationship by creating a human from dead bodies. His general lack of concern regarding the consequences of his remarkable yet dangerous power is the root of the rest of the conflict between him and his monster throughout the rest of the novel, and it exemplifies Shelley’s underlying theme that science should not be pushed past morally and psychologically safe boundaries.
All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course, the first action and link in the chain is started by Victor Frankenstein. Victor’s life starts with great potential. He comes from a decently wealthy family whose lack of love towards each other never existed. He is given everything he needs for a great future, and his academics seem to be convalescing.
After Frankenstein discovered the source of human life, he became wholly absorbed in his experimental creation of a human being. Victor's unlimited ambition, his desire to succeed in his efforts to create life, led him to find devastation and misery. "...now that I have finished, the beauty of the dream had vanished..." (Shelley 51). Victor's ambition blinded him to see the real dangers of his project. This is because ambition is like a madness, which blinds one self to see the dangers of his actions. The monster after realizing what a horror he was demanded that victor create him a partner. "I now also began to collect the materials necessary for my new creation, and this was like torture..." (Shelley 169). Victor's raw ambition, his search for glory, has left him. His eyes have been opened to see his horrible actions, and what have and could become of his creations. As a result, Victor has realized that he is creating a monster, which could lead to the downfall of mankind. His choice is simple, save his own life or save man.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
Victor Frankenstein finds himself exploring the world of science against his fathers wishes but he has an impulse to go forward in his education through university. During this time any form of science was little in knowledge especially the chemistry which was Victors area if study. Victor pursues to go farther than the normal human limits of society. “Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Chapter 4). He soon finds the answer he was looking for, the answer of life. He becomes obsessed with creating a human being. With his knowledge he believes it should be a perfe...
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
He turns away the peace given to him by nature just to satisfy his desire for revenge, and becomes a broken being. Mary Shelley demonstrates in Frankenstein what happens if someone strays too far from nature. Shelley purposely shows the destructive nature of science in her novel, highlighting the strife that her society is going through. Her society, disillusioned by war and the devastation that new technologies caused, wanted to go back to their roots in nature, and her novel pushes at that idea. Shelley’s example of Victor’s and the Creature’s downfall warns us of the dangers and temptations of science.