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Diego rivera essay
Diego rivera essay
Thesis art of mexico on culture
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This is a Mexican Artwork. It is a famous fresco painting of Diego Rivera. The painting is of indigenous people who used the traditional painting and dyeing fabric. There is about eleven people and three babies in the painting. It seems like they are working hard on painting and dying clothes. There is also like the king and wife giving orders. The others are washing clothes and drying clothes. Seems like everyone has his or her own chores. No one is looking directly at the painter, except the wife. The elements of the colors he use for the painting are brown, yellow, orange, and white. It seems like he use all neutral colors better known as primary colors. They are located somewhere in the king’s house. It seems very big and also seems like is late night because the windows are dark. The time of the painting seems like is back in the Mayans or Aztecs days. The painting has a king and queen and looks like they are as high class and the rest are indigenous people …show more content…
that work for them. The elements work together in the painting because everything’s balances out even though there is people everywhere in the painting it seems like symmetrical.
There people in front that are tall and bigger and he makes the people in the back look smaller, but is just the perspective view. The focal point seems like is the Queen because she is the only one looking straight at the painter and the rest of the people in the painting are working on something, so it balances the painting, too. The artwork is a famous Renaissance fresco painting. Diego Rivera did it in 1950. Diego Rivera is a famous painter and muralist. He had some success as Cubist painter in Europe. He is from Guanajuato, Mexico. He wanted to make art reflect in lives of the working class and native people of Mexico. He married another artist famous Frida Kahlo who shared an interest in radical politics and Marxism. He died on November 24, 1957 of heart failure in Mexico City. He is remembered as an important figure in 20th century
art. This artwork is amazing is one of my favorites. Fresco painting is one of the hardest to do, so I think he did a great job. It is very detailed and just have so many different elements like making the people look smaller from the back. The focal point and perspective view is the Queen because she is the only one looking straight and everyone else is just working on his or her chore. The artwork has an emotion because it shows you no matter how much time may pass there is always the “high class” and the poor. There is always those that just order and those that work there butt off just to sustain themselves. It also has a meaning because it also shows you how smart people where back then. They were painting and dyeing clothes. I chose this artwork because is one of my favorites and because I love Mr. Rivera’s paintings and murals even though some of them are somewhat weird.
Raul Ramirez is a very confident, creative student that is in Mr.Ward’s high school english class in The Bronx,New York, who loves to paint. Raul used to paint his sister by bribing her with whatever he could scunge up,but know his girlfriend just sits for him. He knows that painting will not give him much money and tells the readers by saying “People just don’t get it.Even if I never make a dime --which,by the way,ain’t gonna happen--I’d still have to paint.” Raul is also a very shy teenager that wants to be an artist and will be the first person in his family to be a painter if he becomes one. The thing is even though his “brothers” don’t support him--by laughing at him and saying he's loco-- he still wants to paint and says it by saying
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
The painting has an order and there are different shapes and angles. Rectangular shape is main trend around this piece, including the wooden chest, the leg rest and the canvass. Also things overlap, creating the illusion of the shape look closer to viewer than the shape behind it. The example in this piece would be the chair on which Adelaide Labille Guiard sits be close to viewer than the girls behind it. This adds depth to the space. Also due to linear perspective girls behind the chair are smaller due to being farther away.
The next most noticeable point of this painting is where the figures of the Queen of Sheba and Solomon stand. They appear to protrude out from the rest of the painting. Each has an out turned foot that comes into the viewer’s space. This aspect and the symmetry make it apparent that the Queen and Solomon are the characters to be focused on.
The Artwork that I will be analyzing is ‘(blossoming) Autumn sun’ paint in 2006 by Imants Tillers using acrylic, gouache on 54 canvas boards. Imants Tillers is an Australian artist, curator, and a writer who was born in the 1950’s in Sydney. He is also known for painting ‘Conversation with the bride, ‘The Bridge of reversible Destiny, ‘The Letter I, and ‘The Forming of Place.
the painter represented himself in his studio standing before a huge canvas. The youthful princess (Margarita) shows up in the frontal area with her two servants in holding up, her most loved diminutive people, and a vast canine. In the center ground are a lady in dowager's clothing and a male escort; in the far background. The room spoken to in the work of art was the craftsman's studio in the royal residence of the Alcazar in Madrid. Philip IV requested after the passing of prince Baltasar's demise to change over piece of his chambers into a studio for Velazquez. with such stride lord Philip IV demonstrated the significance of Velazquez and his work. In the Las Meninas Velazquez drew more inquiries for the watchers towards the colossal canvas in the front with simply demonstrating the back of it. might he be able to paint the princess and her company, or he could paint a picture of lord Philip IV and ruler Mariana; who's appearance show up in the mirror on the far divider. It could be the impression of the king and queen or it could be simply to show regard for them from Velazquez. till this day no one has possessed the capacity to discover a response for what was being attracted in the immense
The fresco mural “Man Controller of the Universe” is fascinating illustration of humanity. The painting is a recreation of a previous and extremely politically controversial work of art. The mural was created by Diego Rivera, who was one of the most socially and politically significant artists of the twentieth century. The first mural titled “Man at the Crossroads” was commissioned by the Nelson Rockefeller in 1934, to be displayed at the Radio Cooperation’s of America building. The original mural was never finished and Rockefeller ordered it destroyed because of its contentious message and images; however, Rivera would later recreate the painting at the Palacio de Belleas Artes in Mexico City. Although, Rivera rename the controversial recreation “Man Controller of The Universe”. The mural “Man of the Universe” was intended to contrast the leading economic powers of capitalism and communism.
Albuquerque has various mural. They are all unique and they all have a different story. The mural that I will be analyzing is called “Our Community Our Family”. It is located in Kirtland Park on university Blvd. the mural was designed by Leah Lee and Joe Stephenson, the artist assistant was Leticia Thompson and it was painted with students from Lowell elementary school, Wilson middle school and Albuquerque high school as well as other volunteers. It was painted in April of 1996.
... La Infanta Margarita and her two attendants draw the viewer’s attention, but the dark backdrop dominates the painting with its sheer vastness as it towers over the figures in this scene that are clustered at the bottom. The viewer of the painting is placed in the eyes of the king and queen, as they stand both inside and outside of the painting, reflected in the mirror as observers only. They can watch this scene as the royal couple watched their country crumble because of government debt and loss of territories. Diego Velázquez had always wanted to paint the truth, whether in the bodegón paintings of his earlier years or in the royal portraits he was commissioned during his career as the court painter. He did so in Las Meninas, during the final decade of his life, by depicting the condition of Spain’s government through an informal day-to-day scene of palace life.
Diego Velàzquez was called the “noblest and most commanding man among the artists of his country.” He was a master realist, and no painter has surpassed him in the ability to seize essential features and fix them on canvas with a few broad, sure strokes. “His men and women seem to breathe,” it has been said; “his horses are full of action and his dogs of life.” Because of Velàzquez’ great skill in merging color, light, space, rhythm of line, and mass in such a way that all have equal value, he was known as “the painter’s painter,” as demonstrated in the paintings Las Meninas, Sebastiàn de Morra, and Baltasar Carlos and a Dwarf.
Within the borders of the painting contains many blue, brown and purple tints and shades. Located towards the back, right before the lines of the horizon is three Arabian looking buildings. The one closest to the left side is the tallest one, and at the top of the tall skinny building is a circular cone shape. The middle building is rectangular at the bottom and on top of there is a small building like the one on the left. The building on the right is just like the other building
My first initial response upon seeing John Hernandez’s artwork was very vibrant, bright, and colorful. Although the colors are quite pretty, it looks like a scattered mess of paint. I am not sure what message the artist is trying to get through to his audience or what the artist was feeling while creating this piece, but it is intriguing to want to know a little bit of the background. The first thing I noticed about the artwork was the huge lemon like figure that is in the background, maybe in place of the sun with colorful juices squirting out. How it affects me when I view it is it makes me feel happy. The colors bring on a cheerful energy to it.
At first glance your eyes are immediately pulled to the beautiful orange-red leaves at the top of the painting. Small pieces of blue poke through, making the leaves appear less dense. Five grey, thin trunks run up the painting forming a triangle shape. Behind the trunks is a beautiful mosaic of green, blue and yellow. If you look at the painting closely, it appears
This artwork is very different from the previous one. It is done by the Warli tribe. Usually warli paintings are done by women. There is less nature and more humanity in this painting and there are only 2 colors. The style is completely different as
It is oil on Canvas and again there is a plethora of colours used in the composition, except the colours are a lot more vibrant than in ‘Le Forze di una Strada’. The colours are all fragmented, but contrast between other objects in the painting so that the viewer looking at the art can tell what is what, and differentiate the horse from the man riding it. Within’ the image you can find a lot of shapes and forms, the main shapes used are curved and then next is sharp and angular shapes, working in a deliberate vigorous and sequential movement. The surface of the image seems quite jagged and rough because of the sharp angularities and there is build-up of texture creating a slightly coarse surface.