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Theme of death in gilgamesh
Essay on death the epic of gilgamesh
Epic of Gilgamesh literary enlightenment through the years
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The Epic of Gilgamesh is worth your attention because of his relevancy whether it is the literal richness of it or simply the universal reflection of the human nature and our desire to seek for eternal youth and immortality. This Epic depicts perfectly the idea of ‘’what one wants, isn’t what one might need’’, that our life shouldn’t be around temporary pains and pleasure and fundamentally challenges our view and comprehension of what it is to be human through the incredible glass of time. Unfortunately, we all lost someone in our live, whether it is through an unwanted breakup or through the death of a dear one. This piece reflects on the impressions that we all had on death and the shows that one can be willing to go through hell and high …show more content…
waters to not feel this particular pain or never personally experience it. Trust me, you should read it, you can even brag about it in your other classes and look smarter and cultivated than the rest of your classmates. More than death, several themes are explored in this timeless work such as life, love, despair and hope. The oppositions and contrasts that are featured in this Epic are numerous and each worth of our attention. For example, the contrast between life and death through the use of metaphor and elements like the sea of Death and the twelves mountains. Moreover, as of page 101 in the fourth chapter, the use of repetitions is poignant and emphasizes greatly the attention of the author to their meaning when mentioned several times throughout the following pages: “If you are that Gilgamesh who seized and killed the Bull of Heaven, who killed the watchman of the cedar forest, who overthrew Humbaba that lived in the forest, and killed the lions in the passes of the mountain, why are your cheeks so starved and why is your face so drawn? Why is despair in your heart and your face like the face of one who has made a long journey?” This citation is incredibly rich if you’d only take the time to consider it in this text and analyze it. I assure you that you should thank me for doing my job of ‘friend’ amazingly! One story that should also blow your mind is Utnapishtim’s with the Story of the Flood. Does it remind you of any story? Maybe one that you heard in church? No? Noah’s! you will figure quite fast that the same story! Surprising? To be honest, it wasn’t something that swept me out of my feet a long time because knowing that the Bible’s Old Testament comes from the Torah and that the Torah is a compilation of several fundamental books compiled throughout history, the mind-blowing aspect of this story came from the fact that the story was transmitted throughout time almost identically. In terms of the characters, Utnapishtim is one that is the most deceiving.
Being called a God throughout the whole story, I came to realize that he was just a man with an incredible story just like Gilgamesh stated at page 107; “I look at you now, utnapishtim, and your appearance is no different from mine”. He talked and sounded like a man except that he was alone. Though, I thought that he taught an important lesson at page 107 when he states that ‘’from the days of the old there is no permanence.’’ In addition, I was very impressed by the depth of the theme of human mortality. Indeed, the fact that every aspect of this story based on a mourning is intriguing on an analytical level. The Epic of Gilgamesh is a complete piece concerning mortality and how it is humanely processed. As I mentioned earlier, we humans have different reactions to the death of a dear one and this story really depicts the pain that can be carried by someone and the extent of this pain that eventually transforms into fear and apprehension. You can read about the richness of this theme throughout the whole epic. Since it is on-going, the theme of mortality can be analyzed under many perspectives such as the fragility of the Man’s ego or the envy that we have of the Gods and the importance that we accord to youth and
eternity.
The philosophy that comes across in Gilgamesh’s story is that he life is something to be enjoyed because once you die you will life your afterlife in eternal anguish.
After encountering the death of his friend Enkidu, Gilgamesh realizes that all men will die. Gilgamesh evolves from the beginning of The Epic of Gilgamesh as an unruly king to a realistic king who’s life ends in death. In the end after accepting that he too must die and be subject to fate, Gilgamesh settles back into his city setting, only this time to be a wise king rather than the foolish hero he once was.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
The Epic of Gilgamesh is a story that deals with various sub conflicts that are known to create a lasting impression on how we view the characters and their status in the general schemes. Sub conflicts like Immortality vs mortality, betrayal, death, violence and sorrow, gives us a grand perspective of how negative and pessimistic the general schemes and plot of the Epic truly is. Today I will be arguing that The Epic of Gilgamesh takes a pessimistic view on mortality. In the Epic of Gilgamesh, the main character Gilgamesh is conflicted with the death of his best friend Enkidu, in fear of death; he goes to Utanapishtim who is an immortal that is also human. Utanapishtim tells Gilgamesh about the cure and where to find it; Gilgamesh finds the cure but sets it
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
In The Epic of Gilgamesh the main character, Gilgamesh, is searching for immortality. This want is brought about by deep feelings held by Gilgamesh for his dead friend Enkidu. From this, Gilgamesh finds himself being scared of dying. This fear pushes Gilgamesh to search for the power of immortal life, which is believed to be held only by women because of the fact that they can reproduce. This takes him on a long and tiresome journey to a land where no mortal has gone before. The search by Gligamesh is fueled by the desire to play a part in reproduction. His journey begins at Mount Mashu, the mountain which describes a woman in the part that her "paps reach down to the underworld." Referring to two women’s breast’s hanging down. Before he may enter the mountain, he meets two half female, half dragon figures guarding the entrance. They begin asking why he has come; "No man/ born of woman has done what you have/ asked, no mortal man has ever gone into the/ mountain." This mountain is off limits to mortal beings, he should not be there Gilgamesh is alloud in and goes through twelve leagues of darkness before he reaches the golden garden of the goddesses.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
He exudes pride in a manner only rivaled by Enkidu, his best friend. Gilgamesh and Enkidu relish in their brotherhood through fighting Humbaba and the Golden Bull. Their shared life is not permanent however. After they defeated the Golden Bull, the gods look down upon Enkidu and Gilgamesh, in which they decide one of them needs to die. As the book carries on, Enkidu is struck with a deathly illness and inevitably passes on. This changes Gilgamesh’s mindset towards death. In Mitchell’s translation, it reads,“If my grief is violent enough, perhaps he will come back to life again.’ For six days and seven nights I mourned him until a maggot fell out of his nose. Then, I was frightened, I was terrified by death” (Mitchell 167). Gilgamesh, who before was enthralled with the idea of dying a hero, suddenly became terrified of death. This growth, albeit not positive growth, was a direct result of the prior circumstances. The heroes’ shared hubris angered the gods who struck Enkidu down, causing Gilgamesh to lose his best friends. This loss causes gilgamesh to grow by fearing
This story teaches that death is an unavoidable and inevitable circumstance of mortal life, which is the most significant precept Gilgamesh learns. Gilgamesh is resentful that only the gods can exist eternally. Gilgamesh is frightened by the idea of his own destiny. Mesopotamian divinity proposes a perception of an afterlife; the deceased spend their period being dead in a netherworld. Death is inevitably entwined within the structure of creation. Life is also entwined, although mortals die, humanity maintains to live. The message that Gilgamesh returns with from his adventure is not primarily about death, but about life. Fragment of a tablet of The Epic of Gilgamesh is figure C down
While researching, I consulted the many translations of Gilgamesh found on the web. It seemed that the more sources I sought, the greater the amount of differing opinions and convoluted versions I uncovered. In an effort to remain true to the epic, I will mainly be referring to the book, World Mythology, written by Donna Rosenberg with a few inclusions from Kovacs' translations. Although Rosenberg's version lacks the flair of the latter, it provides a simple doorway opening to a complicated, yet profound, tale of the first great epic that brings time, mortality, and the anguish of humanity into a world of personal destiny basically related to our own (Campbell, OM, p. 87-90). The essay is written with the understanding that the reader has prior knowledge of the main subject matter, Dr. Carl Jung's theories of the unconscious, and Joseph Campbell's idea that myths are synchronistically reproduced across time.
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
Death is something we all must face at one point in our lives or another. It is either the death of a loved one, friend or co-worker. Sometimes it’s the devastation of a natural disaster. No matter what makes us face the idea of death, it is how we handle this realization that truly matters. When Gilgamesh is faced with the horrendous loss of his dear friend and comrade Enkidu, he begins to fear death.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).