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Comparison with Gilgamesh and the iliad
Comparison of iliad and gilgamesh
Comparison with Gilgamesh and the iliad
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Destiny in Gilgamesh and The Iliad Stories do not need to inform us of things. From Gilgamesh for example, we know that some of the people who lived in the land between the Tigris and Euphates rivers in the second and third milleniums BCE. We know they celabrated a king named Gilgamesh; we know they believed in many gods; we know they were self- -consious of their own cultivation of the natural world; and we know they were literate. In the story, The Iliad we also know that great rulers and gods ruled and where top priority of the lands. Point being it can be argued that the story of Gil- -gamesh and the Iliad destiny's are quite the same in relivence of the wars and the way's of life both of the story's complete to meaningful death. In hand which comtr- -ibutes to both of the epics. In the story of Gilgamesh, it is important to look careful what happened in the story; that is , look at it as if the actions and people it describes actually took place or existed. The questions raised by a character's actions discuss the implic- -ations of their consequences. But it's not to consider how the story is put together rather how it uses the conventions of language, of events with beginings and endings of description of character and storytelling itself to reawaken our sensitivity to the real world. The real world is the world without conventions, the unnameable, unrep- resentable world--in it's continuity of action, it's shadings and blurrings of character its indecipherable patterns of being. The Iliad and Gilgamesh story's is greatly a remminder of the way life is today; just different in time but neitherless to say similar in goals and destiny's. Moreover, in the prologue of Gilgamesh it's found to know that he was two- -thirds god and one-third man, and his knowledge is the key that follows. Gilgamesh is a hero-- more beautiful, more courageous, more terrifying than the rest of us; his desires, attributes, and accomplishments epitomize our own. Yet he is also mortal: he must experience the death of others and also die himself. How much more must a god rage against death than we who are merely mortal! And if he can reconile himself with death then surely we can. In fact, without death his life would be mean- -ingless, and the adventures that make up the epic would disappear.
The evolution of Gilgamesh ironically begins as the beginning when because he is “the man to whom all things were known” (Gil. 61) One would think a man who knows everything beeds to learn nothing, but Gilgamesh shows that even a hero can
Through the many of mankind’s tales of adventure the search for immortality is a very common theme. Many heroes have made it the objective of their travels and adventures. This is no different in The Epic of Gilgamesh and The Odyssey. The heroes in both are tempted by the offer of immortality, however each of them turns it down for their own reasons.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
The Epic of Gilgamesh is a story that deals with various sub conflicts that are known to create a lasting impression on how we view the characters and their status in the general schemes. Sub conflicts like Immortality vs mortality, betrayal, death, violence and sorrow, gives us a grand perspective of how negative and pessimistic the general schemes and plot of the Epic truly is. Today I will be arguing that The Epic of Gilgamesh takes a pessimistic view on mortality. In the Epic of Gilgamesh, the main character Gilgamesh is conflicted with the death of his best friend Enkidu, in fear of death; he goes to Utanapishtim who is an immortal that is also human. Utanapishtim tells Gilgamesh about the cure and where to find it; Gilgamesh finds the cure but sets it
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The beginning of his birth starts the origin of the hero's journey. Because of his unusual birth, it meant that he's still human and will eventually face death. But, Gilgamesh knowing that he can die any moment won’t stop him from going on adventures and completing his quests. Along with Gilgamesh being two-thirds god, it meant that the gods were always on his side. Whether it was making decisions for Uruk or helping Gilgamesh throughout his journey the gods were always there for him. As a result, Gilgamesh's birth is an aspect of him becoming a hero. The text states, “Gilgamesh was the renowned king of the city of Uruk. To his people, Gilgamesh was a tyrant who became a great hero” (175). In other words, Gilgamesh is known to become the king of Uruk. For that reason, the people of Uruk would praise him as a hero. Gilgamesh that was born to be a king was unusual for Gilgamesh
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
In The Epic of Gilgamesh we are lead to believe that the one way Enkidu and Gilgamesh, these great men who are only truly one third man, exhibit their weakness just through the finite supply of their existence. They are reduced to mere mortals in that they will inevitably succumb to death. In reality they are plagued by the most human of all mindsets. Gilgamesh possesses an insatiable lust for what he doesn 't have and an inability to recognize what is truly valuable until it is denied him. The mortal in him only values things in hindsight. In this essay I will argue that it is the true inescapable human weakness of Gilgamesh to not know what he has until it is gone or dwindling by way of demonstrating both the manner in which Gilgamesh values
The meteor and the axe resembled "a strong partner" is coming to him. And that this partner will "save the life of a friend" and Gilgamesh should "love him as a wife".
The king of Uruk, who lived around 2600 B.C.E, Gilgamesh, was one-third man and two-thirds god (Gilgamesh, 61). Known as present day Iraq, Mesopotamia was where the ancient sto-ry “The Epic of Gilgamesh” was originated. The story talked about Gilgamesh’s relationship be-tween his close companions. Meeting the immortal flood survivor and giving him eternal life was Gilgamesh's long journey. The Epic of Gilgamesh teaches about the Sumarian society.
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
Being called a God throughout the whole story, I came to realize that he was just a man with an incredible story just like Gilgamesh stated at page 107; “I look at you now, utnapishtim, and your appearance is no different from mine”. He talked and sounded like a man except that he was alone. Though, I thought that he taught an important lesson at page 107 when he states that ‘’from the days of the old there is no permanence.’’ In addition, I was very impressed by the depth of the theme of human mortality. Indeed, the fact that every aspect of this story based on a mourning is intriguing on an analytical level. The Epic of Gilgamesh is a complete piece concerning mortality and how it is humanely processed. As I mentioned earlier, we humans have different reactions to the death of a dear one and this story really depicts the pain that can be carried by someone and the extent of this pain that eventually transforms into fear and apprehension. You can read about the richness of this theme throughout the whole epic. Since it is on-going, the theme of mortality can be analyzed under many perspectives such as the fragility of the Man’s ego or the envy that we have of the Gods and the importance that we accord to youth and