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Othello as a racial stereotype
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There were only two things keeping Othello with the people of Venice as a black man and those are having the opportunity to be the husband of Desdemona and also being there as the general of the army. In addition, the fact that Desdemona confirmed and expresses her love for Othello before her father and the Duke strengthens Othello as well.
Although Desdemona demonstrated how she loved Othello in front of the Duke and the Barbantio the father, Iago still felt no matter how far the couple have reached, Othello’s color does not permit him to posses such a beautiful wife from a good home, hence decided to find every way to break the couple’s marriage. Iago started putting fear in the senator about Othello’s personality since he is a black man; Sex in marriage is a good thing which brings pleasure to both couples but on the part of Othello, Iago made sex look like a crime and pointed it out to Barbantio that sexually Othello is going to use his daughter badly and after the sex her daughter cannot look at the face of Othello. He went on using the nature of sex to threaten the heart of Barbantio. According to Iago since Desdemona has been brought up in a way that she is afraid of foreigners precisely blacks, how come Desdemona is he going to have sex with someone whom she is frightened
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He kills himself because he has nothing to lose. The two important things that make him powerful in this society have come to an end, so he kills himself because without these two things, he is castrated and his life is meaningless. Othello says before he stabs himself: I have done the state some service, and they know 't. No more of that. I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am; nothing extenuate, Nor set down aught in malice: then must you speak Of one that loved not wisely but too well; Of one not easily jealous, but being wrought. (5.2.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
The interracial marriage of Desdemona and Othello is in the forefront of the play. As mentioned above, this was extremely unusual in Elizabethan England. In fact there is one case when an English woman, Millicent Porter, a seamstress, slept with a black man and had to do a public penance for it (Elizabethan England Life). Also just three years prior to the release of Othello in 1603, Queen Elizabeth threw all of the Africans out of England ("Othello- An Interpretation" Critical Essays 39). All of this makes the marriage of Othello, a famous black general, and Desdemona, a senator’s daughter, who is white and beautiful, very bizarre to the viewers in Elizabethan England. Most if not all of the characters seem to be just as appalled at the interracial marriage as the audience. Specifically the racism the other characters show toward Othello is apparent. Rodrigo, a man who pays Iago to hel...
The. Iago can’t stand the fact that a ‘black man’ has more. status than a ‘white man’, especially when living in a white society. Othello is also married to Desdemona, who is the daughter of the senator. The senate This is the turning point of the play, Act 3, Scene 3, where Iago.
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
Othello and Desdemona's Love In Act 1 Scene 3. The scene begins with the Duke and senators sitting around a table in the dukes chamber, the conversation is based around what is going on. in Cyprus the conversation is between the Duke, a Sailor, an Officer, a messenger and senators of the United States. Lots of different people express their different thoughts but in the end the main message is that soon Cyprus will be under attack by the Turks.
Even before Iago exerts his influence over Othello, we can observe the inklings of Othello’s insecurity and the doubt he has regarding his relationship with Desdemona. During his audience with the Duke, Othello describes the circumstances by which he became acquainted with Desdemona. He says on the occasions that he told Brabantio of his life stories, he would also tell Desdemona the same stories. Then, Othello self-consciously proposes that the sole reason why Desdemona loves him is because she pitied his misfortunes: “She loved me for the dangers I had passed, / And I loved her that she did pity them” (I.iii.193-194). Othello feels way because as
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Iago proceeds to tell the news of Desdemona and Othello's marriage to a shocked Brabantio. He uses offensive imagery, showing the extent to which he will go to win Brabantio's support against Othello. While not in the company of either Othello or Brabantio, Iago debases the marria...
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
This awareness expresses some of his doubt regarding Desdemona’s faithfulness and true love for him. Cahn argues that “Iago does not plant suspicion inside Othello. Rather the seed is there from the start, and Iago brilliantly cultivates it” (Cahn 111). The objects meaning to Othello is the most important as it is what determines his actions towards his wife.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...
One factor contributing to the reason Othello falls as the result of a tragic flaw is that he is characterized by jealously. Othello’s jealousy throughout the play is very strong, and is also sensed by many of the other characters in the play. Othello says “Excellent wretch! Perdition catch my soul. But I do love thee! And when
Othello and Desdemona’s marriage was destined to be unsuccessful. There are plenty of reasons that made their marriage disastrous: the racial nature between Othello and Desdemona, his lack of a constant home, and Othello’s improper method of his courting. The main intention from Othello, he labels his wife, Desdemona who is superior to himself which prevents him from considering her a human. Othello makes himself believes that his skin color and race brands him as a contaminated person. The vision Othello perceives that Desdemona is a God.
At the beginning of creation, Adam and Eve were placed by God to take care of the earth. After they were told to not eat from the tree of knowledge of good and even, Adam and Eve broke God’s covenant and sin fell upon the world afterwards. Mankind’s blood line was tainted, and God needed a redeemer to save the fallen world. The only option God had was to look for his only Son Jesus Christ to redeem the world for mankind. Jesus’s time on earth was filled with healing the sick, cleansing the lepers, and taking possession of the world once again.
Othello’s jealousy is evident throughout the play. The play was written during a time when racism was prevalent. Racism is evident in Act I, Scene 1, on line 89, Iago refers to Othello as a “black ram” when informing Brabantio, who is Desdemona’s father, of her and Othello’s relationship. (Shakespeare, pg. 987). This is an example of the racism involved. In Act I Scene 3, Brabantio, who is shocked by the news, states “It is a judgment maim’d and most imperfect.” (Shakespeare, pg. 995). This quote gives the impression that Brabantio does not agree with his daughter’s choice. He believes that their love is “imperfect” because Othello is black and his daughter is white. It is possible Othello’s jealousy may have spawned from this belief. Since Cassio is white, it would be easy for Othello to believe that his wife would rather be with him. To Iago, this realization would fit perfectly into his plan. After convincing Othello that Desdemona is having an affair with Cassio, Othello’s jealousy results in impulsive actions that lead to his downfall. Examples of these impulsive actions include the striking of Desdemona. This occurs in the first scene of Act 1 on line 219. After Desdemona asks why he was mad, he refers to her as a “Devil” and then proceeds to strike her. (Shakespeare, pg. 1046). This act occurs in front of many of the other characters. Othello’s striking of Desdemona is the result of jealousy and anger. This clouds his judgment. Instead of approaching the situation in a calm manner, which quite possibly could have exposed the real truth, he chose to react the way he did. This would be a significant factor in his downfall. The most extreme example occurs at the end of the play, when Othello decides to kill Desdemona for her suspected affair. Desdemona’s murder occurs in Scene 2 of Act IV. Othello’s feelings completely take over, causing him to commit the worst act possible. At this time, Othello’s reputation