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The theme of the tempest
The theme of the tempest
The theme of the tempest
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In the story The Tempest by Shakespeare, the desire for power can be seen through the characters of Stefano and Antonio. Stefano is one of the men who was on the ship along with Antonio and other characters like Gonzalo, and Alonso, etc. The ship was caught in the tempest, which is a violent storm that was created by the protagonist, Prospero, and the sailors were pretty much goners. However, all of the people on the ship did make it out alive onto the island of which Prospero resides and the characters reveal their desire for power and how much it affects their actions and mindset. With regard to Stefanos desire for power, it can be seen through his interaction with Caliban. Stefano leaves with companion Trinculo to wander off and …show more content…
Before Prospero was sent to this island and before he even knew all this magic, he was the Duke of Milan. However, the reason behind his leaving was due to Antonio and Alonso kicking him out. Already we can see how Antonio from the start is a character who loves power. It can be seen as he was not caring of his brother and would leave him to rot in the ocean and take over his position of power instead of letting him be. In the story, after the shipwreck, the reader still get glimpses of his desire for more power as he heads for Alonso’s position of power. Gonzalo and Alonso fall asleep unexpectedly and it sparks an idea in Antonio’s mind which he shares with Sebastian. Because they Golanzo and Alonso have fallen asleep, he feels it would be a perfect opportunity to kill them and take over their positions. No one would know. He convinces Sebastian to kill Gonzalo while he himself kills Alonso. In the story Sebastian says, “as thou got’st Milan,/I’ll come by Naples” (II.i.333-334). This line reveals how Antonio has already got Milan and Sebastian will now be the ruler of Naples. The fact that Antonio was so easily able to convince Sebastian to kill someone for power and pretty much dethrone and kill Alonso for more power shows how he is blind by his desire for power. As he got his position from Propspero, he already feels he needs more and wants to take that of Alonso too. Antonio’s desire for power helps enhance the plot as it too shows how he has control over his actions and is able to choose his ending, but power blinds him so instead of thinking rationally he doesn’t think at all and just wants to absorb power. Thus, revealing how his desire for power continues to grow and he isn’t able to control his actions due to
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
...ith humane care, and lodged their in mine own cell, till thou did’st seek to violate the honour of my child”(Act I, Scene II, 343-348). Prospero believed that Caliban had this coming to him, and should he had been a vengeful man could have killed him. From these examples we see that Prospero perceives his power over all since he had spared them from horrible existences and given then a taste of the civilized world. Lastly, Prospero believed so deeply that since he was the first noble to set foot on the island that it was his right to claim it as his own. For before him this isle was nothing till he brought his language, education, and culture to it.
William Shakespeare’s play The Tempest reveals how ideologies of racial ‘otherness’ served to legitimize European patriarchal hegemony in Elizabethan England. In the Elizabethan/ Jacobean times of England there were many relevant ideologies relevant to this play. In examining the values and ideologies this text endorses and challenges, the society of the time (Elizabethan England), and a knowledge of how it operated serves a great purpose in analyzing these relationships. As in many texts of this time, Shakespeare is endorsing many ideologies of his time, and, although many have labelled him ahead of his time in many respects in his writing, he is, essentially writing from the Elizabethan or Jacobean point of view and time. The Tempest endorses the inequitable relationships between races based upon the belief of European superiority. The representation of race and ethnicity in The Tempest reveals a text that is awash with imperialist European ideologies.
He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect. In Act I of the play, Prospero finally tells Miranda the woeful story of how she and he arrived on the island. From the beginning, Prospero plays his subjects and his sympathetic audience as pawns in his game of manipulation. He explains that twelve years ago he was the Duke of Milan, but being enthralled with his studies, he left most of the governmental responsibilities to his brother Antonio. Antonio, hungry to be "Absolute Milan" himself (1:2, p.6), proceeded to betray him with the help of King Alonso of Naples.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
Throughout “The Tempest”, the majority of conflict surrounds Prospero and Caliban. Their exchanges comprise of vulgar words, such as Prospero threatening Caliban and calling him ‘Thou poisonous slave’, and Caliban cursing Prospero, ‘and blister you all o’er’. Before we meet Caliban, we are told that he is of North-African descent, when Ariel said Sycorax was from ‘Algiers’, a place in North-Africa. He is depicted as a ‘salvage and deformed slave’ by The Folio’s ‘Names of the Actors’ and to a Jacobean audience, the word ‘salvage’ referred to a ‘wild and uncivilised’ person, and they believed that these ‘salvages’ were below their civilised counterparts in the social hierarchy. The Renaissance period, despite its advance in intellect, was a profoundly intolerant age. ‘There was very little willingness to accept the legitimacy of structures of belief, patterns of behaviour, social organisation other than one’s own’. (Michael de Montaigne). They were intolerant in accepting the unknown, the natives, and treated them as the dreads of society. This could be explained through the structure ...
Human Relationships Between The Central Characters in William Shakespeare's The Tempest. In this essay I intend to explore the ways that William Shakespeare has presented the relationships between the main characters within his play “The Tempest”. I shall investigate Ferdinand and Miranda’s relationship, the father/daughter bond between Miranda and Prospero, and Caliban’s lust after Miranda. Shakespeare was intending to represent several different groups of people in society through his plays, and “The Tempest” was no exception to the rule.
This time however, Prospero used his daughter as bait in order to draw Ferdinand closer in the hopes of getting them married. He wants to regain his title as the Duke of Milan. Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
If there were no king the country would be in chaos for there would be
Prospero’s decision to relinquish magic coincides with his decision to forgive Alonso, Antonio, and Sebastian, freeing him from the burden of revenge. Moments prior to his declaration that he will renounce his magic, Prospero says, “Yet with my nobler reason 'gainst my fury / Do I take part: the rarer action is / In virtue than in vengeance…” (5.1.26-28). His “nobler reason” has a greater impact on his rational than his “fury”, resulting in his decision to free Alonso, Antonio, and Sebastian after harbouring years of ill will against them. Prospero’s use of alliteration places emphasis on “virtue” and “vengeance”, and the contrast between the positive and negative connotation of his diction proves his understanding of the importance of forgiveness. Therefore, his power no longer has a corruptive influence upon him. Soon after he gives up his magic, Prospero also sets Caliban free, which in turn frees himself from the burden of his hatred for Caliban. Prospero tells Caliban, “Go, sirrah, to my cell… as you look / To have my pardon, trim it handsomely” (5.1.292-293). Prospero’s reference to Caliban as “sirrah”, although not respectful, still shows a stark change from the insulting manner in which Prospero previously spoke to Caliban. Prospero’s offer to give Caliban “pardon” shows development in their relationship since their mutual hatred for each other at the beginning of the play. Prospero’s decision to give
Prospero, the "rightful" duke of Milan, primarily seeks revenge against two people, Antonio and Caliban. But, Prospero allows his anger toward them to trickle to the other castaways on the island. He encourages Ariel to separate Sebastian, Duke Alonso's brother, from his son Ferdinand during the raging sea storm, causing Sebastian to assume his son has drowned. (1.2.213-224) The other "drunkards" on the island also feel the brunt of Prospero's revenge against Caliban when Ariel tempts them with a banquet stocked with alcohol and then disillusions them into thinking the banquet was a figment of their imagination. (2.1)
The Tempest, by Shakespeare, offers the reader a variety of themes. The one theme that stands out the most is that of colonialism. During the time of Shakespeare, many European countries such as Spain, France, and England, were expanding their borders by taking over less developed countries, referred to as colonies. During this time of exploitation, there was skepticism concerning the possible success of the colonies. While some scholars believe that the play is about the Americas, I argue that the play reflects on colonialism in general and how it is destined for failure which is shown through the character’s relationships throughout the play.
It can be obtained through many means. Some interpret power as having control over others, by the amount of possessions they can obtain, or by how manipulative they can be. The Tempest portrays power by combining these concepts in the sense of one person manipulating others to gain control over them. Prospero uses his magic and manipulative nature to enslave the natives on the island he is shipped to, and construes their ideas of the past. These methods allow him to alter the mindset of those around him and thus, gain power over
...e island” (3.2.46-48 Pg. 101). Which this means he hates Prospero for all the things he has ever done to Caliban and wants revenge. Which the revenge that Caliban wants is Prospero dead. In a way these two characters are a lot alike in ways that is indescribable. With both characters wanting power of the throne and both to control the people around them that they both want revenge on each other.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.