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Shakespeare at Othello, used only three female characters in his play, Desdemona, Emilia, and Bianca. Along with the play, Bianca’s boyfriend, Cassio, did not respect her enough to marry her, so he did not get jealous or treat her badly. Opposing to Othello and Iago, they respected Emelia and Desdemona enough to marry them, so jealousy pushed them to treat their wives badly. But on both cases Desdemona, Bianca, and Emelia still share the fact that they are victims and tools for those whom they loved the most.
Firstly, Bianca’s boyfriend did not get jealous on her because she was not his wife, so he did not find a reason to treat his prostitute badly. Cassio was almost afraid to hurt Bianca’s feelings during the play. He used to act in front
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Desdemona in the play was exposed to verbal and physical abuse in front of people and alone with her husband because of jealousy. After Othello sees the handkerchief with Cassio, he bursts of anger, then Desdemona puts the guilt on herself saying, "Men's natures wrangle with inferior things, / Though great ones are their object" (3.4). The second disrespectful action Othello does is when he calls her a “whore” in public, and Desdemona cannot even spell that word, as she goes to Iago and asks, "Am I that name, Iago?" (4.2). Desdemona asserts that the "whore" cannot be spelled by her and she would never be one of them: "I cannot say 'whore': / It does abhor me now I speak the word; / To do the act that might the addition earn / Not the world's mass of vanity could make me" (4.2) Also, Othello success in humiliating Desdemona, she goes down on her knees and says, "Unkindness may do much; / and his unkindness may defeat my life, / But never taint my love" (4.2). After Desdemona hears that Cassio will be the governor of Cyprus, she immediately says, "By my troth, I am glad on't" (4.1), Othello misunderstands his wife’s intention behind her sentence and slaps her in front of Lodovico. Then he keeps insulting her by telling Lodovico that Desdemona can have sex with any man because she is dutiful. Moreover, Emelia …show more content…
At the beginning of the play, Desdemona is labelled as a prize, which makes her loses the fact that she is a human not a tool. Desdemona’s fate was with Othello, who has nothing to do except loving Desdemona. But later in the play, she becomes the victim of this love, which turns her life to hell, where jealousy and accusations are surrounding her. Desdemona’s young age shapes her lack of experience, especially in dealing with the marriage life and issues. Although Desdemona chose to follow her husband to the war because she cannot stay without him and she is following her sexual desires, he did not appreciate her noble actions, and believed the first lie he hears about her without giving her a chance to defend herself fairly. Also, Desdemona appears in the play as a loving person who aims to ease everyone’s pain. This was clear when Othello fired Cassio, and she asks him to bring him back to work. When her husband could not promise her to do what she wants, Desdemona says, "Tell me, Othello. I wonder in my soul, / What you would ask me, that I should deny, / Or stand so mammering on" (3.3). Once she feels that Othello is to do her what she asks for, and ignored her request, Desdemona clarifies that she would never treat him the same way he does, and she is seeking his respect, as she respects him. Othello do not understand Desdemona’s passion of helping
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
At this point in our civilization the play’s fascination and its horror may be greater than ever before because we have been made so very sensitive to the issues of race, class, and gender that are woven into the texture of Othello. [. . .] The issue of gender is especially noticeable in the final scenes of the play – with the attacks on Bianca, Emilia, and Desdemona – which are vivid reminders of how terrible the power traditionally exerted by men over women can be. (xiii-xiv)
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
The definition of Renaissance women is fundamentally important in William Shakespeare's play Othello. One of the major causes of Othello's tragedy is his belief that Desdemona is not chaste. According to the men of the Renaissance, chastity, silence, and obedience are three attributes that define Renaissance women. Although Othello takes place during the Renaissance, the women in the play, Bianca, Desdemona and Emilia, defy traditional norms by lacking at least one of the major attributes defining women; Bianca's lack of chastity is clearly displayed when she unlawfully sleeps with Cassio; Desdemona's lack of silence is clearly displayed when she constantly urges Othello to give Cassio's position back. However, in the last two acts, Emilia displays the strongest challenge to the definition of Renaissance women as silent, chaste, and obedient, mainly to defend Desdemona.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
These lines are the first hint given that Desdemona may not have always been completely captivated by her husband. These words, not denied by Othello, sit in contrast to his own. Upon hearing her words, Othello seems a changed man, depressed and submissive, his new attitude brought on by “Desdemona’s own honest account of her original feelings for Othello and the role Cassio played in Othello’s winning of her” (Macaulay 269). With just a little concern for Othello’s own pride, Desdemona have chosen to withhold some words or soften their blow. Instead, her own pride continues to lead her headlong onto a destructive
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
In Shakespeare's drama, Othello, there are many different relationships among the main characters. The way that Shakespeare portrays these relationships sets the stage for the pain and deceit that unfolds within the play. Relations between the men of the play, Othello, Roderigo, Iago, and Cassio, undoubtedly form the main theme. Furthermore, each of the men, except Roderigo, also has woman that stands behind and cares for him. But the manor in which these women are treated is why the story ends on such a tragic note. After a careful analysis of the women, Desdemona, Emilia, and Bianca, one can see that much of the tragedy could have been avoided if only the men would have given them a chance to speak their own opinions. Regrettably no such thing happens until it is to late. The men clearly show a disrespect for women. Emilia is quite right when speaking of the men, she says "They are all but stomachs, and we all but food; they eat us hungrily, and when they are full the belch us (3.4.100-102).
During this time period, the men would work to support their family. Additionally, the woman would stay at home and care for her husband and children. This society thought of women as weaker than men. They were often treated as possessions of their husbands, “This concurs with Othello 's own insight when he describes murderous jealousy as innate in the husband-wife relationship which posits the wife as the exclusive possession of the husband and is thus at odds with the human condition wherein one can never know another person 's inmost thoughts and desires” (Vanita 342).The language Shakespeare uses in the play supports that men seemed freer than women. When Brabantio speaks of his daughter he describes her as obedient. Likewise, Desdemona obeyed Othello’s orders and stated she is indeed obedient to him. When Othello was convinced Desdemona was cheating on him he proceeded to murder
Desdemona's actions make it evident that the female characters in Othello are weak minded. Emilia allows herself to be abused by Iago, making her a weak woman. While she does have good intentions throughout parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. Come on, come on, come on.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
Throw your vile guesses in the devil’s teeth, from whence you have them. You are jealous now that this is from some mistress, some remembrance: no, in good troth, Bianca.”(Shakespeare 3.4.184-187). The men would speak to the women in very demanding tones. Bianca was the prostitute that loved Cassio. She was used by both Iago and Cassio in different ways. Iago for his plan and Cassio for his own pleasure. Cassio was especially rude to Bianca since we would never marry her, but would like to sleep with her. Bianca, in a way was seen as unimportant and was only used when convenient. She had a true love for Cassio, but he gave her nothing in return. He was ashamed of being around her in
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.