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Frankenstein novel analysis literary
Literary analysis chapter 5 frankenstein
Characterization of the monster in Frankenstein
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One’s nature has always influenced his or her actions. Everyone has his or her unique attitude but there are different attributes that make up one’s attitude. Arrogance, overconfidence, greed, selfishness, selflessness, benevolence, and fear are among these attributes. In the novel Frankenstein, Mary Shelley empowers her characters with these attributes. In the gothic novel Frankenstein, the character Victor creates a creature in order to fulfill his ambitions. This creature is abandoned by Victor, which causes the creature to be overwhelmed with loneliness. Everyone judges the creature by his appearance and this causes the creature to disdain his master. The creature murders Victor’s family and later both of them duel each other in order to satiate their need of vengeance. In Frankenstein, Mary Shelley uses the characterizations of Victor and the creature in order to convey the idea that those who are overwhelmed with ignorance and arrogance are bound to experience sorrow.
First, Shelley characterizes Victor as an ignorant man to convey the idea that ignorance leads to sorrow. In the following passage, Victor is informing Walton of how he had worked day and night without sleep; however, all of his hard work was in vain:
I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate for this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep. (Shelley 47)
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... sense, the physical secrets of the world. (Shelley 30)
Victor desires to learn the “secret of heaven”, which shows his arrogance. Victor wants to achieve something, which no human has achieved. He also wants to obtain the secrets of nature: “the mysterious soul” of human beings. Nature is someth ing which is far too difficult for humans to understand, which shows his audacity. Later on in the story, Victor repents in seeking this knowledge and this later becomes the cause of his death. Thus, Victor’s arrogance has caused his demise.
The ignorance and arrogance of Victor Frankenstein has caused him to mourn. Victor was unaware of the consequences of his own actions and as a result he had to feel remorse. Victor was also arrogant and his dreams were far beyond his reach. Thereupon, one should not have ignorance and arrogance or else he will experience sorrow.
Frankenstein by Mary Shelley introduces the change from good to evil with the attention that guardians give a child. William Crisman, in his critique of Mary Shelley’s work, identifies the “sibling rivalry” between Victor and the rest of his family. Crisman remarks that Victor feels as if he is the most important person in his parents’ lives, since he was Alphonse’s and Caroline’s only child. The Frankensteins adopt Elizabeth and Victor sarcastically remarks that he has a happy childhood. This prompts Victor starts to read essays about alchemy and study natural science. Anne Mellor, another critic of Frankenstein, proposes that Frankenstein’s creature was born a good person and society’s reaction to him caused him to turn evil. Victor’s makes the creature in his own perception of beauty, and his perception of beauty was made during a time in his life when he had secluded himself from his family and friends. He perceived the monster as “Beautiful!”, but Victor unknowingly expressed the evil in himself, caused by secluding himself from everybody, onto the creature (60). In this way, the creature is Victor’s evil mirrored onto a body. The expression of Victor onto the monster makes the townspeople repulsed by the creature. The theory of the “alter ego” coincides with Crisman’s idea of sibling rivalry (Mellor). Mary Shelley conveys that through Crisman’s idea of sibling rivalry, Victor isolates himself from society. Mellor describes the isolation during his creation of his creature leads to him giving the creature false beauty that causes Victor to abandon him and society to reject him.
Victor’s determination of creating “life” made him ignorant of properly preparing for how to control his creation. Victor became increasingly immersed in his research, spending “days and nights of incredible labour and fatigue” working towards his goal of “bestowing animation upon lifeless matter” (38). Victor did not think about nor concern himself with anything besides his work, for he was deeply engrossed in his occupation (42). As he became more disillusioned with the thought of bringing life to a motionless figure, he did not ponder what his actions should be after his experiment was complete. Once his creature had been b...
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Victor had created the creature with the vision from his dreams of a strong, tall perfect being with no flaws. His years of study with the unnatural and science had come to this final conclusion and masterful idea that he was determined to finish. To his surprise, he had created the opposite, “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) Victor is saddened by what he thinks of as a failure. He leaves his own apartment to go sleep in his court yard outside following his creation. He begins to isolate himself from the creature because of his fear of the creature’s outward appearance. He loses all hope for the creature without even learning anything about him. The fact that Shelley begins to refer to the being that Victor created as a “creature” shows Victor’s ignorance and lack of acceptance. It is Victor’s prejudice that blinds him of the creature’s true potential due to the unwanted preconception that follows the creature as he finds meaning in
Shelley also connects various points about the monster by saying that in most cases committing such cruel acts can only mean that it’s a cry for attention because the monster is desperate for attention that Victor can’t give. However, it’s easy to point the finger at the monster for all of the crimes that he’s committed towards Victor and his family. However, it can be reversed because the monster does suffer injustice in his own
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
“It was already one in the morning; the rain pattered dismally against the panes, and my candle nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open…” (p. 58). Upon gazing at his creation, Frankenstein almost instantly regrets ever having the idea. “’I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust
Marys Shelley’s context portrays a society that is being industrially revolutionised in her novel ‘Frankenstein’. The character victor is consumed in science, and seeks to obtain more knowledge. This enlightenment thinking hinders his ability to make wise decisions when creating life. Shelley incorporates parallelism “my cheeks had grown pale with study, and my person had become emaciated with confinement” critically compares victor, who seems as though he is dying to create life, with a pregnant woman giving birth. Shelley suggests that victor is losing his humanity in his attempt to create it. The novel illustrates allusion, “How dare you sport thus with life” suggesting that victor treats life as a game, and the monster is questioning what gives victor the right to do so. Victors desire for enlightenment blinds his humanity leading him to forget what truly makes him human.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
By the end of Frankenstein, Mary Shelley wanted the reader to discover that it was not Frankenstein’s creature that was the monster, but Victor Frankenstein himself. She was able to accomplish this fully by highlighting the absence of a single trait in Frankenstein; he has no empathy. Empathy, the ability to feel with another creature, is an integral part of what makes us human, what separates us from inanimate objects and animals. It is possible for a person to register another creature’s emotions without truly being empathetic. True empathy requires an individual to merge identities and act upon both their own and the others’ emotions.
Through the theme of birth and creation, Shelley criticises Victor not only for creating the new being, but also for abandoning it when it comes to life. Victor first wishes to create the being because he thinks:
Victor Frankenstein and his creation were both portrayed as a villain and a hero. The Monster learned that murdering innocent people and his creator, did not bring him any peace. Instead, his murders and agony he brought upon innocent families only increased his desolation and in the end, he vowed to kill himself to put an end to his, and everyone else’s suffering. As the Monster learned too late, not everyone in the world is going to neither accept nor appreciate the beauty and knowledge someone else brings into the world. However, like the Monster found the blind man, if an individual can find that one person in the world who can look past the flaws, their life would be filled with love and
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.
He refers to the acquirement of knowledge as “dangerous” and “how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow” (Shelley 41). Victor, before he went to university, was the first man, but is now sacrificing his happiness for this powerful and intimidating knowledge. No longer was he the carefree boy from Geneva, now he was turning into the depressed, paranoid mad scientist. Victor “became nervous to a most painful degree; the fall of a leaf startled me, and I shunned my fellow creatures as if I had been guilty of a crime” (Shelley 44). His obsession has swallowed him in a wave of depression, giving him side effects of paranoia. These feelings tenfold after the creation of the Creature. Immediately, upon animation, Victor regrets creating life. He “had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 45). The dangerous knowledge he'd sought after left him feeling disgusted and completely