Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Homosocial relationships in shakespeare
Love and marriage in Shakespeare’s late plays
Love, marriage and social relationships in the literary world of William Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Homosocial relationships in shakespeare
The relationship between Desdemona and Emilia is both important and its development is both intriguing and captivating throughout the play. Desdemona enters the play as a sheltered character, feeling divided between her father and her husband “I do perceive here a divided duty…How to respect you. You are the lord of duty; I am hitherto your daughter. But here’s my husband” (1.3.183-185). Emilia is Desdemona’s attendant and she is a confident experienced women, who is cynical about men and their true motives (Ivasere, 71). The differences between the two women create a fascinating and intriguing story. Throughout the play, the relationship between Desdemona and Emilia changes dramatically. Emilia gets Desdemona’s handkerchief for Iago, although she does not know what his intentions are …show more content…
As their relationship grows in the first true heartfelt interaction between Desdemona and Emilia, Desdemona is innocent, true, and loyal towards her relationship with Othello with her questioning, “Dost thou in conscience think-tell me Emilia- That there be women do abuse their husbands in such gross kind?” (4.3.64-65). Emilia is more realistic and pragmatic in her response, “There be some such, no question” (4.3.66). As they continue it is Emilia teaching Desdemona about the ways of the world, but Desdemona is still innocent of the world and faithful to her husband despite Emilia’s words. “Beshrew me if I would do such wrong for the whole world” (4.3.81-82), and skeptical that these kind of women really exist, “I do not think these is any such woman” (4.3.86). Emilia is cynical towards men and she once again shares her views about them with Desdemona, “but I do think it is their husband’s faults if wives do fall. Say that they slack their duties”
...ng Desdemona has been unfaithful, ‘Trifles light as air Are to the jealous confirmations strong As proofs of holy writ’. However, his manipulation can also be seen with Emilia, in particular her finding of the handkerchief, ‘my wayward husband hath a hundred times Woo’d me to steal it’. The fact that Emilia gives Iago the handkerchief, despite her initial intention which is to have it copied and to return the original to Desdemona and despite his crude and derogatory remark, ‘it is a common thing’, reveals her desperation to please Iago and to satisfy his need for instant gratification. This contrasts with her outspoken, headstrong nature when Iago is not present and shows that women of this time period were dominated by men in all ways, including the suppression of their natural personalities.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
middle of paper ... ... We also find out Emilia’s thoughts on men, and how she perceives them. She feels that ‘it is their husband’s faults if wives do fall’ which Desdemona simply replies by saying she will try to amend herself. All through the four acts, we see many sides of Desdemona. We start with a strong, brave woman, who stands up for what she believes what is right.
Most obviously, the roles Desdemona and Emilia have in both society and the play sharply contrast each other, effectively ensuring their position as foils. On one hand,
She is a caregiver. Emilia becomes close to young Desdemona. It could be implied that Emilia is a older than Desdemona, and not just because she is stated as “young Des”, but also because she is a bit naive. This is revealed when Emilia and Desdemona talking about women cheating on their husbands. Desdemona says, “I do not think there is any such woman.” With this she is trying to say that she doesn’t think any women would be capable or actually cheats on their husband. Emilia, then explains that many women do it and it's not their fault it’s their husbands. Emilia: “Yes, a dozen; and as many to th’ vantage as would store the world they play’d for. But I do think it is their husbands’ faults, If wives do fall.” In essence, Emilia is teaching young, naive Desdemona things she wouldn’t know if she didn’t have her. If she didn’t have a caregiver, and most importantly an important
Because Emilia remains loyal to Iago throughout the play, Iago relies totally on the belief that Emilia will remain obedient to him. Emilia proves her loyalty to Iago by stealing the handkerchief that Othello gave Desdemona:
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
These behaviours allude towards tension due to their dissimilarity to the accustomed conduct of Othello and Desdemona. Desdemona’s growing fear of Othello is evident. in the precautions she takes to avoid his anger. Desdemona places the importance of Othello’s commands above her need to confide in Emilia.... ...
Desdemona’s death is caused because Emilia is naive and has poor judgment of Iago. Iago believes that Emilia is promiscuous this sparks his jealousy toward Othello. Because he suspects that Othello and Emilia have been together intimately. He then seeks revenge on the Moor in the process he uses his own wife as an accomplice. This leads to, the case of the missing handkerchief! Emilia is completely naive and without any suspicion she never suspects that Iago envies the Moor and will use the handkerchief to deceive him. When Emilia says:
At the beginning of the play, Desdemona is labelled as a prize, which makes her loses the fact that she is a human not a tool. Desdemona’s fate was with Othello, who has nothing to do except loving Desdemona. But later in the play, she becomes the victim of this love, which turns her life to hell, where jealousy and accusations are surrounding her. Desdemona’s young age shapes her lack of experience, especially in dealing with the marriage life and issues. Although Desdemona chose to follow her husband to the war because she cannot stay without him and she is following her sexual desires, he did not appreciate her noble actions, and believed the first lie he hears about her without giving her a chance to defend herself fairly.
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.
Both marriages portray the role of woman. Both Emilia and Desdemona are under the control of their husbands. They were almost forbidden to speak up. Shakespeare is trying to show that that notion of "love", is not all that it is intended to be. Up until the end of her life, Desdemona defended her husband [act 4 scene 2] "I hope my noble lord esteems me honest.""O, heaven forgive us!". It seems as in all of Shakespeare plays, love always end in a tragedy. This proves to be true in Othello.
Throughout the play, the sweet and old-fashioned Desdemona shows to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at the hands of their own husbands. But still, even when they do share a handful of similarities, it is their perception of life that makes them react in different ways. However, Desdemona is the one that is least aware of what is happening due to her undoubtedly naiveness.
At this point Desdemona seems to be an innocent woman without any knowledge, who does not even wish evil to those who do her meanness “if any such there be, heaven perdon [them]” (4.2.157). Emilia is the opposite of Desdemona, she has a good knowledge of how men are when they are jealous. He even assured that by the behavior of Othello something bad was behind all this, so he could called Desdemona a "whore".